Wuthering Heights contained many themes throughout the book. However, there are some that were more prominent. Revenge and social classes surround the novel. It shows how the two main characters, Heathcliff and Catherine, were brought together and had this strong connection between them, but the division of society separated them from happiness. Revenge acts like a stimulus for Heathcliff throughout the plotline and builds up the story so it is not some let down love story.…
Extremes of behaviours traditionally are characterised as going against the normalities of society. However, in Wuthering Heights these extremes are the ways in which normality is restored, and this paradoxical view allows the ambiguity surrounding the novel to truly become prevalent. These extremes also reflect gothic elements in the novel such as the sublime and moral decay. This is because through the absence of morality extreme emotions such as jealousy, violence, or revenge are allowed to stir. This is particularly the case because extremities allow for social transgression, which the gothic represents. This illustrates how the structure of society can be changed to allow for a modern view that freedom should not be diluted by social boundaries, and if this freedom is allowed to happen then normality will be restored. This can be seen to be how Heathcliff is more of a modern but violent hero of the novel, because it is only through his subversion of traditional social norms that normality is eventually restored when he dies.…
Wuthering Heights was written in 1847; therefore it is accused of being uninteresting and hard to read, due to outdated language. The writing in Wuthering Heights is very beautiful. Modern writing lacks the poetic ring and flow of words that Emily Bronte is able to capture in the novel Wuthering Heights. In a beginning passage, Lockwood describes Heathcliff: “He is a dark-skinned gypsy in aspect, in dress and manners a gentleman: that is, as much a gentleman as many a country squire: rather slovenly, perhaps, yet not looking amiss with his negligence, because he has an erect and handsome figure; and rather morose.” The description expresses puzzlement over Heathcliff as a character, with him being dark, untidy, and unhappy, while still being well dressed, well mannered, and somewhat tall and handsome. The sentence structure itself suggests Lockwood’s confusion in his appraisal of Heathcliff; it is an example of the artful language and vocabulary in Wuthering Heights. The first time I read this book, I sat down with a dictionary so I could look up every word I don’t know. After several pages of written definitions, it became clear all my word hunting was distracting from the story. I decided instead to rely on context clues, which expanded vocabulary and understanding. Learning is exciting and satisfying; learning is in itself a purpose to…
The dispute of nature versus nurture is long running and both sides have strong points even solely in the novel “Wuthering Heights”. Nature is a person’s characteristics at birth and from their genetics they would know how to act around people. For an individual, one’s parents might be wealthy and selfish; therefore, the child will inherit the money and also be selfish with it according to his or her nature. This case is best related to Edgar Linton in this novel. Edgar was born rich and selfish and he died rich and selfish; however, he was also raised rich and selfish which leads one into the nurture side.…
It gives a yearning of what may come ahead and an intriguing tie from the present to the past and vice versa. To foreshadow is "to shadow or characterize beforehand" (Webster's Dictionary). Wuthering Heights as a whole serves as a large-scale example of this foreshadowing effect and it contains many other examples within it.…
In the Victorian era, men were believed to be inherently superior to women by natural design. We see that in Wuthering Heights, Heathcliff appears to impose dominance over many of the characters in the novel as the story progresses. His quest for vengeance and his inability to deal with the death of Catherine eventually reveal his true nature as a maudlin sociopath…
Emily Bronte incorporates various types of grief into her writing in Wuthering Heights. This may be due to the conditions of many of her own experiences, or it may not, we cannot know. Regardless, the grief that is exhibited by the many different characters, differs for various reasons. The intense feelings of grief demonstrated in Wuthering Heights are most often insinuated by death. The ways in which characters relate to one another vary greatly, and also play a great role in determining the intensity of the sorrow felt by a character. Also, one's personality and capabilities can affect how he/she may feel about another's death. All of these are connected to the conditions in which a character was brought up and how he/she was living at the time of the tragedy, which also bears a large impact on the feelings of grief displayed.…
The juxtaposition of sharply disparate elements, i.e. "clashing contrasts," can give rise to violence. Such is certainly true of Emily Bronte's Wuthering Heights. In fact, the entire novel could be analyzed using comparison and contrast. Examples of the "clashing contrasts" are found in the violence between Heathcliff and Edgar, Heathcliff and Linton, Heathcliff and Hindley, Catherine and Isabella, and Heathcliff and Isabella. Other contrasts which serve to explicate the plot and relationships are the differences between Heathcliff and Edgar, Hareton and Linton, and Nelly and Lockwood.…
