Composed during the Industrial Revolution at a time of increased scientific experimentation, Shelley warns and forebodes her enlightened society of the consequences which come about from playing god. She uses Victor Frankenstein as her platform, whose self-exalting line “many excellent natures would owe their being to me” represents a society engrossed with reanimation. Recurring mythical allusions to Prometheus, “how dangerous is the acquirement of knowledge” portray Victor as a tragic hero; a noble character whose “fatal flaw” of blind ambition ultimately results in his own downfall and dehumanization, “swallowed up every habit of my nature”. In addition, Victor’s impulsive rejection of his grotesque creation, leads to the Monster’s rebellion (“vowed eternal hated and vengeance to all mankind”).…
The 19th century was a period known as the Enlightenment Era, which encouraged rational thought and science was pursued in search for the unknown. In reaction to the clinical nature of enlightenment, the Romantic Movement was born encouraging society, particularly authors, to use their imaginations and exploring the endless possibilities of nature. Shelley composed ‘Frankenstein’ in response to both of these eras and is reflected by the way the protagonist, Victor Frankenstein, combines his obsession with natural philosophy and his desire to achieve more than any other scientist, and use science to break the barriers of nature and create life. His desire is evident when he quotes “one thought, one conception, one purpose” and “Life and death appeared to me ideal bounds, which I should first break through, pour a torrent of light into our dark world.” Other issues at the time of composure were the Industrial Revolution, where technology boomed leading to humans being replaced by machines, and the rise of Galvanism, where through electricity, life could be given to inanimate objects. Galvanism directly link to ‘Frankenstein’, as it is believed that is how he was brought to life. “I collected the instruments of life around me, that I might infuse a spark of…
The literary element of characterization plays a big role in conveying the feeling of loneliness in Frankenstein. When Victor first sees the monster he’s created he says:…
Shelley uses aspects of Romanticism in the novel by having the Creature live in the heath. Romanticism is also displayed on Victor’s retreat to the mountains. Shelley displays an enormous amount of emotion in the novel which assists the reader to understand the feelings of alienation and neglect that the Creature is experiencing. With all of these aspects, the reader may begin to question whether Shelley had an extreme personal connection to one of the characters, whether it be the Creature or Victor.…
By questioning the attributes of a human being and how one becomes integrated into society, Shelley has explored the nature of humanity through the complex characters of Frankenstein. After Victor Frankenstein, a revolutionary scientist for his time, created life using an amalgamation of body parts he rejects his grotesque Creature who becomes scarred by experiences of rejection by society and suffers from estrangement and loneliness. The Creature challenges the Romantic values of Shelley’s time, as his tendency for violence is contrasted with his yearning for returned compassion. Writers in the Romantic period explored the qualities that defined the human experience, such as compassion. The juxtaposition of the Creature’s acts of extreme violence such as the murders of Elizabeth and Clerval (Frankenstein’s wife and good friend), with the acts of kindness he hoped would integrate him into society, such as the gathering of wood for the migrant family. By juxtaposing…
Hitchcock, Susan Tyler. Frankenstein: A Cultural History. Ed. Susan Tyler Hitchcock. New York: Norton & Company, Inc. 2007. 47-49. Print. Hitchcock defines Mary Shelley 's use of tabula rasa as inspired by John Locke 's essay, Concerning Human Understanding. "Knowledge of the outside world forms as sensory impressions bombard the mind and accumulate into ideas and opinions" (47). Locke argued that man is neither innately good or evil, but rather a blank slate upon which sensations create impressions which create conscious experience. A flabbergasted Victor shuns the creature 's first human interaction, shaping the character of his creation. Hitchcock attempts to link the Romantic concept of infancy and childhood…
The Romantic era took place throughout the 19th century and held the belief that men demonstrate innate goodness, but civilization later corrupts them. Even in today’s society, many political figures, authors, celebrities, and athletes reinforce the Romantic idea of the natural goodness of man and the corruption of man by civilization as they initially exhibit pure values that succumb to the temptations civilization provides. Literature also reflects the belief of the innate goodness of man and the corruption of man by society. For example, Mary Shelley, entails these Romantic beliefs in her novel Frankenstein, in which both Victor Frankenstein and the Creature are born innately good but society later corrupts them. Victor’s,…
Mary Shelley’s Frankenstein was written in 1817 and published in 1818. She actually wrote the book as a part of a contest among friends, according to her biography. She first published her book anonymously and called it her “Hideous Project”. The book sets the stage in various parts of Europe. Shelley uses popular themes that were relevant during the time period in which she wrote the novel. It is easy to understand that she was focused on introducing themes revolving around treatment of the poor, addressing the power struggle of women’s rights, and even romanticism. In the preface Mary Shelley reveals she is trying to “preserve the true element of human life,” (Frankenstein Preface). The story revolves around three main characters, Robert…
