Preview

The Studio System Began In The Early 1900's

Satisfactory Essays
Open Document
Open Document
242 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
The Studio System Began In The Early 1900's
The Studio System started in the early 1900’s when people like Thomas Edison and D.W. Griffith were trying to make movies. Thomas Edison had a monopoly on the movie industry of this time because controlled the Motion Picture Production Code which tried to license and charge for use of equipment needed to produce and show movies. The resistance to Edison holding the monopoly is what started the studio system. Before 1931, the studio system had one central produce who controlled all aspects of the making of the films. This way did not work well because one person had too much authority and responsibilities which led to poor movie quality. After 1931, power and responsibilities were tasked out to more than one person which led to better
Continue Reading
View Writing Issues

You May Also Find These Documents Helpful

  • Satisfactory Essays

    Summary: The Studio System
    • 271 Words
    • 2 Pages

    Summary: The Studio System

    The studio system was a system that sort of streamlined the film production process. In order to reduce risk major studios created a system that controlled production and distribution of films. Studios implemented long-term contracts for all involved to have exclusivity with with studio under control of a central producer. Major Studios created an oligopoly that was mass producing and distributing feature films.…

    • 271 Words
    • 2 Pages
    Satisfactory Essays
    Read More
  • Satisfactory Essays

    Ashford University ENG 225 Week 3 Quiz Key
    • 297 Words
    • 2 Pages

    Ashford University ENG 225 Week 3 Quiz Key

    What was the first decade in which most major motion pictures were full-fledged talking pictures?…

    • 297 Words
    • 2 Pages
    Satisfactory Essays
    Read More
  • Good Essays

    The Studio System Case Study
    • 760 Words
    • 4 Pages

    The Studio System Case Study

    The Studio System began in the early 1900’s through the efforts of Thomas Edison, Carl Laemmle, and Thomas H. Ince, and D. W. Griffith to control the making, distribution, and exhibiting of motion picture films. An important contribution to curtail the costs and improve efficiency was an assembly-line style of production developed by Thomas Ince. The Studio System relied upon a central producer, who supervised a team of associate supervisors. The associate supervisors handled the day-to-day operations of film production, but the central producer retained total control (Barsam & Monahan, 2013, p. 495). During this era, the films were becoming more polished resulting in longer and more costly productions. However, the films from any particular studio were all beginning to look alike and the influence of the central producer was decreasing the individuality of the films (Hollywood stars & studios, n.d.). Central producer…

    • 760 Words
    • 4 Pages
    Good Essays
    Read More
  • Good Essays

    Broadway Show Pros And Cons
    • 508 Words
    • 3 Pages

    Broadway Show Pros And Cons

    By the early 1930’s, the theater and film capital of the United States was separated across the continent. In the Great Depression, artists had to make a choice: stay in New York, where the winters were harsh, and business was sparse, or move to Hollywood; sunny year round, and business and money was everywhere. Which would you choose? It is, of course, a trick question. Movie studios quickly tired to add musicals after The Jazz Singer in 1927, however they lacked the technology to actually make one; the sound was awful and camera movement was minimal. But in 1933, with the production of 42nd Street, Warner Brothers was finally competitive with the Broadway counterparts. Soon after more studios were making their own musicals, such as Paramount, MGM, and RKO.…

    • 508 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    Classical Hollywood Vs Classical Cinema Essay
    • 599 Words
    • 3 Pages

    Classical Hollywood Vs Classical Cinema Essay

    Classical Hollywood films in the Golden Age in the United States contained complex storylines with cause-and-effect. For Hollywood filmmakers, the Classical Hollywood style was a persuasive and effective form of storytelling. Classical Hollywood cinema was by no means simplistic, as many films have complex plot webs. Because Classical Hollywood filmmakers used continuity editing, their focus was not to be as artistic as possible. One of the biggest differences between Classical Hollywood cinema and the Soviet Montage cinema lies in the causal agents—psychological vs. social.…

    • 599 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    Arsenic and Old Lace
    • 917 Words
    • 4 Pages

    Arsenic and Old Lace

    While it is true that the changes had been coming as evidenced by the relaxation of the US Motion Picture Code of 1922; they were slow and not far-reaching. The US film industry was slow to react, but when confronted with the wholesale changes brought about by the foreign Auteur movement of the late 1950s and early 1960s, coupled with the explosive and momentous sociological changes of the 1960s, the industry was forced to react strongly and produce films that changed the social genre and cinematic concepts of the nature of love and sex. The Doris Day and Rock Hudson days were gone forever.…

