frustration, and the desperate need for communication by people who are society's misfits. At least part of this reflected his own life, as he was at times, a misfit himself. He recalled being teased by gangs of boys when he was in school. Nevertheless, he graduated from high school in January 1929, and went on to the University of Missouri-Columbia that fall. Tennessee had hid first brush with the publishing world when he was sixteen.
He won third prize and $5 for an essay, "Can a Good Wife Be a Good Sport". A year later, he published "The Vengeance of Nitocris". It was nine years later when his first publicly performed play, Cairo, Shanghai, Bombay, was produced in Memphis; in many respects this would be the beginning of his literary and stage career. The next year he became associated with the Mummers, a lively St. Louis theatre group. By 1939, he had dropped Thomas Lanier completely which allowed him to become more than just a local playwright. During this year, he lied about his age in order to submit a series of plays to the Group Theatre. From this he got himself an agent, Audrey Wood. She procured him a Rockefeller Fellowship, which allowed him to work comfortably without the worries of money. His first published plays appeared in The Best Plays in 1940,41,42,44, and
45. Tennessee achieved his greatest acclaim during the 1940s and 50s. The Glass Menagerie, which ran for more than a year, opened in Chicago on December 26, 1944, and in New York on March 31, 1945. From that time on, his career is a matter of public record and from this time on, he averaged more than a play every two years. His greatest commercial and critical successes were The Glass Menagerie, Cat on a Hot Tin Roof, A Streetcar Named Desire, and The Night of the Iguana. These plays not only had the longest runs, but all received the Drama Critics Circle Award. A Streetcar Named Desire and Cat on a Hot Tin Roof were given the Pulitzer Prize and both were made into motion pictures. Tennessee had now achieved a fame few playwrights of his day could equal. Tennessee Williams died in 1983, at the age of 71. He was interred in the Calvary Cemetery, St. Louis, Missouri, despite his stated desire to be buried at sea at approximately the same place as the poet Hart Crane, whom he considered one of his most significant influences.