Preview

The History of Caklempong

Good Essays
Open Document
Open Document
2447 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
The History of Caklempong
Caklempong traditional music is said to have brought to Malaya by the Minangkabau people of West Sumatra settled in Negeri Sembilan as early as the 14th century. Minangkabau society call the caklempong as talempong. (Source: Abdul Samad Idris, 1970) In the earlier tradition, other than the purpose for fun, caklempong was also played as an important role in everyday life, such as integrating the Minang community residents besides being played during the ceremony of the coronation of the Sultan. Today, caklempong is famously being played for various purposes including the wedding ceremony, opening, entertainment, music accompaniment silat martial, dance and more.
Music of caklempong has now been received by the plural society in Malaysia as the nation's musical heritage. Caklempong is now being taught at institutions across the country with a view to inculcate the spirit of love of traditional music in Malaysia
THE MUSIC OF CAKLEMPONG
Caklempong is included in the group Idiofon (Idiophone) that is in the category of musical instruments made of metal, wood, bamboo and coconut shells. It is usually played by hitting, impacting, shaking and pounding. Among the instruments included in this classification are gong, saron (gamelan) bonang (caklempong) kenong (gamelan) angklung, and xylophone.
Bonang caklempong has a shape like a small gong made of bronze, 16cm in diameter, 8-10 cm high and 2.5cm in height cembol midst. Originally, caklempong is played in a pentatonic scale of notation C, D, E, F and G, but it has now include all of the other notations that are A, Bb and B.
The complete set of caklempong consists of the following:

Gereteh
Gereteh consists of 15 Bonang was written in the tone one octave C Major, including seven not options in the two parallel lines with the 1st line having 8 bonang, while the 2nd line having 7 bonang. Gereteh plays the role of playing the main melody. There are two sets Gereteh in a complete set caklempong.
Gereteh
Tingkah
Tingkah

You May Also Find These Documents Helpful

  • Good Essays

    Question and review 100

    • 471 Words
    • 2 Pages

    c. How is the instrument played? Was it used in particular types of music? It is played by covering the holes and blowing into it. But it wasn't used in a particular type of music.…

    • 471 Words
    • 2 Pages
    Good Essays
  • Better Essays

    History of the Conga Drum

    • 1103 Words
    • 5 Pages

    The conga drum originates from Africa. The name conga is probably derived from the name of it’s homeland, the Congolaise of Africa. Nonetheless, the Conga is also called the Tumbadora. The conga is a descendant of a conical shaped drum of “Makuta”. The conga has gone through several changes in form and materials since it was originally created. Today 's congas are more rounded than its conical ancestor. The conga was originally made from wood, but is available today in fiberglass as well.…

    • 1103 Words
    • 5 Pages
    Better Essays
  • Good Essays

    Didgeridoo Research Paper

    • 609 Words
    • 3 Pages

    Aboriginal people are taught to sing from a young age so that they may participate in corroborees and ceremonies.…

    • 609 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Gamelan Gong Kebyar

    • 2366 Words
    • 10 Pages

    According to Michael Tenzer in his book Gamelan Gong Kebyar, the gamelan music plays an important role in traditional life of people in Bali is based on the concept of “Collectivity”. It was said that prior to modern era, interwining of collective behaviour and social stratification was reflected in the may intersecting dimensions of cultural production such as religious believe and practice, craftmanships and plastic arts, performance and literature and others. (Tenzer 2000, 76). And each of there was a collective undertaking with broad social and religious benefits, with the aim to reinforce, or to serve to legitimize, the divine of power of noble and priest(*rephrase this*). The Dutch colonial enterprise supplanted the organizing structure of the kingdoms gradually during the start of…

    • 2366 Words
    • 10 Pages
    Powerful Essays
  • Good Essays

    Hawaiian Music

    • 506 Words
    • 3 Pages

    Hawaiian folk music is a traditional music in Hawaii which includes several varieties of chanting, called mele, and the music meant for highly-ritualized dance, called hula. It was functional, used to express praise, communicate genealogy and mythology and accompany games, festivals and other secular events. Language and text meaning are important determinants of Hawaiian music. Mele or chanting was the poetry that could be brought into existence only through music. It is simple in melody and rhythms but is complex and rich in poetry. Hawaiian music has had a big impact on the music of other Polynesian islands. One of the music authors, Peter Manuel, called the influence of Hawaiian music is a “unifying factor in the development of modern Pacific music” (Hawaiian music and musicians: an illustrated history. Honolulu, 1979 page 7)…

    • 506 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    * Note: chimes/bells, groups of voices… all boys… from Java music of the courts (King). In this culture the entire community comes together to create its own music. * Amerindian Music – Rabbit Dance song CD 1:7, CD 1:8…

    • 1723 Words
    • 50 Pages
    Powerful Essays
  • Better Essays

    "Asian Culture : Subject : Australian Music Centre." Australian Music Centre | Breaking Sound Barriers. N.p., n.d. Web. 30 Apr. 2017.…

    • 1365 Words
    • 6 Pages
    Better Essays
  • Good Essays

    Bronze Dong Son drums are were fabricated by the Bronze Age Dong Son culture of northern Vietnam. They include the ornate Ngoc Lu drum.…

