by
Amy XXXXXX
A thesis submitted in partial fulfillment of the requirements for
College Level Writing
University of La Verne
4 November 2011
Abstract
A thesis presented on the history of jazz as compared to classical music and the effects on musicians, beginning with the birth of jazz, and covering the twentieth century. Berliner (1994) impresses upon the idea that jazz music is more important to a musician’s development and an individual’s mental health than classical music. It is this author’s opinion that Jazz is superior over classical music because jazz music is often soft, smooth, and reflective. In addition, the world of jazz has some wonderful artists who can both play and write jazz music so extraordinary that it will make music lovers melt like ice as the stress washes away. Jazz allows people to close their eyes, relax, mediate, and dream about their loved ones. It is the best for mediation purposes because it provides people with softness, calm, soul, and fantasy. The freedom found in jazz represents the freedom inside of all Americans. Jazz itself is a success story told through its own invention. True jazz musicians play the music that they do as a necessity to themselves. Their music is their diary, and their diary is more pure than words can tell. Jazz is America 's great contribution to the arts. It is thrilling, exhilarating, and thought-provoking music that stirs emotions of all kinds. Jazz is in the mind, heart, and in the soul. Its influence extends worldwide, and touches all related forms of music. It is an enriching art form that deserves a special place in our vibrant culture.
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Acknowledgments
The author wishes to express sincere appreciation to Professor XXXXX for his assistance in the
References: Berliner, Thinking in Jazz, University of Chicago, 1994 Carr, Ian, Jazz the Essential Companion, Prentice Hall Press, 1987 Cook, Richard, The Penguin Guide to Jazz, Penguin Books, 2004 Gioia, Ted, The History of Jazz, Oxford University Press, 1997 Ward, Geoffrey, Jazz a History of America’s Music, Random House, 2000 5