Preview

The Last Judgement Michelangelo

Good Essays
Open Document
Open Document
901 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
The Last Judgement Michelangelo
The Last Judgement by Michelangelo

Painted on the altar wall of the Sistine Chapel is Michelangelo’s The Last Judgement. It is considered to be one of the greatest masterpieces of religious art. The work of art took over four years to complete and was finished in 1541. The painting incorporates all of the primary elements and principle of designs as it portrays the end of the world.

Michelangelo uses lines of various width, length and texture to emphasis the complexity of all that is happening in the painting. The many curved lines in different lengths and widths on the body and heads of the figures make the figures look energized and moving. The artist uses very thin lines on the figures that appear to be farther back
…show more content…
The scene becomes brighter as it enters the heavenly area and grows closer to Jesus. There is an optimistic light that shines behind him. The light places an emphasis on the strong, muscular right arm of Jesus as he is getting ready to cast judgment. Figures in the earthly area are less bright and appear to be in a slight shadow. There is a fiery glow coming from the entrance of Hell. This burning light is dimmer and has a more forbidding look to it than the one behind Jesus which helps to instill fear of what lies beyond that light.

Visual textures are found in this painting. The garments Mary and the angels are wearing appear smooth and flowing. The roundness of the clouds gives a soft impression even though they are sturdy enough to hold the heavenly figures. Strong, firm muscles are accentuated on many of the figures. Brushstrokes show curly hair and coarse beards on the angelic figures along with the appearance of rough skin on the
…show more content…
The heavenly area is one of excitement, nervousness, and respect as the heavenly bodies watch Jesus cast his judgment and they see who will be welcomed into eternal life and who will be cast into Hell. There is fear and uncertainty in the figures being raised from the dead as they await their fate. The ones ascending into heaven are filled with surprise and joy. The figures being cast into Hell are shocked and terrified while trying in vain to ascend back up with the angels.

Michelangelo paints Jesus with what could be considered a perfectly proportioned body. He is trying to convey the beauty, power, strength and importance of Jesus by using an ideal human form. Most of the angelic hosts resemble the same idealistic form as Jesus. Their bodies are exaggerated to appear much stronger and vibrant than the earthly figures.

The Last Judgement incorporates all the primary elements and principles of designs as it reminds people of what will happen during the second coming of Jesus. The use of lines, space, depth, light, texture, color and proportion allow the viewer to imagine the sounds and sense the mood of the picture. The elements work together to create the intense scene being played out in the painting and the genius of Michelangelo’s work. All of these elements and designs create an extremely powerful, thought provoking

You May Also Find These Documents Helpful

  • Good Essays

    Tone is utilized to highlight the folds in the garments of the figures and the use of lighting on the seams creates movement. The fluid movement and chaotic mass of the apostles in the foreground contrasts with the clear linear spacing around the Virgin. The placement and size of the Virgin also illustrates her importance in classical antiquity. The separation between the natural and the spiritual world is also clearly defined through the use of a light blue to a dark blue gradient in the sky. This disconnect is then unified through the triangular layout of the apostles and angels, which allows for visual stability within the composition. It leads the viewer’s eye back to the main focal point, the Virgin Mary. Despite the casket’s positioning on the bottom left of the frame, this asymmetrical layout is still balanced and unified due to the triangular structure, converging lines of light, and space surrounding the Virgin and…

    • 689 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    During his sermon Jonathan Edwards used vivid imagery and descriptions to make his congregation see that hell was a real place. To make the congregation see just how close to hell they truly were Edwards stated, “That world of misery, that lake of burning brimstone is extended aboard under you (Cox).” He also wanted them to realize that the longer they went without Christ, the heavier they would become. “Your wickedness makes you as it were heavy as lead, and to tend downward with great weight and pressure toward hell (Westerfield).” The ground beneath them would give way under the weight of their wickedness and they would plunge into hell where the Devil would be ready for them. “The Devil is waiting for them, hell is gaping, for them, the flames gather and flash about them and would fain lay hold on them, and swallow them up (Smolinski 11).”…

    • 1132 Words
    • 5 Pages
    Powerful Essays
  • Good Essays

    While the series of “Genesis” is considered as one of Michelangelo’s greatest works at his early stage, the “Last Judgment” indicated his late style of new understanding of the world and life. The ceiling painting’s background is either white or light blue, and the figures are mostly dressed with cloak and drapery. On the contrary, the dark blue background of the “Last Judgment” with a massive use of shadows presented a dark tone. Figures in both the paintings have strong…

