The Glass Menagerie
The glass menagerie
Tennessee Williams uses several techniques to express social criticism in his play ‚The Glass Menagerie’. The genre of epic drama gives an appropriate foundation for the author to apply other and different techniques, which will be demonstrated with some examples in the following sections. They will be discussed in an order of how they could appear to the reader or spectator.In an epic drama the spectator is supposed to be an observer and not to identify him- or herself with any characters in the play. The purpose is to show a world view, therefore T.W.’s ‘Glass Menagerie’ is not to be seen as a family drama, but as the Wingfield family representing America in the 1930’s. Tom Wingfield as epic narrator plays a very important role for this purpose, as he explicitly comments on the social situation.Tom steps on stage and gives an introduction to the audience. But this introduction is not only about the setting of the play, but also contains criticism on american society in the time of the Great Depression already in his first few lines:I reverse it [time] to that quaint period, the thirties, when the huge middle class of America was matriculating in a school for the blind.
ConclusionThere is no order of the techniques, simply because of their different natures. It is Jim who stands for 'the long delayed but always expected something that we live for' (Narrator Tom on Jim, page 235). That's when adventure becomes available to the masses! (page 282)Since he is fed up with this situation he finally decides to change it: 'I'm tired of the movies and I am about to move!'(page 283)This decision may distinguish him again from the others but does not lead to freedom for him, as the reader is told in his closing speech as narrator. Other techniques like the epic narrator, screen devices and music show up from time to time, constantly interfering the flow of the play. Men like him, who go to the movies to escape their reality:All of those glamerous people
Tennessee Williams uses several techniques to express social criticism in his play ‚The Glass Menagerie’. The genre of epic drama gives an appropriate foundation for the author to apply other and different techniques, which will be demonstrated with some examples in the following sections. They will be discussed in an order of how they could appear to the reader or spectator.In an epic drama the spectator is supposed to be an observer and not to identify him- or herself with any characters in the play. The purpose is to show a world view, therefore T.W.’s ‘Glass Menagerie’ is not to be seen as a family drama, but as the Wingfield family representing America in the 1930’s. Tom Wingfield as epic narrator plays a very important role for this purpose, as he explicitly comments on the social situation.Tom steps on stage and gives an introduction to the audience. But this introduction is not only about the setting of the play, but also contains criticism on american society in the time of the Great Depression already in his first few lines:I reverse it [time] to that quaint period, the thirties, when the huge middle class of America was matriculating in a school for the blind.
ConclusionThere is no order of the techniques, simply because of their different natures. It is Jim who stands for 'the long delayed but always expected something that we live for' (Narrator Tom on Jim, page 235). That's when adventure becomes available to the masses! (page 282)Since he is fed up with this situation he finally decides to change it: 'I'm tired of the movies and I am about to move!'(page 283)This decision may distinguish him again from the others but does not lead to freedom for him, as the reader is told in his closing speech as narrator. Other techniques like the epic narrator, screen devices and music show up from time to time, constantly interfering the flow of the play. Men like him, who go to the movies to escape their reality:All of those glamerous people