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In your answer you should consider the ways in which Donne and Jennings use form, structure and language to present their thoughts and ideas. You should make relevant references to your wider reading in the poetry of love (40 marks).…
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Consider the ways in which Donne and Jennings use form, structure and language to present their thoughts and ideas. You should make relevant references to your wider reading in the poetry of love.…
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Hence, “My face in thine eye, thine in mine appears, And true plain hearts do in the faces nest” (Donne 15-16). The two lovers irresistibly drawn together forming a foundation of trustworthiness, kindness, and gratitude in each other. Thus, acceptance that their minds, and hearts are each other’s; our actions, our thoughts, and even our facial expressions join not out of jealous fear, but of pure love, literally moment by moment, breath by breath, and day by day (Kabat-Zinn 135). John Donne’s poem “The Good-Morrow”, envisions lovers as seeing entire worlds within themselves.…
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What is love? Often enough, as a hormone-struck teenager, I am lectured on what love is not. According to my mother, father, grandmother, aunts, uncles, and every adult figure that has ever made a guest-star appearance in the long-winded romance novel that is my life, love is NOT the warm cuddly feeling I get when I see a cute boy at school. Love is NOT holding hands on the playground; is not caring an abnormal amount for a favorite pair of shoes. I feel as though a vast amount of time is spent describing the negative space of a person’s heart, and not long enough spent defining its shape. Although Pastor Ostrum follows suit with his anti-definition of what love is not, he definitely strikes a chord in my heart when he says that “love is not something we wait to have happen to us, but something we do.” Many might disagree, might argue that love is a two-way street; that in order to give we must first receive. However, in the novel “Until They Bring the Streetcars Back,” by Stanley Gordon West, Cal Gant demonstrates this principle of giving time and time again.…
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Donne’s poetry attempt to answer the mere impossible questions of life, death and love in eccentric and unexpected chains of reasoning, his complex figure of speech, elaborate imagery and bizarre metaphors creates a sense of vibrancy for the reader as they become enthralled in the emotions and meanings behind his poems.…
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Compare and contrast how love is presented within the two poems “Ballad: ‘The spring returns, the pewit screams’ by John Clare and ‘A Broken Appointment’ by Thomas Hardy.…
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In the first poem, “Death, Be Not Proud,” Donne describes death as a lowly figure that deserves no respect at all. That no one is afraid of death, but welcomes it as it brings us a satisfying state of everlasting sleep. It is just one aspect of life and something that everyone must experience. Donne even goes so far as to say that there are things other than death that make us sleep just as well, if not better, as stated in the line “And poppy, or charms can make us sleep as well.” In the end we will actually defeat death itself when we pass over into eternal life and there will be no more death, “And death shall be no more: Death, thou shalt die!” He feels sorry for death because it will be what is ultimately dead and not us. The overall theme of this poem is to embrace death and not be afraid of it.…
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The erotic and the religious are confused immediately, as the poem begins with the warlike phrase “batter my heart”1. The verb ‘batter’ could refer to a battering ram, conveying the urgency that Donne requires God to act, as though he is in the middle of a conflict of faith of such magnitude his desperation makes it akin to a siege. Erotically, a battering ram can be seen as a phallic symbol involving rape, as it forces its way into the kingdom through the doors which were meant to only allow desirable people through. The sonnet is written according to Petrarchan custom, with 14 lines in iambic pentameter. However, this line begins with a stressed syllable as opposed to an unstressed one, creating a trochee. While this plosive does reflect the ferocity of the act commanded, beginning with a stop could also symbolise how he knows should not command acts from God, as though he is forcing it out in order for it to bypass his bane, “reason”2. As a result, this strongly demonstrates how Donne is reliant on force in order to overcome his qualms and anxieties.…
