Some of the music in the 1960s was used to protest social and political issues. Is music still used as a form of protest? Why or why not?…
These labelled ‘protest songs’ became anthems for the American civil-right anti-war movements. His songs, and lyrics, have incorporated various political, social, and philosophical influences and appealed to the generation’s counterculture of the time.…
Today I’m here to present three texts that I believe should be included into the anthology “Protests that Changed the World”…
The Anti-War movement began its rise in the early 1960s and by the 70s with the increase of the U.S. military involvement in Vietnam, the movement caught fire and with musical artists such as Joan Baez and Bob Dylan joining the protest, the tone of the movement was set. In addition to the opposition of the war, the civil rights movement was also underway. People of all colors were fighting for the peace, harmony and equality. However, African Americans were not as involved in the Anti-War movement as white people but people like Jimi Hendrix and Edwin Starr voiced their support of anti-war messages through their music and, in turn, got their audience to support the movement; but to what extent did the musical influences of African American…
Music played through the centuries has always symbolized a mood or feeling of the artist. We all have songs that we can relate our…
“Music, which plays such an extraordinary role in organizing and shaping our societies and our social values, remains an unspoken and too often unacknowledged contributor not only to the social history of America, but to the creation of its folkways and myths as well. Cultural historians, while they may acknowledge the relevance of music to the subjects of their study, more often than not shy away from discussing music and its power to affect political and social change.”1…
Billie Holiday is the reason that this song really took off and made people really notice it and its message. Holiday was a very popular jazz singer and song writer at the time. Her popularity with the public made this song come out of the shadows. Her first encounter with the song was at Café Society, one of the first interracial clubs in New York, this song was kind of a merger of the two groups coming together (California Newsreel, 2002). She made the song come alive to whites and blacks and from then on she knew that she wanted to record the song. Columbia Records did not like the idea of recording this controversial song so Billie went to Commodore recordings in 1939 and made the beautiful recording that is well known today. If Holiday did not persist on recording this song who knows if it would have ever made it in to the public eye the way she did. This song became a song of protest; it became a song that led other songs of protests to be made as well. Holiday’s famous jazz inspired voice brought the emotions out and had everyone else in the room feeling the haunting effect. In the newsreel it points out that Billie Holiday did not write the song but she was a great communicator of the message. Holiday did feel the effect of singing this song with the strings of racism that came with it. She could not stay in the same hotels as white performers, and had to go through the back doors of the establishments to get away from other peoples anger from her daring to sing this song. Holiday stayed strong through wanting to get her message across and kept performing Strange Fruit. If it wasn’t for Billie Holiday finding this song and having the need to have it performed and recorded it might not have as much popularity and a spot in…
Songs had a political and societal meaning behind them, then songs in the past. The messages of progressive rock songs in the late 1960’s were important in making change in the American culture. Spreading messages of equal rights, love not war, and enjoying yourself through music, are not bad messages to sing about. America still faces issues like this today, but progressive rock helped start the conversation of change in America and lead to much more active change than ever before seen.…
Popular music of the United States in the 1960s became innately tied up into causes, opposing certain ideas, influenced by the sexual revolution, feminism, Black Power and…
Throughout the course of history, media outlets have been a popular and resourceful method for the broadcast of ideas and beliefs. The usage of music to connect with the minds of many has been a popular tool for any social movement. As an art form, music helps to vocalize intimate emotions into either poetry or prose which links the common mindsets of artists and audiences together. Time and time again, some of the most powerful and hard hitting forms of musical mastery derived from wartime struggles. Many have viewed the melodious sounds of music as the only source of company for the harsh and dark reality of wartime. Prior to the 1960s, wartime music has almost always shown the patriotic and brighter light of American society, displaying…
The Vietnam War was long and grand, it had supporters and people that were very against it; but out of the Vietnam war, we got good music. John Lennon writes in the song Mind Games “I want you to make love, not war, I know you've heard it before.” People began protesting the vietnam war, as a result “protest music” became very prominent. During and after the Vietnam War formed peoples’ opinions of the war, it established a way of life for people, it was their everything.…
All of this is a form of protest, which we have seen many times in the form of new types of entertainment during the times. Protesting was voicing your dissatisfaction to something in society. By doing this publicly, often in different forms of entertainment, it allowed others that felt the same way to have a platform to get behind. It gave people a voice of their won and made them feel accompanied. We’ve seen this in the United States and in the United Kingdom, but that wasn’t the only place where protest music was empowering a…
Published in 2010, Dick Weissman’s book Talkin’ ‘bout a Revolution: Music and Social Change in America focuses on music in America that dates back to the early 1900’s, but incorporating key facts about the music of the 1960s. Weissman goes in depth about the different musicians that had an impact during the 1960s, and also talks about how the history of America and music were interrelated. Weissman states specifically how and why historical events such as the Civil Rights Movement, the assassination of President Kennedy, and the rock and roll/hippie movement were all related to the changing music of the time. He paints a vivid picture with words that allow the reader to understand the underlying themes of the music, as well as showing the view of the people of the time. The only limitation of this source is that Weissman does not include actual accounts of people; he provides his own assumption of the change in musical trends of the time.…
The War Between the States was complex. If you wish to understand the events, you should refer to a textbook. Music of the time, however, helps us delve into people's thoughts and opinions on the war, slavery, and many other important issues in our country's history. Prior to the civil war, American music followed its European roots. During the civil war, American music began to develop in its own way, largely influenced by the music of the African-Americans. The war produced many well-known songs. These songs were important in their time and they are still known to many people today.…
Many people see Hip Hop as party music; where it should just “move the crowd,” the link to gangs and rap, graffiti, breakdance, violence and the extraordinary lifestyle. It is not all like that it can also be regarded as politically important; hip-hop has a long history of artists recording songs with explicitly political intent.…