Summer Rain is a longer poem than most others written by John Foulcher, which has messages throughout it. Summer Rain is set on a highway during a traffic jam, an experience many people have experienced. The start of the poem sets the scene economically, informing the reader that it is 4 o’clock and that the cars “clutter on the highway”. This gives the reader a visual image of peak hour traffic on a highway, so they can now almost see what is going on in the poem. Foulcher compares the cars to a familiar object, writing, “clutter on the highway like abacus beads”. This simile gives the reader another important visual image. That is the image of traffic grouping as it slows, and slowly ungrouping…
Cited: Spewack, Bella. "Streets: A Memoir of the Lower East Side". New York, NY: Feminist Press,…
To begin the passage, Petry sets a dark, desolate mood as she personifies the wind as relentless and assaulting. It is made blatantly clear that the weather “did everything it could to discourage the people along the street” and is restraining to the inhabitants of the city. Petry utilizes vivid words to enhance the strength and vigour of the wind, further adding to the life-like qualities that the wind possesses. The first encounter between Lutie Johnson and the wind is at line 34 which aids in effectively establishing the persona of the wind, and its relationship with the city. Again, Petry exercises the use of personification in making their first meeting uncomfortable and chilling. As Ms. Johnson is introduced, the wind is molesting her in a way. One can imagine that the wind is a man that completely disregards those on the receiving end of his actions. It lifts the hair away from her neck and she feels “suddenly naked”. Once more, the wind is personified as having fingers which “[touch] the back of her neck [and explore] the sides of her head”.…
He let the ministries zip past (the pink, the white), and a series of stores on the main street, their windows flash ing. Now he was beginning the most pleasant part of the run, the real ride: a long street bordered withtrees, very little traffic, with spacious villas whose gardens rambled all theway down to the sidewalks, which were barely indi cated by low hedges. Abit inattentive perhaps, but tooling along on the right side of the street, heallowed himself to be carried away by the freshness, by the weightlesscontraction of this hardly begun day. This involuntary relaxa tion, possibly,kept him from preventing the accident. When he saw that the womanstanding on the corner had rushed into the crosswalk while he still had thegreen light, it was already somewhat too late for a simple solu tion. Hebraked hard with foot and hand, wrenching him self to the left; he heard thewoman scream, and at the collision his vision went. It was like falling asleep all at once. He came to abruptly. Four or five young men were get ting him out from under the cycle. He felt the taste of salt and blood, oneknee hurt, and when they hoisted him up he yelped, he couldn't bear the presssure on his right arm. Voices which did not seem to belong to thefaces hanging above him encouraged him cheerfully with jokes and assurances. His single solace was to hear someone else confirm that thelights indeed had…
The imagery of “The street” is of a path, perhaps a street anywhere, devoid of light and humanity. Using descriptors such as “blackness”, “blind”, and “dark” gives the reader the feeling that he is walks, or “stumbles”…
In the essay, “Los Angeles Notebook”, Joan Didion outlines the uncontrollable effects of the Santa Ana winds. She conveys her views of the Santa Ana winds as a fierce force of nature by describing its effects on the residents and environment. The tone is very precise and vivid. The overall basis of the passage is how the Santa Ana Winds affects the natives. And it’s through her use of imagery, diction, syntax, and selection of detail that she expresses her view of the Santa Ana Winds.…
The severity of the situation is presented through the aesthetic of decay to provoke emotional responses from responders. Gray begins the poem “ on a highway” metaphorically presenting his concern with where Australian society and its values are heading. The observational tone presents the city as “behind us,” suggesting that the damage that has been done by mankind is to an extent of which is now irreversible. Violent imagery such as “Driven like stakes into the earth” contains connotations of destruction and shows brutality of the situation; it represents the physical intrusion to the natural world through the building of man-made infrastructures. In contrast to all the intense imagery presented in “Flames and Dangling wire”, “ North coast Town” approaches the audience in a whole different light, it suggests a more sutle way of presenting the destruction that is occurring, it still has the same effect, still utilizing a similar idea of imagery and observation.…
In Didion's essay, "Los Angeles Notebook," she characterizes the Santa Ana winds as motivation for evil. Didion expresses this view through her imagery and diction. Didion also justifies her characterization through the structure and tone of her essay. She attributes the acts of individuals all over the world on the effects of wind. She claims that certain winds trigger a mechanistic switch that causes humans to act irrationally. Didion connects a natural phenomenon with the cause of an unconscious reaction by living organisms.…
If anyone had any doubts as to the events and amount of destruction of the city of San Francisco they didn’t when they were done reading Londons in-depth description. He writes," the whole city crashed and roared into ruin,[it] was a quiet night." Here we come to the understanding of the total devastation that occurred and the feel for the atmosphere in which it happened. The reader truly feels like he is on the scene with Jack London but does not have to be in harms way to experience the event.…
Diction and imagery accompany the appropriately selected details used in creating an unearthly atmosphere. The suspicious and dangerous attitudes of the Los Angeles community provide insight into the negative effect of the winds. Examples of neighbors roaming around with machetes and parties ending in fights prove to the audience that dangerous and mysterious things occur regarding the arrival of the wind. Alluding to Raymond Chandler, a crime fiction novelist, adds to the un-predictableness when describing meek little wives staring at their husband’s necks while holding a carving knife. Didion ended off Chandler’s quote with “Anything can happen” providing a cliffhanger to what the winds and nature could do next.…
Joan Didion utilizes stylistic elements such as imagery, diction, and detail throughout each of the three parts of the passage in order to convey her fear and awe of the horrendous and aberrant Santa Ana winds, simultaneously revealing the primal and often times violent ways man reacts to external stimuli and correcting the mistaken belief that he is not subject to the whims of nature.…
The fog depicted from both passages leave the reader with heavy hearts. The fog haunted the city of London with no escape or fair warning of when it would come back. The reader is left helpless,…
"I wanted to get out and walk eastward toward the park through the soft twilight but each time I tried to go I became entangled in some wild strident argument which pulled me back, as if with ropes, into my chair. Yet high over the city our line of yellow windows must have contributed their share of human secrecy to the casual watcher in the darkening streets, and I was him too, looking up and wondering. I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life.…
The Storm’s Warnings shows how much description Kate used in this writing. The description of the dark clouds, sound of thunder, and the strike of lightning shapes this story to match the raw passion wanting to escape. Kate wants us to see the limitation placed on the human will. She gives the reader a glimpse for the promise of freedom. There is a hope of pure enjoyment without a moment’s notice.…
The novel ‘Storm Catchers’ is about a kidnapping of the youngest daughter of the Parnell family ‘Ella’. The term tension means intense emotion either good or bad e.g. when opening a gift it creates tension which is exciting. This is appropriate to the novel, because it’s about kidnapping which creates tension and it’s effective throughout the novel. Atmosphere is the mood of your surroundings e.g. when you enter a dark room it creates a scary atmosphere. This essay will consider of how tension and atmosphere is created by the writer.…