In Richard Connell’s thrilling short story “The Most Dangerous Game”, an uneasy mood is constructed by Rainsford’s illusive adventure on Ship Trap Island. Many moments in the short story help build up a feeling of uneasy, one being when Winston uses a simile to describe the evil of the atmosphere, saying that the air “ was actually poisonous”, and that he felt a “mental chill, a sort of sudden dread” when the ship neared the island (Connell 1). The author makes the reader feel uneasy by making just the atmosphere itself seem evil and dangerous with the simile comparing the air to something that kills and is to be avoided. Readers also naturally pick up the feeling of dread from Whitney, which significantly helps in building…
In simple words cost should be directly attributable and in addition to that this directly attributable cost must be incurred to bring the asset into working conditions as intended and if such costs are not incurred then asset cannot be operated to its maximum capability or as intended by the users of such assets.…
But its chief significance lies not in these "readings," surely not in its "ultimate meaning," which may or may not be revealed, but in its power to stimulate such efforts and in the still more potent emotional effects it produces in those who behold it. Some of the townspeople are amazed, others awed; some are fearful or intimidated, others perplexed or defensively wise, while yet others are inspired or made hopeful. For all the emphasis on interpretive hypotheses--and there is much--there is as much or more on the accompanying emotional impact. And both, of course, are characteristic of the symbol, the latter more profoundly than the former. Symbols, as D. H. Lawrence remarks, "don't `mean something.' They stand for units of human feeling, human experience. A complex of emotional experience is a symbol. And the power of the symbol," like the power of the minister's veil, "is to arouse the deep emotional self, and the dynamic self, beyond comprehension" (Lawrence 158). The "strangest part of the affair," remarks a physician, "is the effect of this vagary, even on a sober-minded man like myself" (Hawthorne 41).…
who at in the first place, when any of them is stolen and constrained unexpectedly to be up and ... look towards the light... also, dig up a lofty and rough slant and held solid until he is constrained into the sun's individual, in "the grot's insignia." When the understudies get to where they are going, they are wonder by what they see, pretty much as the hostage is astonished by seeing the bay window display of the light. The Students are likewise panic by being out of there component being in a rich individual's toy store, F.A.O Schwartz. Generally as the detainee would be panicked by the Sun's light and would not have any desire to go out of his customary range of familiarity, of the hole. The shadows in "The Allegory Of the Cave" are additionally exceptionally huge when looking at the two stories together in light of the fact that in "the lesson" the understudies are just seeing there shadows of reality while being in there little ghetto of New York City. The understudies rush to judge what they see from being outside of the Toy store, for example, the "one woman in a fur garment" who by seeing this one individual saying "white people insane" generally as the detainee would think whatever they saw outside of the hollow would look somewhat insane to them. Pretty much as though the detainees were to "look towards the light, he would endure sharp torments; the glare will trouble him, and will be not able to see the substances of which in his previous state he had seen the…
The page following the book’s title depicts a scene at sea. The whole image is washed with a dark blue from the sky to the ocean, and the crashing waves convey a menacing journey has taken place. At the bottom of the page, if one looks closely, it is evident that the bottom of the wooden raft has been drawn but blends into the rest of the image. This inclusion of the raft changes the perspective of the image as the responder is now been positioned as if they were looking out from the raft, the place of the Man. An immediate bond has now been formed between the responder and the man, and for the rest of the text we continue to sympathise with him.…
1977- A character's attempt to recapture or to reject the past is important in many plays, novels, and poems. Choose a literary work in which a character views the past with such feelings as reverence, bitterness, or longing. Show with clear evidence from the work how the character's view of the past is used to develop a theme in the work.…
Throughout life there are moments where an individual must conform to society and the people around them in order to be accepted, however it is the individual actions and how the individual chooses to conform that creates their unique identity and place within that society. Ralph Ellison published the novel that follows a sense of outward conformity and obedience to an established order while at the same time invoking an inward questioning of the roles an individual plays within such an order. The main character is forced to conform to the cliché laws and expectations of the laws and expectations of the society that he lives in, in order to survive and function within them, while he privately goes against these societies in order to define themselves as individuals and uncover the truth about those societies that they live in. The outward conformity and inward questioning constantly clash, causing the character to doubt and confuse with what he knows is the truth and what he wants to believe is the truth.…