    • 373 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    Art History Paper #1

    • 1085 Words
    • 5 Pages

    Buigiardini’s Madonna and the Child with St. John the Baptist depicts Mary with Christ and St. John. The three figures are arranged in a triangle formation, with Mary at the apex. This positioning was often used by artists such a Leonardo da Vinci and can be seen in his work The Virgin of the Rocks. This painting also displays chiaroscuro, as the ground is composed of dark colors; browns, blues and reds, but the figures and the sky are much lighter. The figures are shown with very pale skin, which makes them stand out from the darker ground and the sky is an extremely light blue color. This technique helps the artists convey spatial depth. The baby Jesus is shown wearing a delicate golden halo, and is simultaneously grabbing the book that Mary is reading and pointing at the young John the Baptist. I thought that this might be a symbol of the importance of John the Baptist’s work in the Bible.…

    • 1085 Words
    • 5 Pages
    Satisfactory Essays
  • Good Essays

    The first panel is the donors that commissioned the painting by Campin, the second panel is the same Annunciation scene of Mary and Gabriel but depicted quite differently, and the third panel is Saint Joseph. This painting pays close attention to clarity and detail, with varying colors and realism. The painting is in oil, and has a style that reflects the Northern Renaissance period. For example, the angel and Mary do not have halos, and it lacks linear perspective. The lack of halos, as well as Mary’s face (which doesn’t seem too happy about the fact that she is about to conceive Christ’s child) could relate to the religious separation that Northern Europe was experiencing during the Renaissance. Northern Renaissance art is very well known for its symbolism, and in this painting nearly every object is symbolic of spiritual ideas (Harris). For example, lilies represent Mary’s virginity, Joseph’s tools represent the Passion of the Christ, and the extinguished candle represents God taking human…

    • 804 Words
    • 4 Pages
    Good Essays
  • Good Essays

    First, the author uses imagery to vividly explain the sufferable experience sinners will have in hell. For instance in the ninth paragraph Jonathan Edwards coldly states, " When you look forward, you shall see a long for ever, a boundless duration before you, which will swallow up your thoughts, and amaze your soul , and you will absolutely despair of ever having any deliverance,…

    • 420 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Who Is Domenikos Volcano?

    • 485 Words
    • 2 Pages

    The lighting used for the doves was as though the bird was coming from true light. The body of Jesus was portrayed perfectly with the way the bible describes the wounds on the body of Christ. One of the reasons I choose this picture was because of the wonderful color El Greco used. For both the angels and the Holy Father the color and depth was painted to perfection. One of the most interesting facts I learned was that El Greco is not the painters real name that his true name is Domenikos Theotocopoulos. A lot of things intrigued me about this painting, one of which is the beautiful use of color and depth. One question arose in my mind was how did he do it? And yet I still have no answer. As of why he painted this or how this image came to him weather in the form of a dream or just a thought. One interesting quote that I found while looking for this answer is a section from the holy bible, in Matthew 28: 16-20 which…

    • 485 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    There is a halo on the head of each of them. However, from the audiences’ eyes, the halos look real but actually they are not because they are untouchable, the audiences cannot feel it. What the audiences can feel and touch is only the painting itself. It is also the same for the white bird on the top of Jesus Christ.…

    • 276 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Art History 27

    • 1063 Words
    • 5 Pages

    1. formal and iconographic characteristics are seen in high renaissanace, venetian and mannerist paintings. to begin with, in high renaissance michaelangelos Moses is shown holding the 10 commandments. You can clearly see the anger that is dipicted through the facial expression on moses. Michaelangelo wonderfully portrays the psychological states in moses, through the iconographic characteristics of his puffed lower lip, arched toes and the bulging of his veins. the formal characteristics are seen through michealangeols mastery of lines, which help create the anger that is being felt by moses. The formal characteristic of the lining of his beard and clothing show his inner turmoil. In the venetian painting of the virgin of the rocks by Leonardo Da Vinci, the artist magnificantly uses the chiaroscuro method of light and dark to model the expression and emotional states of the figures being portrayed. The lines, soft and subtle give the painting a more intimate feeling. The figures are all shown interacting with one another, praying, pointing, and blessing. He also presents the figures in a pyramidal group and sharing the same environment. The figures emerge through the use of light and shading from the half-light of the cavernous visionary landscape. For mannerism, formal characteristics are clearly seen in Parmigianino's Madonna with the long neck. Although nothing is shown in proportion the painting still apears soft and smooth, through the lines and colors used. The madonnas long neck, the delicacy of her hands and swaying elongation of her frames are all signs of mannerism. On the left stands the angelic creatures melting with emotions as soft and smooth as their limbs. on the right the artist includes a line of columns without capitals and an enigmatic figure with a scroll whose distance from the foreground is immeasureable and imbiguous.…

