1. William Wycherley A Shropshire lad, born 1641, died 1715. Educated in France and at Oxford. First play, Love in a Wood, 1671, was set in St. James’s Park Was favoured by the King’s mistress, the Duchess of Cleveland. Annoyed Charles II by secretly marrying in 1679. His most famous work is The Country Wife, probably performed first in 1675; the play’s first edition was published in 1675. 2. Critical reputation. Wycherly’s plays were admired by Charles Lamb. But Thomas Macaulay considered the plays to be indecent and licentious. David Garrick produced a censored version of The Country Wife called The Country Girl (1766).
3. Restoration context. Charles II. Theatres: closed between 1642 and 1660. The influence of Shakespeare. A culture of bawdiness. Rowdy theatres. Females on stage. Plays conveyed through prose. Plays about sexual intrigue, filled with stock characters – lusty young women, sexually voracious older women, fops, country squires, scheming valets etc. Restoration plays performed only in moderated versions in the eighteenth century; rarely performed at all during the nineteenth century; some revival during the twentieth century when their hedonism seemed to reflect twentieth-century decadence. Reputation for innuendo, blasphemy and general immorality: Wycherley was one of the many Restoration dramatists attacked by the influential campaigning moralist, Jeremy Collier in his 1698 book, Short View of the Immorality and Profaneness of the English Stage.
4. Characterisation: typographical constructions. Horner. Pinchwife. My Lady Fidget.
5. The plot of The Country Wife. Horner tells his doctor to spread it around that his patient has become impotent – he thinks that being perceived as a eunuch will allow him access to intimate situations with women whom he can subsequently seduce. It looks like it will work with Lady Fidget,