In "The Princess Paradox" James Poniewozik suggests that being a princess is much different now than it used to be. But many daughters will always want to be princesses, no matter how much the idea of "princess" has changed over the years. Poniewozik starts his article off by stating that people often try to keep their girls from wanting to become princesses. But in the end they always will want to. Poniewozik states that girls used to want to be a princess with a pampered life. But to him this wasn't what princesses want anymore. They don't want help when they're in trouble, some of them go looking for trouble. No need for a prince to come save them, they can do it on their own. In fact, Poniewozik says that the princesses would much rather "save Prince Charming, thank you" (324), because they feel as though they can be independent and confident in life on their own. They don't always need a prince charming, unless they chose to have one.…
In their opening paragraphs both authors take a stance against the princess movement. Poniewozik starts out his article by saying that it is a recurring nightmare of high-minded modern parents of daughters, where the parents give many masculine toys, and then when Halloween rolls around they want to be a princesses; (666) while Orenstein writes her article from the perspective of a parent whose daughter was called a princess and treated as a princess everywhere she went, and Orenstein 's tolerance of this treatment grew shorter until she lost her patience. Though Poniewozik seems to take a stance against the movement in his opening paragraph he ends up leaning towards why it is a good thing for young girls, whereas Orenstein keeps her opinion the same, but she goes on to contradict the point that she was trying to make.…
In The Woman in Fairy Tales, Marie-Louise von Franz studies the feminine representations in fairy tales. She bases her study on collective symbols assumed to be present in these stories to shed light on the various facets of the anima. This book points at the fact that even if fairy tales are generally seen as a form of distraction, these stories have also a psychological function which expresses the psychic processes of the collective unconscious. This is of a capital interest to analyze the instrumentalization of the princesses in the advertising campaigns.…
“We don’t think of it as a traditional Princess Movie.”, from the producer of Frozen. In fact, Disney Animation Studio hasn’t produced traditional Princess Movie for a long time. After the rise of Pixar and DreamWorks, Disney is always finding its own differences from other animation studios, that what is its unique and simple. They understand more clear that they must “keep moving forward”, not only on the prince & princess story plot, but also on the development of the internal thesis. When politics talk about Disney Princess, they may concern a lot with the feminism, that women has taken half parts of the role on the Earth. Through reviewing different Princess Movies from different eras in the history, audience may notice the influence of…
The common fairytale portrays the stereotypical “damsel in distress,” who is helpless until her male savior typically rescues her. Many fairytales address the theme of gender roles as well as many others. The female character takes on the feeble, desolate role, while the male character takes on the strong, hero role similar to the stories of Cinderella and Sleeping Beauty. However, Elizabeth, the protagonist of The Paper Bag Princess defies typical gender roles as a female character and becomes the hero of the story. Cinderella and The Paper Bag Princess share many qualities, but have major differences as well. Cinderella is an example of a woman who occupies traditional, domestic roles, but she does not portray the modern, liberated woman Elizabeth exhibits.…
This can be seen as a push for feminism in the movie because it doesn’t focus on her being because she’s a girl. Also it changes how things are normally executed in fairytales. Some examples include Tiana rescuing Naveen, the princess also being changed into an animal, Prince Naveen being a playboy and they changing into a hard worker, and Mama Odie who says to think about your wishes and if that’s really what you want. These are probably introduced into the movie because Disney is looking to find a prompt that will make people watch and buy the movie. Viewers want to have a role model that will be a good example for small children and make them change themselves for the…
Fairy Tales have been continuously changing through history based on social norms and ideologies of the author on how society should be. Ever since the first written version released by Charles Perrault, Little Red Riding Hood has been remanufactured time and time again to fit the cultural views of the society it was created in. Not only do these different versions display the social norms of the audience it was created for, but also to challenge and critique the social constructs that are in place. Fairy tales all come with messages that impact the reader in some way, whether it teaches you lessons on how to behave, or shine light on problems that need to be addressed. Thesis: In “The False Grandmother”, Italo Calvino challenges the hegemonic…
