In Osip Mandelstam’s poem numbered “300”, and in Marina Tsvetaeva’s poem “you loved me” both speakers are struggling with a loss of love. For Tsvetaeva’s speaker, the loss stems directly from a love built in a relationship and partner and the sudden feeling of betrayal and loss. For Mandelstam’s speaker however, the loss of love is in that of his friends and family, and not in that of an intimate relationship. They have betrayed his trust, and left him in a life of solitude and loneliness. Both speakers are encountering a powerful loss of something they care about and in their poems they are showing their resiliency and rebuttal towards that loss. This rebuttal comes from a place of isolation and understanding. It is only through recognition…
In George Gascoigne's “For That He Looked Not Upon Her”, the speaker's complex relationship with a lover is revealed through diction, imagery, and metaphors.…
Thomas maintains a strong emphasis on life and death throughout the poem. He draws a strong correlation between the two in the very beginning of the poem by likening them to explosives. The stem of a blooming, blossoming flower is the fuse, gradually getting smaller and smaller, until the spark reaches the bottom and ignites the explosive, ‘blasting the roots of trees,’ killing us off when we mature and come of age. Again this connection is strengthened when he claims the very stuff we are made of, ‘clay,’ is also used to make the ‘hangman’s lime,’ the material hangmen and undertakers use to cover bodies when they decay. By repeating this concept over and over in each stanza Thomas sets the foundation for his poem and moulds everything else around it, making the poem’s objective clear and firmly planting what he wants to convey to the reader in their memory.…
In Songs of Innocence and of Experience, Blake employs natural imagery throughout his poems and in many of them love can be seen as being pure and natural. In Blake’s poem ‘My Pretty Rose Tree’ natural imagery runs all the way through the poem yet he has also expressed the jealousy and complications in love. Poems such as London and The Clod and the Pebble show how love is tainted by corruption, which conveys to the reader the epitome of love and how its reality can show its hidden immorality.…
In the poem “Sweethearts,” by Allen Branden he describes the feelings of a young couple who have to sneak out to find time to spend with each other. The line, “Through the pale statuary and falling leaves” (2) gives the poem a setting of being in a cemetery in the autumn. Their love is so strong that they never want to be apart. The speaker is a man who is telling a story about a relationship that he was in as a teenager; he is not speaking to anyone unparticular. Through diction, symbols and tone the author explains how young love can be confusing, misunderstood, and full of emotion.…
Throughout the entire poem, the speaker continuously asks questions debating what makes life worth living. The speaker’s confused mental state is expressed through rhetorical questions. The narrator asks, “Oh cold reprieve, where’s natural relief?” Here, the narrator wonders where he may find an escape from life, from the grief he was told to pursue. The answer is actually from within him. This results in a poem with dialogue between the narrator’s conscience and heart; the heart being the Echo. The Echo’s answer of “Leaf” leads the narrator to reflect on the death of leaves; leaves bloom beautifully and change into various colors. Making “ecstasy” of the flower’s dying process. He wonders, “Yet what’s the end of our life’s long disease? If death is not, who is my enemy,” but then the Echo calls itself the foe. Though leaves age beautifully, people do not, for aging is a disease of life that cannot be escaped.…
The progression of time is presented again in a different order to differentiate time in this stanza than the previous. Cummings closes the stanza by introducing us to the second character “noone,” who’s love increases for “anyone” as time advanced. Moreover, Cummings choice of name “noone,” and her love for anyone partakes in a double meaning. The author is exemplifying that noone and anyone are meant for each other but also that the townspeople don’t care about one another. Proceeding to the fourth stanza, the reader can see that Cummings use of syntax keeps getting more bizarre. Look at the words the author chooses to use, “when my now and tree by leaf.” These words can be used to describe anyone and noone’s present love. According to the OED, “leaf” means “In various fig. senses, esp. with allusion to growth or thriving” (“leaf” Oxford 1b), thus “tree by leaf” may symbolize their of life and experiences. The author states “she laughed his joy she cried his grief,” where his usage of consonance displays noone’s attachment towards anyone’s happiness and…
The definition of love is something that varies greatly among individuals. In E.E. Cummings’s poem “i carry your heart with me”, Cummings effectively conveys that true love is a powerful force that brings complete unity between two people through the use of various literary devices such as capitalization, point of view, form, and imagery to enhance the meaning of his poem.…
