seem to get his mind off the grapes that are "just a-hangin' over inta the road" (93). While Ma is "scared somepin ain't so nice about it'" (91), he does not let her contradicting feelings change his views. Many family members share this idea on the California lifestyle; Pa even mentions that there is sure to be "plenty work, an' ever'thing nice an'green'" (109). Grampa isn't the only one caught in the moment- Rose of Sharon gets desirous when Connie decides that they'll "git [their] own car'"(130). Rose of Sharon proudly boasts to Ma about Connie's plans to "study at home'" and "maybe later have his own store'" (164). His enthusiasm spreads others into also dreaming unrealistically. While everything sounds perfect to think about, reality sets in when they find that there's "too many folks lookin' for work right there now'" and they would have to live in " dirty ol'camps an' hardly get enough to eat'" (92). The Joads are restlessly dreaming about their soon to be prosperity, as if Grandpa stirred excitement into them, leading to unrealistic ideas.
Grampa demonstrates the strong connection between a man and his homeland, a major theme in the book.
He gives himself a thrill just imagining himself picking a "big bunch of grapes off a bush'" (83), however, his feelings quickly change when he announces that he "jus' ain't a-going'" (111). His love for his land becomes apparent as he snaps, "This country ain't no good, but it's my country'" (111). Casey remarks that he didn't die on the road "[h]e died the minute [they] took im off the place'" (146). In chapter nine, the farmers being kicked off their land are torn, because "this red land, is [them]" (87). In a conversation with Muley and Tom, Casey states that when a "fella gets use' to a place, it's hard to go" (51). Living off "frogs an' squirrels an' prairie dogs sometimes'"(48), Muley didn't leave his land and go to California with his family because "somepin jus' wouldn' let [him]'"(48). No matter how rich, plentiful, and flawless foreign countries may seem, men, like Grandpa, have a strong bond with land that they can call …show more content…
home.
Steinbeck's portrayal of Grama's bustling energy adds life and humor to the story. He's not going to let California change him- he'll "go aroun' a-hangin' out if [he] wanta'" (92). At the dinner table, he can barely manage to eat his food when he "choke[s], and a mouthful of paste spray[s] into his lap" (79). He seems careless and rowdy as he often "fumble[s] with the buttons of his fly" (92). Grandpa knew his clothes were crooked and "his fingers felt that something was wrong, but he did not care enough to find out" (82). He becomes an easy to love character as his "eyes [grin] with affection and pride" for Tom (79). Granmpa's liveliness lightens the mood and makes for a better read.
The relationship between Grampa and Granma demonstrates the importance in unity.
Their competitive edge is seen when they "raced each other to get across the broad yard." While "they fought over everything," they "loved and needed the fighting" (78). After Grampa dies, Granma "got to a bellerin'" and "don' speak to nobody [and] don' seem to recognize nobody'" (174). She yells and screams as if "she's talkin' to Grampa'" (175). This ultimately leads to her death not long after, as if she can't survive without him. The death of Grampa followed by Granma illustrates the connection that comes with marriage and the significance of
unity.
Grampa connects with general characters and crucial themes, making him a vital character in the story. His anticipation towards California quickly spreads around the household as they dream fantasies of living rich and plentiful lives. After leaving Oklahoma, his death reveals the strong bond between a man and his homeland. Along with his stubborn personality and wit, Grampa leaves an unforgettable impact on the story.