The texts that we watch can be categorized into various genres. The film Edward Scissor Hands is a contemporary archetype of the gothic genre exploring themes such as unrequited love, human creation and societal rejection. Set In America in the 1980s by which a lonely creation named Edward is adopted into a small town whose cruelty serves to isolate him further, a clear example of a gothic text. We can see a clear link between the gothic genre and this film through the use of various gothic elements reinforced by filmic codes and conventions. A few key gothic elements evident throughout the film include; Women in distress, Dislocation, powerful love, the uncertainty of reciprocation, lovers parted and setting in a castle.…
Death, murder, and depression are a few of Edgar Allan Poe’s favorite areas to write about. This is a vital reason his pieces are considered Gothic Literature. Gothic Literature, also referred to as “brooding romantics,” explored the capacity for evil. These writers arranged their works with emphasis on emotion, nature, and the individual. However, they did not center their matters on positivity as the other romantics did. Instead, they often included elements of fantasy and the supernatural. Poe’s short story, Fall of the House of Usher, contains all of the assets essential to a Gothic Literature piece, including grotesque characters, bizarre situations, and violent events.…
In novels it is common for the concept of love or sexuality to be present. This idea can present itself in many forms, and in both Jerzy Kosinski’s book Being There and Angela Carter’s book The Bloody Chamber this is illustrated. In both books the concept of love and sexuality can be seen in both dark and light contexts, with highly varying situations. In Being There and The Bloody Chamber the presence of genuine love, a lack of genuine love, and sexuality are all explored.…
A topic often brought up in class discussion throughout the semester was sexuality and the many aspects involved; changing my personal perception of sexuality. In September I believed sexuality was just the act of sex and or being promiscuous, but it’s a much broader subject. The Bloody Chamber by Angela Carter is a re-mastered version of the fairy tale Blue Beard with a sexual spin. It perfectly depicts the ideal image of sexuality to one who is more innocent than someone more experienced then alters it and shows us its variations after they’ve gained experience. This essay will explore the deception, dominance and violence surrounding the sexual relationship between the heroine and Marquis. Angela explores the aspect…
To what extent do you think gothic literature is characterised by a fascination with death?…
Dracula, by Bram Stoker, is quite the epitome of the gothic novel. Towards the beginning of the story, the setting takes place in an old and ominous castle, which is highly characteristic of gothic literature. Harker’s tribulation begins when “the driver was in the act of pulling up the horses in the courtyard of a vast ruined castle,” (Stoker 18). There is also a gloomy and menacing tone given to the setting of the novel, as in most pieces of gothic literature. This gloom is evident early on in the novel, as it reads, “Then a dog began to howl somewhere in a farmhouse far down the road--a long, agonized wailing, as if from fear.”(Stoker 16). Also coinciding with the nature of gothic novels is the ever reoccurring supernatural events, such as Count Dracula scaling the castle walls, up-side down: “I saw the whole man slowly emerge from the window and begin to crawl down the castle wall over that dreadful abyss, face down, with his cloak spreading out around him like great wings.” (Stoker 39). Another common theme of gothic novels is one of women in distress. This theme is evident throughout Dracula, as Lucy Westenra is in a constant struggle for her life for many days. “She was ghastly, chalkily pale; the red seemed to have gone even from her lips and gums, and the bones of her face stood out prominently;” (Stoker 133).…
* Pg.- 100- supernatural- “The moon had disappeared from the night and again, with a lessened form, showed itself, while I still remained in the forest” shows eeriness and supernatural within the surroundings and references the moon which is typical in gothic literature.…
Long ago in a faraway land there lived a rich evil lady named Lady Tremaine. She had 2 daughter from a previous marriage named Drizella and Anastasia. She was a very nice but bossy lady. Lady Tremaine couldn’t understand why people didn’t like even though she killed her previous husband. She killed only because he was poor, and she thought that he would be a bad influence on her daughters. So then she heard that there was a rich man with a daughter. The daughter's name was Cinderella. Lord Tremaine needed someone to marry. So Lady Tremaine married Lord Tremaine. Once they were married Lord Tremaine got very sick and died.…
On to the beast’s drenched and red colored lips. After all, sleeping for hours all day and morning, Can leave them hungry; let this be a warning. They’re afraid of sunlight, garlic, and holy water The job for a father was to protect his precious daughter. The pointless mirrors were frustrating on shelves,…
