The Historical Relationship Between History and Cinema
FEDERAL UNIVERSITY OF PIAUÍ
CENTER FOR HUMAN SCIENCES AND LETTERS
DEPARTMENT OF GEOGRAPHY AND HISTORY
DEGREE COURSE IN FULL STORY
The Historical Relationship between History and Film
Thyêgo Douglas Araújo dos Santos
Teresina, November 2012
FEDERAL UNIVERSITY OF PIAUÍ
CENTER FOR HUMAN SCIENCES AND LETTERS
DEPARTMENT OF GEOGRAPHY AND HISTORY
DEGREE COURSE IN FULL STORY
The Historical Relationship between History and Film
Teresina, November 2012
introduction
The history came with the Greeks more than 2000 years before the appearance of Cinema that occurred between the late nineteenth and early twentieth-century historians of the time and just try to set the film as attractions of the fair. History and Cinema are two ways of conceiving the actions that seek to organize time recognizing him some feeling. Taking from the reality of their condition panoptic and chaotic, Cinema and History are building and redirecting hypotheses and testing possibilities and perspective. The similarity with what is characterized as experiences transform the cinema synonymous with the term "real-truth" and move history for a search of "reality" and "truth" of these facts or understanding of its representation, the intense demand for recognize these values across something that will impact the historic conservatism, and these issues are the subject of intense debates and discourses on historical reference source. The search for Cinema History was made so far to assign images only feature objects and not understanding that they are also subject, allowing Cinema and History addressing reality as two parallel: they are not.
Various sciences such as sociology, anthropology, and even philosophy extended the boundaries of his field of research and today we discuss about a model for
CENTER FOR HUMAN SCIENCES AND LETTERS
DEPARTMENT OF GEOGRAPHY AND HISTORY
DEGREE COURSE IN FULL STORY
The Historical Relationship between History and Film
Thyêgo Douglas Araújo dos Santos
Teresina, November 2012
FEDERAL UNIVERSITY OF PIAUÍ
CENTER FOR HUMAN SCIENCES AND LETTERS
DEPARTMENT OF GEOGRAPHY AND HISTORY
DEGREE COURSE IN FULL STORY
The Historical Relationship between History and Film
Teresina, November 2012
introduction
The history came with the Greeks more than 2000 years before the appearance of Cinema that occurred between the late nineteenth and early twentieth-century historians of the time and just try to set the film as attractions of the fair. History and Cinema are two ways of conceiving the actions that seek to organize time recognizing him some feeling. Taking from the reality of their condition panoptic and chaotic, Cinema and History are building and redirecting hypotheses and testing possibilities and perspective. The similarity with what is characterized as experiences transform the cinema synonymous with the term "real-truth" and move history for a search of "reality" and "truth" of these facts or understanding of its representation, the intense demand for recognize these values across something that will impact the historic conservatism, and these issues are the subject of intense debates and discourses on historical reference source. The search for Cinema History was made so far to assign images only feature objects and not understanding that they are also subject, allowing Cinema and History addressing reality as two parallel: they are not.
Various sciences such as sociology, anthropology, and even philosophy extended the boundaries of his field of research and today we discuss about a model for
References: Bernadet, Jean-Claude. Filmmakers and Images of the People. Companhia das Letras. 2003. Bloch, Marc. Apology of history or the Office of the Historian. Rio de Janeiro. Jorge Zahar Editor. 2001. CAMARGO, Celia. WOLF, Lucia. The Historical Research and unconventional sources. In: Resvista the National Historical and Artistic Heritage. No. 20. 1984. p 51-53. CIAVATTA. Maria. The Working World in Pictures. Photography as Historical Source. DP & A Publishing. 2002. DA-RIN, Silvio. Mirror Party, tradition and transformation of the documentary. Editorial quicksilver. 3rd Edition. 2006. IRON, Marc. Cinema and History. São Paulo. Peace and Earth. 1992. SON, Nelson Rodrigues. Letter and Image: Language and languages. Rio de Janeiro. UERJ. 1994. LE GOFF, Jacques; NORA, Pierre. History New Problems. Francisco Alves. 1995. RAMOS, Alcides Freire. Cannibalism of the Weak. Cinema and History of Brazil. EDUCS. 2001.