The hunter prophesied that an ugly woman will be brought one day to king’s court, and that he was obliged to marry her. This prophecy was carried out through a divination practice in which the hunter used cowry shells. Such a divination practice was, in itself, a foreboding that there was something amiss in the kingdom that needed to be rectified. From a narrative point of view, the diegetic story telling of the griot takes on mimetic dimensions with the characters speaking out and acting out their parts, as Griot Kuyateh continued lending his imprint on the story. But even as the story of Sundiata progresses, there is a balanced and well mixed used of the diegetic story telling scene of the griot with Mabo and the mimetic rendering of it in the real…
As one encounters dramatic experiences, the impacts those create may significantly alter that way in which that person views his surroundings. In Cormac McCarthy’s passage from his novel The Crossing, the main character is challenged with major obstacles that come to change his opinion of nature and its doubtful peacefulness. By employing techniques such as selection of detail, religious symbolism and sublime imagery, McCarthy paints the tragedy which has impacted the protagonist by infusing his journey with the presence of biblical elements as well as incorporating his longing for repentance and mourning. With the aid of such techniques, McCarthy identifies the protagonist’s underlying gratitude and respect for powerful, majestic creatures unlike himself while revealing his realization that nature’s serenity has the ability to destruct.…
Jack and his choir boys are first introduced as a metaphorical beast, they were a ‘creature’ (pg 26) coming out of the haze. This image sends an ominous message to the reader; they are presented as something frightening, something unknown. This metaphor is all the more menacing…
This fear of death and the sergeant’s knowledge of the soldiers impending death was the solitary component that was capable of terrifying his men into submission. The repetition emphasizes the knowledge which the sergeant holds; “and do you know what you are? You’re dead, dead, dead,’ the aggressive flow of words coupled with the sudden use of punctuation or caesura breaks the erratic rhythm of the poem and consolidates an abrupt end or finality of death. Likewise, Harwood effectively conveys the power of death in her text Father and child, exemplifying the notion that the living cannot escape the ravages of time and aging; portraying the persona’s experience of death as a natural part of life. The diptych “Barn Owl” captures the child’s maturation and gaining of wisdom that is accentuated from the experience of death as a shocking and violent occurrence. The metaphor; “I leaned my head upon my father’s arm, and wept, owl-blind in early sun for what I had begun”, the power of death erodes the innocence that is inherent within childhood and elevates the persona’s self-knowledge that is attained through the experience of death. The allegorical title “Nightfall” of Harwood’s “Father…
Edgar Allan Poe uses symbols, figures of speech, and the setting of the story in “The Tell Tale Heart” to reveal hidden morals and explain how the nameless, genderless, and ageless narrator felt while plotting and carrying out the murder of an old man. The narrator was driven crazy because of an old man’s vulture eye. He explained, “I made up my mind to take the life of the old man, and thus rid myself of the eye forever” (Poe). Throughout the entire story, the paranoid narrator is fixated on defending his sanity to the reader by explaining how carefully he planned out the old man’s murder. After carefully observing the old man in his sleep for seven nights, he strikes on the eighth night with precision and the old man is dead. He buries him under the floorboards in the bedroom where he was murdered. When the police come after being told of a shriek coming from the home, the narrator becomes paranoid that the old man’s heart is beating loudly under the floorboards. Not being able to take the guilt any longer, he rips up the boards to reveal the body and admits to the old man’s murder.…
The train ride in ‘Journey: The North Coast’ symbolises the persona’s personal embarkment to escape tedious fast paced city life and reengage with his inner beliefs. Gray illustrates the fast pace yet monotony of city life through the use of onomatopoeia of words ‘booms and cracks and tears the wind apart’. The use of strong verbs such as ‘swing out’ and ‘rattle up the sash’ to express the initial anxiety of shifting from one place or state of mind to another. As the train ride progresses the persona’s internal quest does also. The natural imagery of ‘flees on the blue and silver paddocks’ contrasts sharply with the dissonance of the onomatopoeia expressed at the start of the poem. This brings a sense of relief, which is reinforced through the use of first person. The use of first person in the phrase ‘I rise into the mirror, rested’ shows us how this personal quest has changed his belief from being unengaged with himself and the world around him to engaging with his true state of mind. Through the combination of these language techniques we begin to see the persona challenging his original beliefs and again engaging with himself and life around him.…
Sentence structure in ‘The Hitch-Hiker’ is a crucial element as it creates a vast majority of the suspense and tension in the short story which is what engages the reader to a spooky story. Within sentence structure, this includes the use of dashes that then creates dramatic pauses and engages the reader with the writer. An example like, “Out there in the blackness, predators were closing in on their prey- ruthlessly, silently.” Sentence structure allows the reader to process what might be happening and allows the reader to assume what might happen next to the character which lets the writer engage the audience to the spooky story.…
4.3.1 Memoryless Modulation Methods 4.3.2 Linear Modulation with Memory 4.3.3 Non-linear Modulation Methods with Memory – CPFSK and CPM…