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Donne’s poems are interesting in the way they often present an ongoing thought process, rather than a story with a distinct beginning and end. Donne being from the literary culture; many of his poems reflect this mid-way change of heart, as he is comfortable dealing in ongoing reflection and experience, rather than static facts. One of Donne’s love poems, ‘The Sunne Rising’ centres around Donne, in bed with his lover, annoyed at the sun for disturbing their slumber. “Busie old foole, unruly Sunne” he writes. Donne, in personifying the sun, and describing such a thing in paradox (“unruly sun”), supports the idea that literary culture places more emphasis on emotion and description than logical fact. The structure of ideas throughout the poem thereafter is fluid. Donne is initially annoyed at the sun for its punctuality, saying that a love like his knows no time, and the sun would be better off chastising late schoolboys. As the poem progresses, Donne goes from annoyance, to mocking the sun's supposed power (“Thy beames, so reverend… I could eclipse then with a winke”), to then feeling content, and almost bad for the sun. Donne writes “Thou sunne are halfe as happy’as wee, in that the world’s contracted thus”, in which he is stating that the poor, old sun must have an easier job shining down on him and his lover, as their entire world is confined to each other. It is this notion of fluidity of ideas that further reflects the literary culture of Donne’s poems. He uses his writings, not to record tangible fact and feeling, but to support the idea that both his thoughts, and the subjects of his writing, can easily be written flexibly, as they are both…
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Introduction: Love is often regarded as an emotion that invokes extreme joy, hope and excitement. For example, Romeo and Juliet were a young couple who were so excited and hopeful about their love that they were willing to do anything to be together. However, there is another side to the feeling we call love that isn't so joyous. The other, darker side of love is expressed by three Langston Hughes poem which show us the heart-break, the abandonment and the desperation associated with falling in love.…
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To me. Donne is trying to tell death that no matter what is thrown at him, Donne will stand tall and fight whatever he has to. This poem might be a way to tell people that they shouldn’t fear it, they should stand together. If we all stand together on this, we as a community would be able to stand up to anything that comes at…
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The word Love is a strange feeling that can be one of the most exciting things someone will ever experience. It’s a feeling of warm, personal deep affection that one has for another person or thing. In Helen Farries poem “Magic of Love” she is very straightforward about how love makes someone feel “It can comfort and bless/ it can bring happiness” (601). But in John Frederick Nim’s poem “Love Poem” he uses metaphors to talk about love and you have to pay close attention to what he is saying. The theme of these two poems is love and the opposing views of the author’s views of love.…
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Use of intense simile and metaphor throughout “Modern Love” also demonstrates a grim view on the concept of modern love. The muffled cries of the wife are called “little gaping snakes” showing how afraid and vulnerable the husband is to them. The man’s wife has a “Giant heart of Memory and Tears” which shows the heavy, almost useless organ that the wife carries around within her, empty of love, only able to remember the sadness to which she has been subjected to. Then, the husband and wife are said to be “like sculpture effigies” in their “common bed,” lying “stone-still.” Instead of two lovers talking to each other and loving each other in their bed, a place shared between the two of them, they are “moveless” and silent. This makes modern love seem empty of joy, empty of companionship, and devoid of love.…
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The poem begins with the husband's realization of his wife's sadness in line 1, "By this he knew she wept with waking eyes" and because the poem contains the pronouns he and she, the poem itself can be applied to anyone’s marriages. In line 3, there is imagery "the strange low sobs that shook their common bed" it indicates that wife is weeping so hard that the bed is shaking. In line 4, “Were called into her with a sharp surprise” shows that her marriage has been awful so she feels that she should end it, but it is hard for her to admit it. The diction that author uses also shows well how the wife’s actions can be harmful to their marriage in line 6, "dreadfully venomous" Also the word "stone-still" in line 7 indicates feeling of immobile because her marriage was fake that it almost seems like death. Although the title of this poem is modern love, it almost seems like there is no love. According to the era, which the poem was written, the reader can assume that the husband and wife were married because they were forced by society. The author uses metaphor in line 10, "Drink the pale drug of silence" This metaphor refers to how silence, like a drug, inhibits the emotions and senses. Silence pervades their sleep, in line 11, which is "heavy measure", as in heavy on the soul. The author uses the word "effigies" in line 14 in order to imply a death. Because effigies are stone and stone is invariable but their love is fragile because it’s fake. Also, the word “sword” in line 15 implies an emotional distance between their marriages.…
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The poem then takes a turn that one would not expect. The man speaks of a woman, a dear woman who he was madly in love with. The unfortunate part is that she has been taken from him, leaving his heart weak and shattered. The man speaks of sorrow, fear, and nostalgia of his time with his lover.…
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