The caveart at Lascaux reveals the magdelanians beliefs on purpose of life and religion, their values, how they existed, and what they had known about the universe.…
Bellamar Caves are a National Monument that is located in Matanzas, Cuba, they are a set of cave with more than 23 kilometers of galleries. By the beauty of its gallery and caves, they were declared a National Monument. The galleries and passages of the cave started forming about 300 thousand years ago. According to the studies the caves were originally under the sea, part of the bat of Matanzas. While they were under sea level, these caves were full of water. The tectonic movements caused the area to rise, until it became marine terraces are noticed in the city of Matanzas and its surroundings. With the pass of the time these caves were drying up, but some pockets that are deep under the sea level they began to leak between the rocks,…
Scientist have many theories, they have been debated over time and will continue to draw skepticism for many years to come. One thing is for sure, without actually living in prehistoric times we will never really know the true purposes behind these early art forms.…
In Chapter 5, the work of art that I found most compelling was the cave painting in Lascaux, Dordogne, France, called Hall of Bulls (Page 112). This cave painting was created somewhere between c. 15,000-10,000 BCE. and may have been part of an ancient ritual. I find the detail on this cave painting to be utterly astonishing. I can’t even draw a proper stick figure in Paint and yet these cavemen were painting detailed pictures of running animals. It is amazing to see such a historical piece of art still living to this day on the same wall that the people painted it on. I particularly like the way that the wall’s rough exterior gives life to animals, it is as if they are running in smoke or dust. This is truly an amazing piece of art and hopefully,…
The painting of the rhino, wounded man and disemboweled bison is found deep in the Lascaux cave in France. The entire cave dates back to the Paleolithic period in art. To be able to create this painting these early artists depended on light from make shift lamps or candles to see in these dark environments. In order to create this astonishing art work the need for art supplies that we easily find at a store today needed to be created from their natural resources.…
During the period before and after Western discovery and agreement of the Americas; such as North America, Central America, South America and the isles of the Caribbean, the Bahamas, the Western Indies, the Antilles, the Smaller Antilles and other isle groups, natural local societies produced a wide range of visible arts, such as artwork on fabrics, conceals, rock and cavern areas, systems especially encounters, ceramics, structural features such as internal paintings, wood sections, and other available areas. Unfortunately, many of the subject to spoiling areas, such as weaved fabrics, typically have not been maintained, but Pre-Columbian artwork on ceramics, surfaces, and stones have live through more frequently.…
Will a Snow Cave Keep You Alive? First, let's define the difference between a snow cave and a Quinzee. A Quinzee is made by shaping snow into a dome-like structure and then hollowing out sleeping quarters inside. The word Quinzee comes from the indigenous peoples of Alaska and Northern Canada.…
Best known cave paintings were in France & Spain; paint = mud, charcoal & animal blood…
University Press. 373 p. Dr. Christopher Chippindale is an archaeologist from the United Kingdom. He currently holds the honored position of Reader in Archaeology at the University of Cambridge, UK. He is world renown and highly respected in the fields of anthropology and archaeology for his original works and studies on stone henge, rock formations and rock art. The primary intent of this title is to inform the reader on various forms of artistic expression our ancestral cultures left behind for us. This title establishes uncontested observations and methodologies for research and documentation of rock archaeology. This is…
References: Srivatava, S Plato’s Allegory of the Cave Meaning and Interpretation Retrievedon May 6, 2011 from http://www.buzzle.com/articles/platos-allegory-of-the-cave-meaning-and-interpretation.html…
Over the years, conversations of the topics of Plato’s writings arise. The teachings from Socrates of the “Parable of the Sun, Myth of the Cave and Divided Line” have become very popular to the world. So popular that it has an impact on the movie industry, the stories are hidden in some movies. More movies depict the stories” The Divided Line and The Myth of the Cave “ rather than “The Parable of the Sun.” The movie, eXistenZ, is an example of “The Myth of the Cave and The Divided Line”, since the stories are very similar. The movie has many similarities to “The Myth of the Cave”, but can correlate better to “The Divided Line” for more structure.…