Although he was also a painter, he was mostly known for being a “painter with words.” Born into one of Boston’s most influential families, Edward Estlin Cummings’ (later known as e.e. Cummings) iconoclastic poetry acquired much attention from 20th century society. Encompassing over a total of 2,900 poems, four plays, essays, and two autobiographical novels, Cummings’ work is plentiful. (Poets.org) However, his errant but meaningful misuse of punctuation and grammar, a unique form of literary cubism, is what sets him apart from the poets before him. Readers of all ages were drawn to his poems, as they presented a challenge both visually and psychologically. Cummings’ poems revolved around the topics of war, sex, and love, which further catapulted his popularity. (Kennedy) The idiosyncratic state of e.e. Cummings’ poems destined him to become one of the 20th century's most eminent literary voices.…
An article, “Metaphor and Literature,’ defines metaphor as a tool that produces “meaningful communication” (MacCormac 59). Similarly, by adding visual metaphors in her poetry, Smith tries to submerge the readers into a deeper level of experience about abstract issues i.e. death and grief. She writes, “You stepped out of the body/Unzipped like a coat” (92-93). Here, Smith gives an insight to the belief that the soul leaves the body after death, which she imagines occurred with her father’s soul. She is trying to give the notion that death involves the separation of the soul. Likewise, in the later part of the poem, Smith uses different species of extinct tigers, “Javan,” “Bali,” and “Caspian,” to symbolize her father (80-82). The emptiness felt by her causes her to imagine her father as a rare species, who might also be alone in heaven. She imagines that her father might have also felt the deep pain in losing one dear to him. Smith describes this loneliness as “a solitary country” (84). However, later, she finds comfort in the fact that her father is no longer in fear. “Night kneels at your feet like a gypsy glistening with jewels” (90). “Night,” is considered to be a symbol of darkness, a time when people usually hide. Smith, adding these images throughout her poetry, tries to say that fear is eliminated in heaven .She emphasizes that her father experiences real power in his…
The audience is considered as the readers of this poem. Dorothy is passionate for the man who she loves declaring that “My fragile leaves/his heart enclose” (6). With every rose that he gave her, his heart was enclosed with it. The love…
In the poem the narrator observes and appreciates his love for the simple things that he is seeing while walking in the street. The narrator is falling in love with everything around him, but he is yearning for a meaningful, loving relationship. Through the use of imagery and allusion Collins creates the theme that the little things in life are the things that truly matter, even though we yearn for more. In this poem, the imagery is quite plain and concise. Collins was very straightforward when describing what he saw. He says, “I walked along the lakeshore,/ I fell in love with a wren/ and later in the day with a mouse” (Collins 1-3). The “Aimless Love” that the narrator has for these things does not last for very long because he moves right on to loving the next thing he sees. He continues on when he “fell at a seamstress/ still at her machine in the tailor’s window,/ and later for a bowl of broth,/ steam rising like smoke from a naval battle” (6-9). The narrator is very clear and concise when describing what he saw. The narrator is still yearning for something more, but he can’t find it. He goes all over town searching, but he can't seem to find what he is looking for. He notices that he enjoys the simple things in life more than the “unkind words” (12) and the “silence on the telephone” (13) that comes along with relationships. He is not telling the reader to…
Cummings begins developing his theme by introducing the main literary device of the poem - the use of paradox. Each stanza of the poem follows the pattern of presenting a question to the reader that asks what would happen if a normally unpleasant occurrence is portrayed as a pleasant one instead. The first stanza asks, "If freckles were lovely, and day was night, And measles were nice and a lie warn't a lie..." and concludes the thought by saying that "Life would be delight, -- But things couldn't go right For in such a sad plight" allowing the reader to see that things would indeed be vastly different from what they are normally seen as. Another vastly relevant line to giving the reader the ability to determine the theme of the poem is the line…
Civil disobedience is the act of openly breaking the law or refusing to comply with government demands then willingly accepting punishment for the action. In Henry David Thoreau's case, spending a night in jail was the result of his civil disobedience when he refused to pay poll-tax. Like Thoreau, Kim Davis was jailed because of her refusal to follow a rule. Since Kim Davis shared a similar experience with Thoreau and that is why I think she would best fit Thoreau's definition of civil disobedience.…
Williams uses irony and imagery from the beginning of this literature. It is ironic that the character has to experience so much grief and heart ache during such a beautiful season as spring. The visual imagery that he has created gives the reader a compassionate view to the wife’s emotional grief while surrounding her with a fountain of newly born life. The sharpness of the white flowers is in stark contrast to her cloudy and dark feelings. Everything is coming to life as she feels her life cannot go on without her husband.…