    • 1063 Words
    • 5 Pages
    Good Essays
  • Powerful Essays

    Over the countless master pieces that Michelangelo produced, he was fixated on the Male body and its youthful dominance. Most of many models that Michelangelo used were youthful men. He would accentuate muscular curvature in the biceps, Forearm, stomach, legs and neck line. Scholars would argue that Michelangelo was homosexual, do to the many nude male figures and sculptures he had created. He rarely showed women as feminine and would use the male figure, such as this Ignudo at the upper left corner of the Drunkenness of Noah (above the prophet Joel). As you can see the only distinction between man and women can be only seen by the breast, hair and genitalia.…

    • 1850 Words
    • 8 Pages
    Powerful Essays
  • Better Essays

    From 1534 to 1541 Michelangelo painted the Last Judgement. The painting was a mixture of male and female nude bodies. Every figure is centered on Christ and appears to be in motion or tensed up like they are about to move. The composition was split into two tiers. In the celestial zone Christ is flanked by angels, saints, martyrs, patriarchs, and the apostles. The terrestrial zone below shows the resurrection of the dead to the left and the descending of the damned to hell on the right. “The elect show the emotion joy while the Damned show torment”(Last judgement…

    • 1527 Words
    • 7 Pages
    Better Essays
  • Good Essays

    Art 101 Essay

    • 378 Words
    • 2 Pages

    Leonardo da Vinci. The Last Supper (after restoration).Leonardo’s “Last Supper” is a priceless piece of art with much hidden meaning and obvious talents bestowed upon a wall. Leonardo was able to use his skills in creating a very detailed and a very naturalistic piece of work that would be remembered for hundreds of years. He was also able to create characters with amazing individuality. Not only was his portrayal of the characters magnificent, but the symbolism he used which emphasized the story being told in the “Last Supper”.…

    • 378 Words
    • 2 Pages
    Good Essays
  • Powerful Essays

    It combines vivid imagery of Hell with observations of the world and citations of scripture.…

    • 1131 Words
    • 5 Pages
    Powerful Essays
  • Better Essays

    What caught my eye first were Madonna’s and the angel’s gowns. They shined as if a light in front of the painting was making them shimmer. The coloring of the skin on all the subjects looked precise and the rosy tones on the cheeks and eyelids gave off a warm feeling, which added to the overall adoring nature of the painting. Standing back one would never notice the small intricate details Francia painted but up close they become apparent. Francia went as far as painting the creases and lines within the palm and fingers of the baby Christ giving the subject a sense of realness. Up close one can see the small embellishments on Madonna’s gown and cloak. Around the neck of the gown and edges of the cloak there is an intricate white pattern. The hair on the angels looks like each and every strand was painted separately. Francia even painted the light bouncing off the hair and the crease of the flower crown creates on the angel’s hair on the right. As was common in the time period, Madonna has a halo above her head painted in a bright gold to bring emphasis to it. The baby Christ also has a (what is perceived to be a) slight halo that represents his holiness along with his mother. Francia painted a transparent veil under Madonna’s clothes and even painted creases into the veil where it bunches on her chest, the talent apparent in the painting amazes…

    • 1264 Words
    • 6 Pages
    Better Essays
  • Good Essays

    Michelangelo's David

    • 779 Words
    • 4 Pages

    Michelangelo had studied anatomy early in his life. He worked on corpses to learn how the body worked. This was important in the creation of David because of the intricate details in David's muscles and overall body appearance. The dedication to his creation is admirable. To study cadavers to perfect your craft to me is beautiful. Though David isn't perfectly anatomically correct (The upper part of his body is larger in scale than his lower) it was believe that this statue was intended to be place on a high pedestal in a church. So when one looks up, the body will seem perfectly proportional.…

    • 779 Words
    • 4 Pages
    Good Essays