Initially, Wilde describes Dorian as one who “had kept himself unspotted from the world” (18). This epithet functions as a control to drastically juxtapose and emphasize his dramatic transformation to a man of very little morality. At this point, Dorian’s unique disposition can be described as “one of tabula rasa or a blank slate” that awaits “colorful brushstrokes . . . [to] forever tarnish its originally pure image” (Seagroatt). The inciting moment of discovering Basil’s painting is equivalent to the first blemish on innocent Dorian’s canvas as he reaches the epiphany that he will eventually “grow old, and horrible, and dreadful” while his painting would “remain always young” (Wilde 28). Indeed, it is here that Dorian’s insecurity takes command of his conduct, spurring the commencement of his self-destructive quest to obtain all things
Initially, Wilde describes Dorian as one who “had kept himself unspotted from the world” (18). This epithet functions as a control to drastically juxtapose and emphasize his dramatic transformation to a man of very little morality. At this point, Dorian’s unique disposition can be described as “one of tabula rasa or a blank slate” that awaits “colorful brushstrokes . . . [to] forever tarnish its originally pure image” (Seagroatt). The inciting moment of discovering Basil’s painting is equivalent to the first blemish on innocent Dorian’s canvas as he reaches the epiphany that he will eventually “grow old, and horrible, and dreadful” while his painting would “remain always young” (Wilde 28). Indeed, it is here that Dorian’s insecurity takes command of his conduct, spurring the commencement of his self-destructive quest to obtain all things