They were the ones who started the Minstrelsy, or the Blackface performance; the European Americans painted their face black and wore exaggerate clothing and wigs (Edmondson). During the 19th century, the banjo flew around the world and met with many Englishmen, Japanese(s), Australians and South Africans. England saw the banjo from a different perspective and innovated this instrument with additional bass strings, short thumb strings and building materials (Edmondson). For a moment of time in the 1870s, many Europeans even saw the banjo as a women parlor instrument. In Europe, people sat in seats in a concert or clubs, shushing people so they could listen to the harmonic sounds that came out of the banjo. By 1850, a voyager named Matthew Perry introduced this banjo to Japan with a blackface performance and in 1865, South Africa also saw the blackface performance (Edmondson). It wasn’t until the late 19th century, when manufactures started to make the banjo out of both wood and metal. During this time, the banjo’s face was made with cheese box hoops and was shaped into the shape of a frying pan (“Folk Music”). By the end of the 19th century, banjos were made to reflect the sounds of bass, cello, piccolo and the ukulele (Edmondson
They were the ones who started the Minstrelsy, or the Blackface performance; the European Americans painted their face black and wore exaggerate clothing and wigs (Edmondson). During the 19th century, the banjo flew around the world and met with many Englishmen, Japanese(s), Australians and South Africans. England saw the banjo from a different perspective and innovated this instrument with additional bass strings, short thumb strings and building materials (Edmondson). For a moment of time in the 1870s, many Europeans even saw the banjo as a women parlor instrument. In Europe, people sat in seats in a concert or clubs, shushing people so they could listen to the harmonic sounds that came out of the banjo. By 1850, a voyager named Matthew Perry introduced this banjo to Japan with a blackface performance and in 1865, South Africa also saw the blackface performance (Edmondson). It wasn’t until the late 19th century, when manufactures started to make the banjo out of both wood and metal. During this time, the banjo’s face was made with cheese box hoops and was shaped into the shape of a frying pan (“Folk Music”). By the end of the 19th century, banjos were made to reflect the sounds of bass, cello, piccolo and the ukulele (Edmondson