The Madness of King LearBy Nick Summers - December 08, 2002 It is odd to think that true madness can ever be totally understood. Shakespeare's masterful depiction of the route to insanity, though, is one of the stronger elements of King Lear. The early to middle stages of Lear's deterioration (occurring in Acts I through III) form a highly rational pattern of irrationality: Lear's condition degenerates only when he is injured or when some piece of the bedrock upon which his old, stable world rested is jarred loose. His crazy behavior makes a lot of sense. Despite his age and frailty, Lear is no weak character; it is difficult to imagine how another character could have better resisted such mental and emotional weights as the king suffers under. Lear's worsening madness is understandable only when interpreted with a proper appreciation of the intense forces acting on him and of the gradual disappearance of everything he finds recognizable about his former world.As Lear sets out from his palace toward his daughters' homes, he is still sane, though he begins to regret disowning Cordelia ‹the first sign of mental stress and the first step toward his eventual madness. Lear's Fool needles him about the rash decision, and the king blurts out, "O! let me be not mad, not mad, sweet heaven; / Keep me in temper; I would not be mad!" (I.v.46-47) It is a harbinger of thoughts to come.Lear's impending madness is established in parallel with the growing storm; both threaten to break at any moment. But Lear is strong: he does not give in to insanity all at once; instead he holds on as long as he can, only gradually slipping into lunacy. And Lear is strong‹it is important to note the severity of the stressors acting on him; ignoring them can lead to a misinterpretation of his character as a weak, senile old man instead of a capable leader simply abused by the people he trusted. Perhaps he was foolish to trust them in the first place, but he was not crazy. Above all, Lear's madness…