Mary Shelley’s Frankenstein is a book about the longing for companionship and social acceptance. British novelist C.S. Lewis once stated “We read to know we are not alone.” (C.S. Lewis) Throughout Shelley’s novel, there it is noticeable that Robert Walton, the monster, and Victor Frankenstein himself are in need of a companion in their life. We first find a longing for companionship when Robert Walton is writing to his sister and says “I have no friend, Margaret: when I am glowing with the enthusiasm of success, there will be none to participate my joy; if I am assailed by disappointment, no one will endeavor to sustain me in dejection. (Shelley 9)…
In concurrence with the latter, Frankenstein also suggests, again using nature as the advocate, that there is a fine line between discovering a union with nature and all its grandeur and exploiting nature. Concerning this, it may be conceived that Shelley is critical of the Romantic Era and its ideals due to the potential, and perhaps even inevitable, danger it brings when taken to the extreme in conjunction with the upsurge of modern technology and science.…
Written in 1818 by Mary Wollstonecraft Shelley, Frankenstein is widely considered to be among the novels that fully exemplify Romantic-era literary achievement. The Romantic movement is a general term used to denote the intellectual evolution in literature and the arts, primarily in 19th century Europe. Substantial facets of literary Romanticism include belief in the innate virtue of humans, the bounds of nature, as well as the polarity of human emotion, all of which are embodied in Shelley’s Frankenstein. Through reading Shelley’s novel, some of the fundamental ideals of Romanticism genuinely become obvious.…
To begin, Victor is reclusive from the very start of the novel. When he explores the creation of his monster, he completely secludes himself from the rest of the world because he becomes so infatuated with his work. Victor causes himself to be an outcast because he chooses to focus only on his scientific endeavors when his experiment does not turn out as he had hoped, Victor realizes that the isolation was incredibly harmful to him. To continue, Victor feels like he is an outcast to mankind when he states, “I cannot join their intercourse” (Shelley 175). He feels this way because the monster he creates kills so many innocent humans and it is like he does not have the right to participate with man anymore. These perils of solitude cause victor to be regretful for the forbidden knowledge he chose to seek, turning him from an ambitious scientist into a rejected tragic character. To conclude, Victor becomes extremely lonely by the end because his vengeful monster kills his beloved family and friends. Victor explains, “The only peace I have anymore is sleep” (Shelley 208). His lack of vigor displays that Victor In incredibly miserable with the pitfalls of his life due to his complete seclusion. Mary Shelley depicts that self-inflicted loneliness will only cause a terrible existence. Victor Frankenstein evolves into a tragic figure because desolation that he creates for himself through his actions of seeking contraband intelligence.…
One must also take into account that Mary Shelly’s husband was a romantic poet, and she often edited his works. At the time of Frankenstein’s publish, the roots of Romanticism had been laid. Among the characteristic romantic attitudes were: a deep appreciation of nature, a general preference of emotion over reason and senses over intellect, an introspective evaluation of human personality and its moods and mental processes, a fixation with the “genius”,…
Frankenstein is one of the finest expressions of the Gothic novel and also fits many of the characteristics of a Romantic novel. Consider all of the elements that comprise a story—including setting, character development, narrative voice, tone, to name just a few—and explain how each element contributes to the novel’s identity as a Gothic text or example of Romanticism. Then, offer your interpretation of Shelley’s message, if you believe she intended to convey one to her reader. If, alternately, you believe that the novel is purely for entertainment purposes, substantiate your claim with textual evidence. If you are stuck, please check out An Overview of Romanticism (http://www.articlemyriad.com/212.htm) in Literature and Romanticism in Frankenstein (http://www.articlemyriad.com/romanticism_frankenstein.htm)…
The monster continually calls out for sensibility from the romantic. The monster has a desire for companionship, and implores of his creator to make him a being of his own species. The monster also desires to be accepted by mankind. The final way the monster displays sensibility is through his desire to learn. He displays his capabilities of learning at the beginning of his creation, and continues to grow throughout the novel. Victor Frankenstein shows the individualistic, mystic, and love of nature side of romanticism. He displays individualism through his desire to be his own creator. He also rejects the help from others, and strives on selfish ambition. Victor shows the mysticism, through gaining power of being his own god. Finally, he shows a love for nature, through taking the time to breathe and admire the beautiful countryside around him. Romanticism is concluded in the comparison of the two characters, and how similar their situations are. Victor Frankenstein and the monster both have a strong desire for love from others around them. They also show great passion for sympathy from others, which they do not necessarily receive. Their situations are unrealistic, and portray the case of non-neoclassicism. Both Frankenstein and the monster experience deep sorrow throughout the entire novel. This experience is heightened when the monster is denied a companion and Victor loses all of his loved ones. In the end, both Victor and the creature share their desire for friendship, which neither fully obtain, due to the circumstances of the rejection and bitterness. Mary Shelley’s Frankenstein, displays the aspects of Romanticism through Frankenstein and his creature; they display sensibility, individualism, love of nature, non-neoclassicism, and…