"For now we see through a glass, darkly"
-Isiah 25:7
W.E.B. Du Bois's Souls of Black Folk, a collection of autobiographical and historical essays contains many themes. There is the theme of souls and their attainment of consciousness, the theme of double consciousness and the duality and bifurcation of black life and culture; but one of the most striking themes is that of "the veil." The veil provides a link between the 14 seemingly unconnected essays that make up The Souls of Black Folk. Mentioned at least once in most of the 14 essays it means that, "the Negro is a sort of seventh son, born with a veil, and gifted with second sight in this American world, -a world with yields him no true self-consciousness, but only lets him see himself through the revelation of the other world. It is a peculiar sensation, this double consciousness, this sense of always looking at one's self through the eyes of others."Footnote1 The veil is a metaphor for the separation and invisibility of black life and existence in America and is a reoccurring theme in books abo ut black life in America. Du Bois's veil metaphor, "In those somber forests of his striving his own soul rose before him, and he saw himself, -darkly as though through a veil"Footnote2, is a allusion to Saint Paul's line in Isiah 25:7, "For now we see through a glass, darkly."Footnote3 Saint Paul's use of the veil in Isiah and later in Second Corinthians is similar to Du Bois's use of the metaphor of the veil. Both writers claim that as long as one is wrapped in the veil their attempts to gain self-consciousness will fail because they will always see the image of themselves reflect back to them by others. Du Bois applies this by claiming that as long as on is behind the veil the, "world which yields him no self-consciousness but who only lets him see himself through the revelation of the other world."Footnote4 Saint Paul in Second