1. How does the stage setting at the beginning of Act 2 contrast with the set at the beginning of Act 1? The piano is still in the room, but the Christmas tree that was put up during Act 1 is now without decorations and the branches are ragged. The candles, on the tree, have burned low.…
The opening scene establishes the characters and the context of the play while exploring the distinctive ideas that are developing. The stage directions [A burnt out theatre] metaphorically represents the world at large, introducing the dramatic technique of light and dark. Heavy irony is utilised when the lights turn on “a small dismal hall is revealed”. Through the illumination, a bleak situation is revealed symbolising the life that surrounds the inmates. Unable to differentiate between “normal” and “insane”, mistaking Roy as a social worker, “are you the social worker”, the distinct idea of illusion verses reality is introduced alongside the protagonist, Lewis, allowing responders to realise Lewis is [out of his depth] with both the production and the patients. The truncated sentences and Lewis’ hesitant tone reveals his nervousness, [uncertainly] “yes”, exploring the idea through his mannerism.…
(Wainscott) Ronald and Kathy continue to write about how the cast reminded them of a time where a sense of wonder was a regular and permissible emotion, and when gadgets were still novels. (Wainscott) I would like to convey the same sense of connection and reminiscence upon the audience as the Central Stage production conveyed to the reviewers. This could be accomplished with sound in the form of delightful sounds when the girls find trinkets along their travel. A sense of wonder could also be incorporated into the play with sound, with whimsical and mysterious cues for when the characters encounter a type of time…
In one cold afternoon of December 30 1903 in Chicago, about 2000 patrons most of whom were women and children assembled in Iroquois theatre. In addition, about 400 performers and stage actors were jammed in the basement, backstage and dressing rooms to witness what was surely an exciting show. The audience was full of anticipation in readiness to watch a musical comedy, Mr. Bluebeard. Five weeks prior to the staging of the music comedy, the 1,700 capacity Iroquois theater had just been opened with much excitement from the public and the press (Marshall 1904).…
As the show goes on, Clara sings a song called “The Beauty Is”which is her telling you of what she's experiencing for the first time somewhere new. After she meets fabrizio, and he's fallen in love, he goes on to sing a song in full italian called “Il Mondo Era Vuoto”. This song is all about how Clara fills the “light” in his life that he was always missing. Its truly a beautiful and one of the most passionate songs in the show. The way it is written shows precisie emotions and you can almost understand the message without the text being sung along. Fabrizio asks Clara on a walk in the piazza. There, he serenades her with a fun song “Passeggiata” to show her of the place he knows the best, Italy. As Clara and Fabrizio's love grows, Margaret's and Roys (her husband's) dies. Margaret towards the end of the first act sings a song of falling out of love with her husband and reminiscing on the beautiful times they shared when they were in love by singing “Dividing Day”. This song by far is the most passionate, sad, and most beautiful song I have ever heard throughout the musical theater realm. There are many…
With the lights completely down, an eager audience sits in a dark theater waiting for the anticipated rise of the musical. Meanwhile a man lingers aimlessly on stage and puts on his favorite record: the cast recording of a popular 1928 musical comedy. The recording beams as it livens the atmosphere, causing the stage to burst with energy and come to life, noting the beginning of “The Drowsy Chaperone”. Between two lovers just hours before their wedding, a clumsy best man, a eager theatre producer, two posing pastry chefs, and a highly intoxicated chaperone, the stage is set for a combination of many thrilling musical acts and comedic narratives, creating a bustling stage of controversy. I found these first few minutes captivating, the ability of a character to draw the audience in so quickly was pure talent. The audience felt connected. The…
During the whole of the opening section, Andy Pink's score fills the stage with waves of clashing, grinding noise. The sound is a deliberate assault on the dancers, who appear to be flung around by its force - catapulted into flailing, staggered lines, or dashed, twisting, to the floor. For the audience, seated on all four sides of the stage, the combination of driven energy and savage pattern making is overwhelming; it comes as a relief when Pink's music and David Ward's lighting begin to calm the frenzy. The dancers start to become aware of wider horizons, and of each other: arms that were raised as barriers make tentative contact, and snatches of piano music mould their bodies into a graceful, more coordinated…
