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The Death of the Moth Analysis

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The Death of the Moth Analysis
“The Death of the Moth” Analysis Life is a constant struggle against the ever present chill of death. Fear, betrayal, and cowardice all stems from life’s distaste of death. Human beings naturally rebuke the unknown, so it is only logical that people fight the inevitability of death. However, most people are ignorant of the reality of one day dying, prompting writer Virginia Woolf to write the essay, “The Death of the Moth”, in order to convey the frailty of life whilst also showing the awesome might of death. In the essay, her main purpose is to show that the moth embodies the human race, and that death is an inevitable fact of life no matter how much the human race struggles to stay alive. Woolf is able to get her purpose across by utilizing her unique style of writing. This is achieved by sympathizing with the moth throughout the essay, switching the narration between her internal personal struggles and external struggles of the moth, and changing the entire tone of the essay when the different themes of life and death are explored. Using her distinct writing style, Woolf delves into the wonders of life, and the ever present battle against death. One of the techniques Woolf uses in her writing style is employing empathy within the readers. She strives to create an emotional connection between the reader and the subject of the essay. In this case, Woolf directs her use of empathy with the main character of the story, which is the moth. Even before delving into the life of the moth, Woolf begins to refer to the moth as “he” instead of “it”, suggesting that the reader relates to the moth on a more personal level, rather than viewing him as just another insignificant bug. This creates a personal bond between the reader and the moth, resembling that of a companionship. Instantly, Woolf has been able to get the audience interested and emotionally invested in her essay by simply referring to the moth as a “he”. Furthermore, she proceeds to observe this moth
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