The speaker begins his argument confidently and a bit forceful, later on in the poem he moves his argument to a more loving marital stance. The tone begins to shift between the second and third stanza when the object of his affection kills the only thing that binds them together. Here his tone shifts from confident and demanding to pleading and desperate. The next and last shift in tone is in stanza three, line five, the speaker switches his outlook from shock that the woman killed the only thing that linked them together, to a desire to not let the measly flea die in vain. This connects to the overall meaning of desperation and unsettled
The speaker begins his argument confidently and a bit forceful, later on in the poem he moves his argument to a more loving marital stance. The tone begins to shift between the second and third stanza when the object of his affection kills the only thing that binds them together. Here his tone shifts from confident and demanding to pleading and desperate. The next and last shift in tone is in stanza three, line five, the speaker switches his outlook from shock that the woman killed the only thing that linked them together, to a desire to not let the measly flea die in vain. This connects to the overall meaning of desperation and unsettled