The Consolation Of Philosophy Analysis

The Medieval societies fascination with dreams and their meanings lead to a direct result of authors employing dream visions as allegoric literary tactics, which in turn became a genre that was significantly unique to the Medieval period. Dream visions were favored by Medieval poets, such as French poet Guillaume de Lorris, who became influential on other poets, Geoffrey Chaucer and Boethius. Through the examination of three specific Medieval works, it extremely apparent that all dream visions contain particular common features to attain their end goal in representing the limitations of dream visions. Although this concept may seem arbitrary, a close examination of The Romance of the Rose, Troilus and Criseyde, and The Consolation of Philosophy will prove otherwise. Ultimately, readers of these three works are able to effortlessly recognize the dream vision concept discussed above. Ultimately, dream visions were a conventional device utilized by many authors during the Middle Ages. Many poets, such as Guillaume de Lorris, Geoffrey Chaucer, and Boethius advocated this method because it successfully engaged and conveyed their
Similar to Chaucer’s text, The Consolation of Philosophy, written by Boethius, consists of a narrative which is depended upon a discussion between the narrator and Lady Philosophy. Throughout the story line, it is evident that the narrators’ pessimistic and depressed perception is contradicted by Lady Philosophy. In turn, she offers ways of overcoming the narrators’ hopeless state of mind with the use of reason. Even though narrators in Chaucer’s texts are not equivalent to Lady Philosophy in The Consolation of Philosophy, the audience can still readily familiarize themselves with the sense of common Medieval works, where two figures are at odds with each other. Boethius’ Consolation of Philosophy can be perceived as a prominent dream vision. Boethius