    • 1469 Words
    • 6 Pages
    Good Essays
  • Better Essays

    Vietnam Expressions

    • 2662 Words
    • 11 Pages

    One expression of culture from Vietnam includes dance, including dances performed at festivals and royal dances of the imperial court. A second expression of culture from Vietnam includes music, from imperial court music, classical music and rock and roll. The expressions of dance and music in the Vietnamese culture provide a glimpse of their embedded values and insight into the culture of Vietnam. “Although there are many general types of dance and music that derived from the culture of Vietnam over the last several decades, the dance and music currently practiced today can be traced as far back as 1010 CE” (Maraniss).…

    • 2662 Words
    • 11 Pages
    Better Essays
  • Good Essays

    Civil disobedience is one of the most emotional, moving, and, powerful acts that can come from a group of individuals. Peaceful resistance is one of the only things the majority of people have to exercise their freedom and their want for a just society. Civil disobedience gives the invisible people, a voice, and a way to be heard in a sea of perceived unjust laws. Peaceful resistance is a refreshing approach to rebellion; it defies the aesthetic of rebellion but maintains its core values. People rebel because they want change, because they look around and see nothing but corruption. A peaceful resistance sends out the message that reform is due without violent intentions; it brings attention to the issue without wreaking havoc, which is ideal.…

    • 542 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Chinese Music Instruments

    • 1574 Words
    • 7 Pages

    In this research paper I will introduce four Chinese music instruments: Chinese drum, Guzheng, Qin and Chinese lute. Chinese drum is still very popular in china for the old generation, and they use drum as an exercise for body training. GuZheng is a Chinese traditional instrument; furthermore, I remember when I was in the secondary, one of my classmate played GuZheng very well. In every public holiday, she will show GuZheng; moreover, it’s really specially. The third one is Qin; we still can see this instrument display in some Chinese drama, but this instrument does not have lots of people know how to play it. Last one is Yu Pipe that is a very ancient Chinese instrument; in addition, I don’t think lots of people heard this before and I cannot find more information about it. So I choose Pipa to instant of Yu Pipe. Pipa is rarely instrument and never see it in western country; however, Pipa is not that rare almost all the classic music group will have the people who play Pipa in the group.…

    • 1574 Words
    • 7 Pages
    Powerful Essays
  • Satisfactory Essays

    History of Mak Yong

    • 288 Words
    • 2 Pages

    It is believed that Muslim missionaries of the Middle East namely Persia and Arabia introduced the dance to Malaya during the fifteenth century.…

    • 288 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Comparative Study Music

    • 982 Words
    • 4 Pages

    Indian classical music is based on the ragas ("colors"), which are scales and melodies that provide the foundation for a performance. Unlike western classical music, that is deterministic, Indian classical music allows for a much greater degree of "personalization" of the performance, almost to the level of jazz-like improvisation. Thus, each performance of a raga is different. The goal of the raga is to create a trancey state, to broadcast a mood of ecstasy. The main difference with western classical music is that the Indian ragas are not "composed" by a composer, but were created via a lengthy evolutionary process over the centuries. Thus they do not represent mind of the composer but a universal idea of the world. They transmit not personal but impersonal emotion. Another difference is that Indian music is monodic, not polyphonic. Hindustani (North Indian) ragas are assigned to specific times of the day (or night) and to specific seasons. Many ragas share the same scale, and many ragas share the same melodic theme. There are thousands of ragas, but six are considered fundamental: Bhairav, Malkauns, Hindol, Dipak, Megh and Shree. A raga is not necessarily instrumental, and, if vocal, it is not necessarily accompanied. But when it is accompanied by percussion (such as tablas), the rhythm is often rather intricate because it si constructed from a combination of fundamental rhythmic patterns (or talas). The main instrument of the ragas is the sitar, although historically the vina zither was at least equally important. Carnatic (Southern Indian) ragas constitute one of the oldest systems of music in the world. They are based on seven rhythmic cycles and 72 fundamental ragas. The founder of the Karnataka school is considered to be Purandara Dasa (1494). Carnatic music is mostly vocal and devotional in nature, and played with…

    • 982 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    My Unrealist Dream

    • 528 Words
    • 3 Pages

    To many people in many cultures, music is an important part of their way of life. Some…

    • 528 Words
    • 3 Pages
    Satisfactory Essays
  • Satisfactory Essays

    Event

    • 293 Words
    • 2 Pages

    Love our Heritage event has ended at 4 pm and we together had tidy the place where the event has been held. All the equipment that we have borrowed from Pusat Adat dan Warisan (PADAT) are arranged nicely inside car as it is to be returned on the next day. Although we feel so tired to handle this event, but overall we are extremely glad because our mission and objectives of the event was successfully achieved. The mission that we want to achieve is, with this kind of event it can help to foster the spirit of love for traditional heritage in Malaysia among teenagers. What can be seen now, generation Y and generation Z are almost forgotten about their own custom and heritage. To bring this event into reality, they can look back a little bit about custom and tradition that was being popular in the past. By providing information and equipment such as traditional clothes and traditional games of Malay, Chinese and Indian hopefully it can give a picture of the beauty and originality on heritage and culture in Malaysia once upon a time ago.…

    • 293 Words
    • 2 Pages
    Satisfactory Essays

Related Topics