Poniewozik begins by stating that it is a nightmare for the young girls wanting to be princesses today. Society expects every little girl wants to be a princess. Poniewozik blames Hollywood for this. It’s true in recent decades that Hollywood has produced quite a few cinderella stories and also many other fairy-tail type projects. It’s not a bad thing for them to do this because they’re making a large profit off these projects. Princess fairytale stories and movies are surprisingly popular today. Poniewozik claims that we have come a long way from the girls-kick-ass-culture of just a few years ago (Poniewozik 666).…
As a self proclaimed feminist, Peggy Orenstein examines her concerns in the already prodigious “princess” culture and how it has been endorsed in society. She asserts her displeasure at the assumptions people make about young girls, especially her three year…
Folklore, modern media, and historical events within the western world have shown us time and time again that women are meant to be the fairer and weaker of the two sexes; while reiterating the idea that men are strong, valiant, and ultimately the saviors of all women. This notion has been used to fortify the difference between the two genders, asserting the claim that women cannot save themselves or each other, and can only find their “happily ever after” with the help of a man. Perrault’s “Cinderella: or The Glass Slipper,” is the story of a mistreated, but kindhearted, girl who eventually marries a prince and goes on to live happily ever after. Within Perrault’s “Cinderella,” women are illustrated as powerful, and are the sole characters that drive the plot. While the male characters within the story remain flat and generally unimportant, therefore challenging the gender dichotomy that has depicted women as demure, and men as being critical in the lives of women.…
In the examination of the modern Disney film, "Beauty and the Beast", it is evident that the 'age old' women stereotypes are becoming less noticeable. In the newer classic, women are depicted as being independent, intelligent, and heroic.…
As a journalist and critic for Time Magazine, James Poniewozik concentrates on how the classic fairytale of Cinderella has been reinvented multiple times to correspond with the viewpoints of feminist authors. Poniewozik claims in his article "The Princess Paradox" that "girls choosing the fairy-tale ending is not such a bad thing" (667). However Peggy Orenstein, a contributing writer for The New York Times, would completely disagree with that statement. Orenstein stresses in her article Cinderella and Princess Culture that the "princess craze" and "girlie-girl" culture is ruining young girls as they feel constantly pressured to be perfect (673).…
Today, Walt Disney is a household name. You will be hard-pressed to find any person who has not seen, in their life, at least one Disney film. They are well-liked by children and parents alike, and provide a fun escape for the viewer. However, they are not without their problems. This essay will explore in particular some of the problems surrounding the female characters within Walt Disney Animation Studios' shorts and features, concentrating particularly on the Official Disney Princesses.…
Fairy tales are then used as a technique of persuasion driving women to buy the products with the promise of being as beautiful and as desired as the princesses. Nevertheless, another aspect of this association is thought-provoking: the cultural adaptation of this literary genre. The feminine representation illustrated in the advertisements differs from the feminine ideal present in fairy tales. The princesses are adapted to our modern world and embody modernity. They embrace and illustrate such concepts as the independence of women and their seduction power. However, the most appealing aspect of this adaptation is the fact that it differs according to a given culture. In other words, the reinvention and adaptation of fairy tales, and by extension…
In the past, fairytales were intended mostly for children to learn morals and meanings to things. These fairytales also always ended with a happy ending. As time passed these fairytales have been altered and expanded in ways that draw from what a fairytale really is. Many have argued that these new adaptions of the fairytales have corrupted our children. Others on the other hand, gave reasoning on how these new interpretations can be beneficial to the older crowd. Let’s take “Little Red Riding Hood” for an example. This fairytale as well has been changed consistently in history and have multiple adaptions. These changes and adaptions have led to a lot of questioning and critical responses which opens up a broader and deeper meaning of the original story line. The authors talk about how the new versions incorporate sex, how society can be a big factor in the new changes of the story and even portray violence.…