In the eighth chapter titled “Foua and Nao Kao,” Fadiman describes the process in which Foua and her daughter, May, transform the narrator into a picturesque bride. Fadiman explained, “Foua’s work must in some way have had the intended effect, because a week later [her boyfriend] George asked [her] to marry him (103).” Though this story seems quite simple on the outside, it serves a much larger purpose within the novel. By infusing herself into the telling of the story, Fadiman portrays the idea that The Spirit Catches You and You Fall Down is not only a medical reference or dedication to Hmong culture, but a personal and complicated
In the eighth chapter titled “Foua and Nao Kao,” Fadiman describes the process in which Foua and her daughter, May, transform the narrator into a picturesque bride. Fadiman explained, “Foua’s work must in some way have had the intended effect, because a week later [her boyfriend] George asked [her] to marry him (103).” Though this story seems quite simple on the outside, it serves a much larger purpose within the novel. By infusing herself into the telling of the story, Fadiman portrays the idea that The Spirit Catches You and You Fall Down is not only a medical reference or dedication to Hmong culture, but a personal and complicated