In Wuthering Heights, Emily Bronte uses Language and imagery to create a very stark contrast between Heathcliff, and Edgar Linton. This contrast is not only illustrated in how these characters act, but also in their appearance, usual setting and the language that is used to describe them.…
In Wuthering Heights,one of the key characteristics of a gothic novel is extreme weathers. In the of beginning of chapter 1, Bronte creates a stormy weather when lockwood arrives at wuthering heights. Lockwood describe the weather with “ Pure, bracing ventilation… the power of the north wind blowing over the edge” (Bronte 4). The stormy weather described by lockwood is very powerful with tremendous force and thus help illustrate the extremeness of the weather creating a gothic characteristic. Also in chapter 4, Bronte creates another stormy weather just like the first one in chapter 1, but with one distinction from it. As Mr. Earnshaw’s dies, “A high wind blustered round… wild and stormy, yet it was not cold...” (Bronte 43)…
Martha Nussbaum describes the romantic ascent of various characters in Wuthering Heights through a philosophical Christian view. She begins by describing Catherine as a lost soul searching for heaven, while in reality she longs for the love of Heathcliff. Nussbaum continues by comparing Heathcliff as the opposition of the ascent from which the Linton's hold sacred within their Christian beliefs. Nussbaum makes use of the notion that the Christian belief in Wuthering Heights is both degenerate and way to exclude social classes.…
There are numerous approaches to analyzing and understanding a novel, with the setting being one of utmost importance. It is one of the first aspects noted by readers because it can potentially increase their identification of specific motifs, and subsequently themes, through repetitively emphasizing the natural setting that penetrates conversations, incidences, thoughts, and behaviors. The author typically creates a setting that facilitates the development of a proper atmosphere and mood while maintaining a sense of veracity for the reader. In Emily Bronte’s classic novel, Wuthering Heights, the setting not only successfully satisfies these fundamental guidelines, but it also contributes to an essential understanding of the characters that allows the reader to predict and follow changes in the plot. Therefore, the interesting tone of the Yorkshire countryside is immediately projected to a higher level of importance: it is employed as a metaphor for character behaviors or attributes which Bronte utilizes to subtly direct the plot, mainly through the ominous foreshadowing of events.…
When the author first introduces the Wuthering heights manor, it is during the ongoing of a storm. This, in it of itself, is very fitting for the storm gives a foreshadowing to the darkness and gloom the manor will bring on later. The name of the manor is actually “descriptive of the atmospheric tumult to which its station is exposed to stormy weather.” (Bronte, 4) The name is a fitting one as the wind was blowing with a tremendous power when Mr. Lockwood first arrived. “ …one may guess the power of the north wind, blowing over the edge, by the excessive slant of a few, slanted firs at the end of the house.” (Bronte, 4) Bronte describes the mansion to be perched on a high ridge, overlooking a bland, sparsely inhabited wasteland. It is an ancient house built of dark, cold material, with “a quantity of grotesque carving lavished over the front” (Bronte, 4) which adds to the uninviting atmosphere of the manor. The manor itself is set completely apart from the populace. In fact, Mr. Lockwood exclaims that “ I do not believe that I could have fixed on a situation so completely removed from the stir of society, a perfect misanthropist’s heaven.” (Bronte, 3) He goes on further to describe even the kitchen to have been “forced to retreat altogether into another quarter” (Bronte, 5). He observes there was “ no signs of roasting, boiling, or baking, about the huge fire-place; nor any glitter of copper saucepans and tin cullenders on the walls” (Bronte 5). The mansion is described to be devoid of all things that make a house a home and also adds to the inhospitality Mr. Lockwood experiences there.…
How’s it going? In my opinion, this book is becoming more confusing, as well as interesting. Dramatic and weird things are happening that keep surprising me and leaving me in wonder. One thing that leaves me sorrowful; is the fact that Catherine and Heathcliff never got to be together. Although, if they did, this would completely transform the story. That would entirely change how this story advances. So far, I am enjoying the plot, but the writing is still confusing to me. The writing is a bit advanced for my level, but I am learning to get used to it, although there are many times where I am left with questions. Times where I am left wondering.…
Wuthering Heights has a unique and complex narrative structure. There are the two main narrators, Lockwood and Nelly, they each are eyewitness narrators as they have took part in the story they describe. The novel is organised in such a way that it is a narrative within a narrative, what some critics would call “Chinese boxes” or frame narrative.…