Maya Michele Fein was the lighting designer for the production. There was a constant repetitive pattern in the production. The characters, while standing in a central spotlight, would change their clothes for next scene. This supports the basic ideology that people believe in while electing politicians; that the personality of a political figure should be fundamentally the same as he portrays himself on media. The central spotlight also suggests that the basic identity of who a politician is, has been counted as the artificial appearance which people demand of the him. In the final scene, Patrick stood in a dark room with a spot light covering him. It was an indication that everything around him was gloomy and
Maya Michele Fein was the lighting designer for the production. There was a constant repetitive pattern in the production. The characters, while standing in a central spotlight, would change their clothes for next scene. This supports the basic ideology that people believe in while electing politicians; that the personality of a political figure should be fundamentally the same as he portrays himself on media. The central spotlight also suggests that the basic identity of who a politician is, has been counted as the artificial appearance which people demand of the him. In the final scene, Patrick stood in a dark room with a spot light covering him. It was an indication that everything around him was gloomy and