‘The Most Dangerous Game” was written by Richard Connell. A famous author in the 1920s and 1930s. Two characters in the story are Big game hunters which was a popular sport for the wealthy in the early 20th century. In the story “The Most Dangerous game” the author Richard Connell uses foreshadowing to lead to the eventual ironic fate of the main character.…
Richard Connell the author of the short story “The Most Dangerous Game” craftily used foreshadowing to suggest that General Zaroff was a cannibal. For example, in the exposition, Rainsford and Whitney discussed Ship-Trap Island and mentioned the word cannibal two times during this brief conversation: “‘Cannibals?’ suggested Rainsford. ‘Hardly. Even cannibals wouldn’t live…’” (Connell 2). While the significance of this repetition is not evident until later in the story when readers meet General Zaroff and learn that he hunts humans for sport, the use of repetition by an author is usually purposely done and often indicates hints or clues for the reader to pay attention to. In another example of foreshadowing, Connell describes General Zaroff…
This book is about a boy named Danny Pickett and a dog named Red. Though not based on a true story and is completely fictional, including the area it took place (wintapi wilderness), it feels as if it was real. I highly suggest this book to dog lovers, for it is based mainly on dogs. The first time Danny met Red was when he told Mr. Haggin about a bull of his that was recently killed by Old Majesty, who was a legend around Wintapi.…
In Richard Connell’s short story, “ The Most Dangerous Game”, the setting plays a key role in the overall plot. For example, encircling the island are big crags which ward ships from the island. “Jagged crags appeared to jut up into the opaqueness,” (3). The crags are dangerous at night to people in boats because of how dark it is. Sailors have to stay away from the island to avoid crashing their…
When is the last time that you saw a literary device? In a poem, or a novel? Perhaps a short story? Literary devices: we all use them, we all love them, but what can it really do for an author's writing? When used correctly they can add character and dimension to one's writing, but what some fail to remember is that even the best writers can fall extremely short to writing excellent literary elements. In the short story “The Most Dangerous Game,” Richard Connell uses literary devices such as personifications and allusions to help the reader better understand the plot and characters. Although Connell excelled in his numerous uses of personifications, his allusions he attempted were far from perfection.…
In writing, authors use symbolism to relay a deeper meaning to what they actually write. This technique captures important elements and gives the reader an idea of the theme of the story without the author directly telling them. Louise Erdrich uses symbolism to help emphasize and reveal the themes and message of her stories. “The Red Convertible,” by Erdrich, is a story about brotherly love as the highest value between two brothers, Lyman and Henry, and also about the difficulties veterans of war and their families face at post-war times. Symbolism plays a big part in this story, revealing the hardships Henry brings home from the battlefields of Vietnam, and to show Lyman's difficulties with handling separation and distance from his brother.…
In attempt to entice and lure the reader into reading further, the author of “The Most Dangerous Game” creates a suspenseful mood through the uncertainty and danger in the story. First of all, the described setting played a huge role in developing the tense mood. The island that Rainsford and Whitney approached was supposedly named “Ship-Trap Island,” and as if the name wasn't suspicious enough, Whitney proclaimed that “sailors have a serious dread of the place,” and “The place has a reputation--a bad one.” In addition, the uncanny feeling in the air shot a sudden chill down Rainsfords back. He recited, “What I felt was a--a mental chill; a sort of sudden dread. The use of this eerie environment draws the reader in, in desire to uncover the…
Red. Blood, love, lust, desire. This is what I think of when I think of the color red. The bloody handprint is more than just the gory thoughts you may have in your mind when first looking at it. This portion of my mask is about the devotion Caesar had for Rome. Even though misinterpreted sometimes, isn't this all Caesar wanted? All throughout the book, everything he did was, "for the people of Rome." Brutus…
What makes a story suspenseful? Is it imagery? Is it dialogue? The reason for suspense varies for different people. For some, dialogue makes a story suspenseful and others maybe diction or even a combination of two aspects but typically not the same aspects for every person. In a movie, it is usually the sounds and darkness and location. In a book though, there are no sounds so you need other aspects such as diction, dialogue, imagery, plot, etc.…
Yi-Mou Zhang 's Raise the Red Lantern, is a beautiful and brilliantly made film in its own right. If, however, the team of Orson Welles and Greg Toland had produced the same film it would take on an entirely different look and feel. The film would reflect Wells love for creating physical representations of thematic metaphors and the long take and Toland 's brilliant use of deep space photography and mobile framing.…
Everyone in this world is influenced by someone or something. Your friends, parents, teachers, and even technology are only a few things that make you the person you are today. So when Rainsford stated that, "The world is made up of two classes: The hunters and the huntees. I agree with Rainsford; everyone is forced or influenced to do things. For example, bullies force you to be stronger, parents push you to be a better person and society pushes you to be the individual you are today.…
In Sandra Cisneros’ vignette “Red Clowns”, the narrator revolutionizes from innocent, naive, and trusting, to experienced, endangered, and betrayed when she is abandoned at the carnival.…
When reading the Red Badge of Courage, it is necessary to understand the symbolism that Stephen Crane has created throughout the whole book. Without understanding the true intent of color use, this book loses a meaningful interpretation that is needed to truly understand the main character, his feelings and actions. Crane uses very distinct colors in his text to represent various elements that the main character, Henry or "the youth", is feeling along his adventure of enlisting into battle. Red, yellow and gray are the main color's Crane uses consistently in the majority of the chapters to describe Henry's inner conflicts and feelings. The color purple is mentioned very briefly but reflects Henry's feelings in a powerful manner. Certain colors dominate throughout the book and there is a change of domination as Henry matures into a real soldier.…
In the novel Markus Zusak has shown us beauty can be found in anything; even war. Although Death is unseen he is a character in the novel “haunted by humans” (The Handover Man, 550). Colours in Death's eyes are very important as he explains “First colours.Then humans” (Death and Chocolate, 3). Due to the stress of his workload Death seeks refuge in colours. This is a distraction from his job, in other words his only form of a vacation. Death is personified in the novel as he shows both darkness and emotion, this is seen when Death says “He’d have been glad to witness her kissing his dusty bomb-hit lips” (The Floating Book, 11). Death makes the story effective as a character as his narrations set the tone, setting, theme and visual effect of…
Scholars and film critiques have often regarded the fifth-generation film Director, Zhang Yi Mou’s films as a visually sensual feast (Zhu 26). The predominant use of the color Red in his highly stylized films: Red Sorghum (1988), Ju Dou and Raise the Red Lantern (1991) are evidence of his trademark visual style thus leading scholars to critically analyze the symbolic representation of the color. I would argue however, in addition to the prevalent use of red in his art-house films, there are several supporting colors (black, white, grey, blue), intertwining with the color red. Zhang seems to be weaving colors together to paint a self-reflective narrative. The supporting colors provide a deeper analytical meaning to the symbolic readings of red in Zhang’s films, which represent several themes. Due to limitations, I will mainly focus on the use of color symbolisms in the cinematographic language of Raise the Red Lantern (1991).…