Art for heart’s sake. The author of the extract under analysis is an American sculptor, cartoonist and writer Reuben Lucius Goldberg (1883-1970). Rube Goldberg began practicing his art skills at the age of four when he traced illustrations from the humorous book History of the United States. After graduating from the University of California in 1904 he worked as a cartoonist for a number of newspapers and magazines. Goldberg is best known for a series of popular cartoons he created depicting complex devices that perform simple tasks in indirect way. Among his best works are Is There a Doctor in the House? (1929), Rube Goldberg’s Guide to Europe (1954) and I Made My Bed (1960). The text under analysis is a short story Art for heart’s sake. The title of the story reveals its subject matter, but it is only when we have read the whole story we shall understand what underlies this title. The story is told from the point of view of the author. From the point of view of presentation the text is a 3rd person narration with dialogues of the characters. Since the text under consideration presents a story it belongs to belles-lettres style, emotive prose substyle. The character drawing is of a mixture type because the author both describes his characters directly through words and through their actions, attitudes to other personages. The author managed to depict all his characters with genuine skills. Koppel, doctor Caswell, Swain and Ellsworth were described mostly through their behaviour, speech and dialogues. The first character who was introduced to the reader was the male nurse Koppel. He was the helper of doctor Caswell to treat the old man. The author described how hard it was. He used gradation to reveal the male nurse’s despair (He won’t take his pineapple juice. He doesn’t want me to read to him. He hates the radio. He doesn’t like anything!). Koppel couldn’t do a thing with the old man. The nurse even tried to
Art for heart’s sake. The author of the extract under analysis is an American sculptor, cartoonist and writer Reuben Lucius Goldberg (1883-1970). Rube Goldberg began practicing his art skills at the age of four when he traced illustrations from the humorous book History of the United States. After graduating from the University of California in 1904 he worked as a cartoonist for a number of newspapers and magazines. Goldberg is best known for a series of popular cartoons he created depicting complex devices that perform simple tasks in indirect way. Among his best works are Is There a Doctor in the House? (1929), Rube Goldberg’s Guide to Europe (1954) and I Made My Bed (1960). The text under analysis is a short story Art for heart’s sake. The title of the story reveals its subject matter, but it is only when we have read the whole story we shall understand what underlies this title. The story is told from the point of view of the author. From the point of view of presentation the text is a 3rd person narration with dialogues of the characters. Since the text under consideration presents a story it belongs to belles-lettres style, emotive prose substyle. The character drawing is of a mixture type because the author both describes his characters directly through words and through their actions, attitudes to other personages. The author managed to depict all his characters with genuine skills. Koppel, doctor Caswell, Swain and Ellsworth were described mostly through their behaviour, speech and dialogues. The first character who was introduced to the reader was the male nurse Koppel. He was the helper of doctor Caswell to treat the old man. The author described how hard it was. He used gradation to reveal the male nurse’s despair (He won’t take his pineapple juice. He doesn’t want me to read to him. He hates the radio. He doesn’t like anything!). Koppel couldn’t do a thing with the old man. The nurse even tried to