The storm has died away, and still we are restless, uneasy, as if the storm were about to break. Almost all the affairs of men remain in a terrible uncertainty. We think of what has disappeared, and we are almost destroyed by what has been destroyed; we do not know what will be born, and we fear the future, not without reason… Doubt and disorder are in us and with us. There is no thinking man, however shrewd or learned he may be, who can hope to dominate this anxiety, to escape from, this impression of darkness.…
"Only the gloom to the west, brooding over the upper reaches, became more sombre every minute, as if angered by the approach of the sun." (pg.46)…
The second part of the poem ‘Nightfall’ continues the story of the child forty years from ‘Barn owl’, where she had lost her innocence by shooting an owl and this had resulted in a heavy hearted guilt which was caused by her unknowing and stubborn actions. The poem represents death closing in on the father, and the limitations of time on their relationship that was never experienced before in her younger years. The father, who in the first poem is depicted as an “old no-sayer”, is now held in high esteem, he is admired and respected as an “old king”. The extended metaphor “Since there is no more to taste ripeness is plainly all. Father we pick our last fruits of the temporal.” Appeals to our senses and is now an aural metaphor, it illustrates the father’s life becoming fulfilled or ripe, it has come near to its end and the father and child will now spend or pick the last moments of the father’s life together. Over time her appreciation of her father has changed, this is shown through “Who can be what you were?” and “Old King, your marvellous journey’s done.” She has realised the valuable life her father has led and the great loss that will be felt after he is gone. The child, now a grown woman learns another lesson about death, it can be quiet and peaceful, and “Your night and day…
In William Cullen Bryant’s ‘Thanatopsis’, the poet and nature are communicating. The poem refers to how death is not saddening, but it is much greater than thought. The poet is at first saddened by death as they stat “-and breathless darkness, and the narrow house, Make thee to shudder, and grow sick at heart-”. The poet then consults nature “Go forth, under the open sky, and list to Nature’s teachings,-”. Upon listening to nature, it says that the poet will not be alone when they die, “Thou shalt lie down with patriarchs of the earth-with kings, The powerful of the earth-the wise, the good-”. The poet concludes from their teachings from nature, that he should live his life, so that when death does come, he is not regretting his life and he is fully ready when death does come for him, but only when it is supposed to. This poem is glorifying life by saying, “So live, that when thy summons comes to join-” , “-Thou go not, like the quarry-slave…
I cannot describe to you my feelings on this calm summer night, when two thousand men are sleeping around me, many of them enjoying the last, perhaps, before that of death -- and I, suspicious that Death is creeping behind me with his fatal dart, am communing with God, my country, and thee.…
The act of going off into the woods and seek revelations seems too irrational and pointless to even consider it. Besides, the population has become adapted to the mainstream lifestyle as the norm and prefer to be steered by society’s current. This practice of conformity is not wrong, it is simply deficient. When one realizes there has always been a choice, to live wilfully and consciously, freed from social demands and role’s pressure, one is likely to remorse, particularly at a late stage of life. Only through identifying one’s authentic motivation to live, one will not consider any second of life from then and on as wasted, because each instant is fruitful and momentous to create the splendor of being founded by an earnest deliberation of…
“ Night. No one Prayed, so that the night would pass Quickly. The stars were only sparks of the fire which devoured us. Should that fire die out one day, there would be nothing left in the sky but dead stars, dead eyes.” (18)…
8. A: Ross: "By th' clock 'tis day, / And yet dark night strangles the traveling lamp. / Is't night's predominance or the day's shame / That darkness does the face of the earth entomb / When living life should kiss it?" (2.4.8-13)…
John gives us three signs. The first sign is that the soul, neither finds pleasure in the things of God nor in the things of this world. The purpose of the dark night is to cleanse our soul from all attachment so that it may cling to God alone. This first sign shows the beginner that it is not due to sin that he is entering into a period of aridity. The second sign that St. John gives us is that the soul is so concerned with God that because of this period of aridity he thinks that he is either not serving God and is decreasing in spirituality. This sign shows that the soul is not backpedaling due to a failure on its own part, but it is actually an invitation from God to draw deeper into the spiritual life. The third step of the dark night of the senses is that the soul can no longer mediate in the imaginative sphere. In this step the beginner must realize that God no longer desires to communicate himself through the senses but through pure spirit. Only through spiritual contemplation can the soul now communicate with God. This sign also serves as proof that the soul is beginning to purge its desire for sensual…
deep breathing and first light revelations I. prelude the grapefruit and lemon colored sunrise assures creation of angels and eulogies and obituaries and it guarantees life, it guarantees death something about seeing that the newspaper isn’t delivered by a teenage boy on a red bike, but rather a middle-aged man in a shoddy car is disappointing, to say the least the clouds and sweet morning air, the kind that feels like charcoal on skin and tastes like chemicals and ice shards lodged in your throat sits heavily on my chest and something about this kind of morning, this 5 am feeling of regret and anxiety, a gentle anxiety nonetheless reminds me that autumn is cold and paperboys can’t just go around freezing on an old bike and not everything…
On November 28, 1757, one of the most eminent poets from the Romantic period was born. William Blake, the son of a successful London hosier, only briefly attended school since most of the education he received was from his mother. He was a very religious man and almost all of his poems enclose some reference to God. “Night” by William Blake is part of a larger compilation of poems called Songs of Innocence and Songs of Experience. This collection of poems, published in 1789, depicts innocence and experience. “Night” dramatizes the conflict between heaven and earth.…
“In the early dawn light, I tried to distinguish between the living and those who were no more. But there was barely a difference.” (98)…
“it was already one in the morning; the rain pattered dismally against the panes, and my candle was nearly burnt out” (Chapter V, pg 59)…
Meditation XVII (17) was a piece John Donne used to understand death by the same theories that many religious people use today. His thoughts before death were highly connected to god along with his town who dealt with death regularly. Donne’ religious influence is at fault for obscuring the reality of his situation, but it is the only concept that he has a secure grip on during his illness.…
“Do not go gentle into that good night” and “Rage, rage against the dying of the light.” as the…