The Starry Night Research Paper

During the Modern Era of the late 19th century and the early 20th century, many artists were turning away from the idea of painting realistic images. Photography, having just been developed for public use a few decades earlier, made artists of the day focus less on painting as an precise copy of what is seen, as had been done for centuries. Since the Middle Ages, most artists painted exact representations of life. Starting in the late 1800s, though, many artists were starting to embrace the theory of art as an impression of what is seen. Impressionism, the art movement that began in the 1870s in France, was the first real development of this new concept of painting. Impressionists, such as Claude Monet, sought to put on canvas how they saw light and nature. Unlike the artists from centuries before, the Impressionists were not interested in painting images of nobility or religion; instead they focused more on painting ordinary people and nature. Post-Impressionism, which occurred about a decade later, still used similar subject
One of van Gogh's main beliefs was that art was a direct representation of how the artist feels. Having grown up in a very religious family, van Gogh viewed the heavens as a beautiful, living thing. His heavy brushstrokes and vivid colors portray the night sky as crazy and chaotic and the village below as peaceful and serene. Van Gogh's troubled life, which involved many failures in life, love and business, forced him into madness, which eventually caused him to commit suicide. While the problems of his life may have caused personal trauma, the artistic importance of his insanity is overwhelming. Perhaps if he had not gone crazy, he never would have created the masterpieces that have had such an impact on art and