The Exploration of Womanhood in All About My Mother
In his critically acclaimed 1999 character-driven drama film All About My Mother (1999); writer-director Pedro Almodovar cements his reputation as an expert on the complexities and intricacies of womanhood. The film features several complex and multi-layered female characters that are portrayed with great emotional depth. Throughout the course of the film, these characters are forced to struggle with impediments such as loss, betrayal and societal prejudice. Yet, in the end, they triumph over these obstacles and take control of their lives. The protagonist of the film, Manuela, suffers the loss of her son, Esteban, early in the film and is prompted to go on a journey to Barcelona, where she meets other women who are dealing with their own issues in life. Through the events that take place in Manuela’s life and the relationships she forms with these other female characters following Esteban’s sudden and tragic death, the film explores the trials and tribulations women universally face and the various ways in which they cope and deal with these ordeals. The film also pays homage to two of the most influential representations of female characters in cinematic history: All About Eve (1950) and A Streetcar Named Desire (1951).
The plot structure of the film serves to outline the various stages that take place in Manuela’s life at the wake of Esteban’s death, and, by extension, exposes the anatomy of how one in general deals with loss and tragedy. The film follows a linear plot structure that begins right before the death of Esteban and ends a few years later, when Manuela manages to overcome the tragedy. During the exposition, the character of Esteban and his relationship with his mother are introduced and built up. This contributes to the great shock and sympathy the audience feels when he unexpectedly dies in a car accident immediately after. The exposition also addresses the issue of suffering the