They talk about advantages of the printing press, but they didn’t sound as if they were entirely on the “side” of the printing press. If they had to choose a side though, it would probably be the side of the printing press. It shows the advantages of the printing press and how books were made before the invention of the printing press. They show the people’s perspective of the printing press. The article is about the renaissance, and therefore reflects this time period. It shows how Gutenberg’s press changed the lives of the people. The document is a bit biased because it has no known author. It is slightly biased against life before the printing press. The article tells about the advantages and how it changed lives. It doesn’t talk a lot about what life was like without the printing press. It doesn’t inform us neither on the advantages of not having the printing press nor the disadvantages of the printing press. We cannot tell the disadvantages of the printing press and the advantages of not having it because it mainly focused on how the printing press changed lives. The piece does not reflect on the Renaissance inaccurately. I think it purposely did not address the disadvantages of the printing press or the advantages of not having it to show how the printing press changed lives and how important it was. It wants readers to think that without Gutenberg’s press, everything would be …show more content…
Christensen, Carol. "Examination and Treatment of Paintings by Raphael at the National Gallery of Art." Studies in the History of Art 17 (1986): 47–54.
“National Gallery of Art.” Raphael, The Alba Madonna, c. 1510, www.nga.gov/collection/highlights/raphael-the-alba-madonna.html.
Page from the Libro de’ Disegni This composition was drawn by Filippino Lippi, Botticelli, and Raffaellino del Garbo. the framework was made by Giorgio Vasari after 1524. Botticelli, the most eminent one of the three, is best known for The Birth of Venus. He was very skilled at portraiture. His apprentice, Filippino Lippi worked with Botticelli on this piece of art. The Libro de’ Disegni, Italian for Book of Drawings, is a compilation of drawings collected by Giorgio Vasari. There were approximately 526 drawings, of which 162 are in the Louvre, 83 in the Stockholm National Museum, and some in the British Museum and National Gallery of