The Allegory of the Cave is a metaphor that can be seen to describe many aspects and situations in life that one had no control or choice over. The reason Plato uses many metaphors in his allegory is to think or ‘philosophize’ about the world around us because in fact our understanding of the world is very limited. This is due to the fact that we live in a world of shadows and not reality to whom very little is actually known about by everyone. The metaphors are seen to actually represent a society with all its people, truths, hidden meanings, problems, solutions etc… The meanings transferred in the allegory of the cave apply to philosophy because it shows the philosophers position in society. It gives the philosopher the opportunity to philosophize/think about what exists/reality and what does not exist in our surrounding environment. To society, the allegory of the cave contemplates many issues related to man in his society. Such issues include human’s ability to be ignorant or knowledgeable, free or imprisoned, stubborn, lazy, active, etc… by choosing either to or not to search for answers to many of the issues that arise continuously. Moreover, The Allegory of the Cave is about ignorance and learning because the men in the cave are ignorant or unaware of the outside world that exists except for the shadows that they saw passing by on the walls. The man who is freed engages in the process of learning from the moment he is released from the cave and is forced to adapt to the new conditions and situations that now surround him. In addition, the chains are used to symbolize the limited amount of information that a person has about reality. For whatever reason, this limited amount of information can be considered to be a type of ignorance. Last but not least, as humans in this world, many of us are really ignorant…
This magnificent painting dates back to Lascaux, France 15,000-13,000 B.C.E. It was found on cave walls and it is said to represent one of the earliest examples of artistic expression. We can see that this piece was created during the Paleolithic period because; they are images walls using paint on limestone. We can see that the primitive people used natural rock contours, which suggested the animal’s volumes and portrayed real representations of a major role in their lives, which were the animals. We can see horses, bulls, deer, cows and more animals on the walls of these caves. Furthermore, the images of the animals are…
Starting at 210a of The Symposium, Diotima speaks with Socrates about reaching the final vision of the mysteries. She starts talking about a young boy who is starting to be attracted to beautiful bodies. He first loves one body; and then, realizing that all bodies are relatively alike, he begins to love all beautiful bodies. After that, he comes to appreciate the beauty of minds, not caring anymore about physical attraction. After all stages, the boy will ultimately come to loving beauty itself and all beautiful things. This gradual climb to the final vision is similar to the climb out of the cave in Plato's "Allegory of the Cave."…
In “The Allegory of the Cave”, I believe truth is being portrayed as something we as humans see, maybe only once, without it even being the whole truth. Even then we neglect to see “other truths.” According to Socrates, and I quote, “From the beginning people like this have never managed, whether on their own or with the help by others, to see anything besides the shadows that are [continually] projected on the wall opposite them by the glow of fire.” Socrates believes humans will automatically assume something to be truthful, and with no actual evidence that we won’t even bother to look at the sight of whatever it may actually be. At then end, if someone would try to tell us otherwise, we will neglect the actual truth and still believe we know what the truth really is. Even if the actual truth was shown to us, and we were seeing it with the naked eye, it will not be enough to convince us otherwise of our own perception. However, I believe Socrates is saying that as humans, we need to be forced to look at the “real truth” and that it will take time to assimilate to once we’re forcibly presented with it. However afterwards, we will see the light; we will see the real truths behind what we previously believed to be false. After the truth has been revealed to us, we will assimilate to it permanently. Socrates states, and I quote, “But I think that finally he would be in the condition to look at the sun itself, not just at its reflection whether in water or wherever else it might appear, but at the sun itself, as it is….” However, knowing too much of the truth can lead to conflicts, and that is probably why so many things are hidden from us. Maybe our problem is not that we don’t want to see the truth, but that we are scared of what the outcome may be if we do know the real truths.…