In his painting, Paris Street: Rainy Day, Gustave Caillebotte showcases his view on late 18th century Paris. The figures nearest to the audience are blurred and seemingly out of focus whereas the pedestrians and carriage towards the center of the town square have sharp edges and are more distinctly defined. The images in the background of the painting remain nebulous and dim. The point of focus advances the viewers eyes to the buildings in the background. Caillebotte demonstrates a two-point perspective using parallel lines in his arrangement of roads and buildings. This two-point perspective sends the focus to the back and blurs out images on the foreground.…
The artist is Johanner Vermeer. The painting is a tronie, oil on a canvas. Vermeer specialized in domestic interior scenes of middle class life. He was moderately successful in his life time, but was not wealthy. Vermeer was a slow painter but, he painted with great care and used expensive materials (pigments).…
The painting still receives much attention and is the base of discussion for many art lovers and historians (Mohan and Centeno, 2005). However, the very details that made the portrait so shocking nearly a century and a half ago are what now delight critics and casual viewers alike; the piece is truly remarkable in its contrasting hues and dramatic details. The lines are crisp and clean, the lighting is flattering yet dramatic, and the composition is pleasing to the eye. While these fundamental artistic components make a great contribution to the attractiveness of this painting, the subject herself deserves to be recognized as the most beautiful thing about the portrait. Gautreau’s physical beauty is often debated even today, mostly because her roman nose is considered too prominent to be classified as classically beautiful. The difference in opinion regarding Gautreau’s physical features is where most modern controversies end. It is the painting’s daring representation of Gautreau, rather, which is inarguably beautiful. The unorthodox pose, the revealing clothing, and the haughty expression were all revolutionary for the time they were presented. Sargent and Gautreau’s goal was not to challenge the societal norms of the time; in fact, their goal was the exact opposite. Inadvertently, however, the appreciation of Amelie Gautreau’s portrait one hundred and fifty years later is now a wonderful reminder of the power in breaking rules and refusing to fit into the definition of…
CONTENT: the content of this painting is a landscape of a town by the sea. It fits into the Fauvist style because of the time period; the very bright…
Just a little bit off from the middle of the painting there is a structure not unlike Stone Hedge in England on top of a hill. Below it there is a river with small sailing ships going around, and on the bank there is a village filled with lots of wooden structures and even further left you can see a man using oxen to plow a field. On the other side of the painting you can see another section of the river where a larger sailing ship is being constructed on its…
The style of this painting is abstract with simplified and exaggerated aspects. The water and sailboats have all been simplified. The boats that are closer to the front of the painting have been exaggerated more than the others in the distance. There are many horizontal lines within the painting created with the hard, exaggerated brush strokes in the water.…
St. Patrick’s Old Cathedral is one of the first Cathedrals built in New York. It is also known as the original Cathedral of the Archdiocese of New York. The church was built over 200 years ago in New York City and it has stood as a symbol for people of this country to practice your religion freely. The Cathedral serves a very diverse community of catholics such as Italians, Hispanics, and Asians. The cathedral throughout the years has done a great job of uniting these people from different origins and bringing them all closer to God through the church.…
“Sunrise” is of an everyday scene in nature with vibrant colors that appear to be mixed directly on the canvas, which are all characteristics of the Impressionism period. A critic of this type of work during the period was noted as saying this painting reminded him of wallpaper. (Impressionism, 2000)…
It was my first time at that museum and I am surely I will be back to do the audio tour. The artwork I chose was Lovers In the Park by Francois Boucher and was made in 1758. I was attracted to this piece because I instantly recognized the Rococo style of painting in which I really enjoy. To have the opportunity to experience and physically see a Rococo painting in person truly brings to life everything we discussed in class such as the gentle brushstrokes and meaningful colors that are involved and used in the Rococo style. I decided to challenge my skills and try to interpret the meaning of the painting on my own. From my first few glimpses of the painting, I noticed how the couple on the right had wealthy looking attire so I’m assuming they are aristocrats. To the left, there is another woman walking by and it seems as if the man is smirking at her in almost a flirtatious way while his girlfriend is unaware and stares into space. I also noticed that there are two baby statues above them that seem to aware of what was going on as they looked down at the couple. to me, the baby statues were a symbol of innocence and the dog next to the couple was a symbol of loyalty. The expressions on the figures faces were soft and pleasant. The image confirmed to express that at that time men were wealthy and powerful, and were able to get away with having more than one spouse, although you can tell the girlfriend in the painting seems somewhat uneasy with the situation. It turns out that the painting is Boucher's way of remarking on the endless game of love. "It invites the viewer to dream awhile" it continued to say and it successfully did that for…
This piece of art was created by Claude Monet. He is known as the classic impressionist. In this painting, he captures the ever-changing nature of light and color. Unlike a lot of paintings, you can see the brush strokes in this painting. But I believe that the brush strokes used help create the piece of art and they help show the leaves and flowers on the trees. Also, it helps make the clouds in the sky look more hazy and beautiful.…
The period approximately from 1000 to the late 1300s can be concerned to be the time of full bloom of the Gothic cathedral. As the famous architectural style, the Gothic style was originated from France. In this essay, French gothic and English gothic have been selected to demonstrate how two historical periods can have many differences but still remain true to their own religious variations, architectural features and functions and meanings to create insightful parallels. Five of the French cathedrals and one of the English cathedrals have been selected to represent French and English gothic periods respectively, including Notre-Dame Cathedral (Figure 1), Chartres Cathedral (Figure 2), Amiens Cathedral (Figure 3), Beauvais Cathedral (Figure…
In this painting, I can clearly see a little boy sitting down. The boy is staring right at the painter, Robert Henri. The boy has a brown hat on, and a suit like appearance with a blazer, and a nice dress shirt. The boy seems to be worried at something. The background is a dark blue, indicating to me, something scary, and there are no forms of light.…
artwork (see above) painted by Paul Gauguin. I did not choose a French artist to make me…
“The Seine at Lavacourt” is an impressionism painting done by Claude Monet. The whole painting does not have clear or strict lines, shapes and edges because these are characteristics of the impressionism painting. He used many bright colors and soft brushwork to display a peaceful scene of the Seine River. The Seine at Lavacourt is one of the masterpieces from his Seine collection. His painting actually influences the future development of realism, neo-classicism, japonisme (Claude Monet Biography, n.d.).…
The painting by Jacob Lawrence GOING HOME, (1946), is an amazing painting. When I first looked at this painting the first thought that came to my mind was the musicians were on a train on their way home, feeling exhausted having just finished playing at a night club. The train seats are green; this is the first color that captures your eyes. The color of the seats along with some of the red luggage gives the impression of the mood as being calm and relaxed. Over to the left of the picture in the upper hand corner there is a silhouette of the sun going down, but when looking through the windows the color blue is showing the outside scenery as if the night is approaching.…