In seventh grade, I was first introduced into the theatre world by a group of my eighth grade friends singing a song I had never heard before. I did not have the time to ask them what it was called, but they told me it was from a musical called Wicked; the song in question was called “What is This Feeling?”, though at the time, all I knew was that it was about some people hating each other; back then, I’d believed it to be a love song between the Wicked Witch of the West and some unnamed male lead. I did not know anything about the musical other than it was about the Wicked Witch of the West and how she was supposedly good. This, being a novel concept to me, seemed idiotic, and I rejected the notion of such a silly musical. Since then, I had heard from numerous people that this was a great musical, and by the time I came to Parkview in 2009, I’d grown to be fed up with all of this talk of witches and scarecrows and something about gravity. I gave in, decided to try and find the soundtrack on iTunes, but, as these things go, I forgot about it almost immediately.…
When it comes to musical theatre, there are various aspects that come together to make a musical the best show it can be. The best part about musical theatre is the fact that each musical differs from one another. For instance, in the musical “Show Boat” written by Oscar Hammerstein II, the characters speak to one another using spoken dialect and singing. There are very few dance numbers. However, in the musical “Oklahoma!”, also written by Oscar Hammerstein II, there is more dancing involved. No matter how different musicals are from one another, the songs that are incorporated in the shows further the plot in many ways.…
The story begins explaining how one of the stagehands, Joseph Bouquet, was killed by the infamous Phantom of the Opera. After a while the Prima Donna of the Opera, Carlotta, got “sick” and needed to return home to get better, this incident gave Christine Daaé the chance to become the Prima Donna as she dreamed. She made a great triumph the night she made her first performance. What no one knew was that Erik, the Opera Ghost himself, was the one taught her how to sing, acting as the Angel of Music that Christine’s dead father promised her to send her when he died. Erik fell in love with Christine while they had their singing lessons and intended to make her love him back. He didn’t expect that a childhood sweetheart of Christine’s, Raoul Le…
American Musical Theater is something most Americans enjoy today, musicals such as West Side Story, Sweeney Todd, Jersey Boys, Wicked and Into the Woods. These are all some examples that have made it big in today’s society. These musicals didn’t appear out of nowhere though and neither did American Musical Theater, nor was the theater the same when it started as it is today. The American Musical Theater has evolved from its simple beginnings into it’s own genre in today's society through the help of diverse composers, writers and actors, along with cultural contributions.…
I attended the traveling Broadway production of Disney’s Newsies on February 14th, at the Orpheum Theatre in Minneapolis. Being a fan of the movie but not knowing much about the musical, I was not sure what to expect. However, the show was a huge success, and it definitely has earned a place as one of my favorite musicals of all time.…
Americans are always looking for fun and new entertainment which broadens the horizons of their thinking and gives them a whole new experience. Theatre and movies allow the audience to escape from everyday anxieties and stress, to imagine what life would be like if viewed or taken from another perspective. The Phantom of the Opera is a classic, musical romance film popular because of its emphasis on love, constant entertainment, and powerfully touching music. The Phantom of the Opera is a popular novel and play which is still determined as one of the longest running show in history, and one of the most lucrative entertainment enterprises of all time. Both versions of the Phantom of the Opera movie, having radical differences but still being of the same kind, deserve a long debate in a compare-and-contrast manner.…
The Golden Age of Broadway introduced a new level of entertainment to the world. The era gave audience members a chance to escape their real problems and to enter another world where everything ends with a happy ever after. From giving society a new type of family, to giving the world a new type of entertainment, the Golden Age of Broadway was a gift. This gift had a great run. Fortunately, the era left a mark on the stage helping to build a new world of entertainment. The Golden Age of Broadway is something not to be forgotten, even after the curtain…
The whole production starts with a sharply dressed Skiffle band, entertaining the crowd as they all take their seats and to set the mood that filled the theatre. As the heavy red curtain finally rises after deep anticipation, the stage is decorated with a lounge room scene filled with an array of different characters. The first few minutes seem to pass quite slowly, mainly because it was rather difficult to understand the characters strong British accents and jokes only an Englishman would find funny. The first hint of what is to come, is the entrance of Francis Henshall, the lovable harlequin played by Owain Arthur, as he enters and proceeds to catch a grape in his mouth after somersaulting over a chair and landing on his back, adding a superb element of slapstick to the show. Another golden point is the addition of short musical performances in-between set changes, which kept the audience enthusiastic and didn’t let the energy fade.…