In "The Tell-Tale Heart," Edgar Allan Poe revolves the story around a raving individual and the object in which he obsesses over. This theme of insanity is progressed throughout the entire story by Poe's style of gothic writing. Gothic-style writing is defined by using these elements: abnormal psychological behavior, creating a gloomy or threatening atmosphere, connections between the setting and its characters' thought processes or behavior, and supernatural components. Poe's usage of these gothic elements builds up the central theme in the "The Tell-Tale Heart."…
Gothic literature can objectively be boiled down to a series of commonalities that are prevalent in some way, shape or form throughout the figureheads of the genre. Themes tying monstrosity to that of bodily deformity, duplicity, desire and degeneracy are deeply rooted in the genres subtext raising many questions regarding humanity as opposed to the humanities. This view is in part, a product of the Victorian era in which this genre thrived. At the time, much study was being conducted in regards to the possible connection between physical appearance and criminality. This created an unnecessary link between the perceived atavistic properties of an individual and the probability of them housing a malicious nature. These perceptions are only further embellished…
Burton uses his artistic reputation to adapt the structure and conventions of the traditional fairyatale to a contemporary American, suburban setting. Burton sets his story in a contemporary American suburb. He has given each generation represented in Edward Scissorhands its own system of symbolic shorthand representing the different ears they grew up in, different times associated with different tasted, each expressing a particular aestheic. The parents generation is characterized by familiar 50’s and 60’s icons; the confromist, consumer-led boom of those years represented by lava lamps, functional interiors and social rituals like the barbecue. The surrealist elements of expressionism can be seen in the setting. All the houses in the town are built in the same consistent shapes, arranged nearly along the entire road with their pastel palletes. The castle is dark, curved. There are also some trees with no leaves. All these unnatural realities is one of the styles of German Expressionism.…
I was intrigued by how these stories that we now tell to children in simplified, cute versions were once incredibly violent and dark, and I wanted to use the style of the Gothic to revitalize these elements in a new rendition of the story. The presence of dark, creepy settings (instances of pathetic fallacy) in the “barren” castle and untamed wilds respectively are definite Gothic elements, as is the inclusion of supernatural beings to create a heightened sense of terror in the audience. One of the most prominent Gothic elements that I used throughout the story is the idea of the “uncanny”—that the princess’s appearance, thought to be beautiful in its individual elements, is considered “a stroke away from beautiful”; when these elements are placed together, the contrast between them is far too unsettling. The feeling of the uncanny caused by the princess is further augmented by the association of her physical features with death and decay, causing them to further recoil from her, rejecting her from society and casting her out into the “wilds.” This rejection of a monster due to its uncanny physical appearance and association with death is similar to Frankenstein, a paramount Gothic work. “Rumors” and “whispers” mentioned throughout the story are references to the effects of folklore and legends about supernatural creatures, and factor into both Dracula and The Legend of Sleepy Hollow. Additionally prevalent is the theme of maternal relationships and rejected creations. Much of the “Female Gothic” (Gothic novels written for any by women) related to the struggles of women’s condition in society and as mothers. The story emphasizes how the princess is limited by her condition as a woman, and is thought less of because she lacks the “femininity” and “softness” expected of her. It is for these reasons that she decides to prey on the men of the forest and…
Ellen Moers defines female gothic as the “work that women writers have done in the literary mode that, since the eighteenth century” (317). Gothic writings are fake fear; fear to stimulate what you might feel if this were actually to happen. But, gothic is not tragedy, tragedy is more terror and horror. Ellen Moers’ essay is about the evolution of different gothic writings and writers. As she states in her essay, “For Frankenstein is a birth myth, and one that was lodged in the novelist’s imagination, I am convinced, by the fact that she was herself a mother.”(319) Reading this quote changed my perspective of the novel Frankenstein. I believe that the author intended for Frankenstein to be a ‘mother’ and the monster to stimulate the process.…
Gothic literature and magical realism are genres that both work to create strong emotions from the reader by using the type of elements they have in their stories. Magical realism is when the author uses recognizable characters who feel, act, and react in customary ways and introduces them to supernatural or unreal elements. Elements that pertain to magical realism that are found in the short story “House Taken Over” would be the realistic characters and the presence of a supernatural being. Gothic literature involves weird or violent incidents and supernatural or otherworldly occurrences to torment the characters in a psychological and/or physical way. Some of the elements of gothic literature that are…