    • 917 Words
    • 4 Pages
    Good Essays
    Read More
  • Good Essays

    Film in the Television Age
    • 489 Words
    • 2 Pages

    Film in the Television Age

    In the Cold War era of communist witch hunts, and blacklisting, Hollywood executives had even more pressing worries: the imminent death of the studio system and the meteoric rise of television, which subsequently led to a drastic decline in ticket sales. To combat the drop in profits, the studios quickly sought to attract moviegoers—particularly families—from the living room by enhancing and exploiting their medium's technological advantages, namely its relatively large image size and its color format. Not coincidentally, the 1950s were the first decade of drive-in movie theaters, stereo sound, wide-screen formats, and epics shot in glossy color, and a full gamut of movie such as 3-D film technology.…

    • 489 Words
    • 2 Pages
    Good Essays
    Read More
  • Powerful Essays

    1930 Motion Picture Production Code Made Better Films
    • 1957 Words
    • 8 Pages

    1930 Motion Picture Production Code Made Better Films

    The Code that Got Away: Why the 1930 Motion Picture Production Code Made Better Films…

    • 1957 Words
    • 8 Pages
    Powerful Essays
    Read More
  • Powerful Essays

    Alfred Hitchcock Film Analysis
    • 2415 Words
    • 10 Pages

    Alfred Hitchcock Film Analysis

    The way films are created and pieced together has progressed greatly over the past century, where before 1910 there was little use of film techniques such as special effects, animation, complex transition sequences and many more. However the introduction of film techniques have helped films gain a sense of genre and establishment as they were used to create specific intensities set out by the director; this is where roles corresponding to certain areas were introduced such as cinematographers, production designers and lighting directors. A classic example of a well-known director would be Alfred Hitchcock (1899 – 1980) who is famous for creating suspense films like The Birds or Psycho. I am mentioning him as he had revolutionised the way films…

    • 2415 Words
    • 10 Pages
    Powerful Essays
    Read More
  • Good Essays

    1930s Movie Theater
    • 1024 Words
    • 5 Pages

    1930s Movie Theater

    The movie theater industry flourished with the attendance to movie theaters soaring. It was said to be that essentially all the population was attending movie theaters during this decade. The most influential reasoning for this spark of film was the craving for an escape from the people, who needed desperately to get away from their own lives, and experience someone else’s live and feel other emotions besides anguish and sorrow. Although the population’s yearning for an escape pushed the film industry to the top, the government assisted with the Works Progress Administration’s New Deal programs and the film and movie theater companies benefitted the industry by creating unique and intriguing genres and appealing advertisements. Today’s society also reaches to movies to take a break from reality and movie theater companies still continue to advance and innovate advertisements and the theaters themselves to increase the attendance. Even though, the decade of the 1930s was overall filled with misery and discouragement, the film industry was a positive aspect of this time with its new funding by the government it strived with advanced genres and…

    • 1024 Words
    • 5 Pages
    Good Essays
    Read More
  • Better Essays

    Why Significant Changes Were Made to the Plot in the Big Sleep Movie
    • 1135 Words
    • 5 Pages

    Why Significant Changes Were Made to the Plot in the Big Sleep Movie

    - "The Motion Picture Production Code of 1930 (Hays Code)". Arts Reformation. April 2006. November 2012. http://www.artsreformation.com/a001/hays-code.html…

    • 1135 Words
    • 5 Pages
    Better Essays
    Read More
  • Good Essays

    Media Censorship In The United States
    • 706 Words
    • 3 Pages

    Media Censorship In The United States

    So, a lot of films during that time had a lot of sex, violence, and many other unmoral scenes. This is somewhat the cause of the creation of The Catholic Legion of Decency in 1934. Their main goal was to let the people, specifically other Catholics, know what movies to watch and what not to watch. The rating system they used was an "A" for a film who was morally adequate, a "B" for one that was partly adequate, and "C" for condemned (Durham). In the same year, the SRC was renamed The Production Code Administration, or the PCA, and was headed by Catholic Joseph Breen. Nothing changed until 1952 when the Supreme Court ruled that films were art and were protected by the First Amendment. This meant that movies could not be banned because of their obscene content (Durham). In 1945, the MPPDA was renamed to what we call it today, the Motion Picture Association of America or the MPAA. Later on, the production code was cast…

    • 706 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    1920s America: Good Times
    • 405 Words
    • 2 Pages

    1920s America: Good Times

    With audience numbers doubling in a century and 95million people a week visiting the cinema, Hollywood was experiencing its golden years and also with the first ‘talkie’ released in 1927. However, many were concerned about the impact of movies especially on the young and so in 1922 Hollywood studios set rules on what could be shown in movies. In 1930, this was expanded on to become Hays Code.…

    • 405 Words
    • 2 Pages
    Good Essays
    Read More
  • Good Essays

    Movies In The 1920s
    • 478 Words
    • 2 Pages

    Movies In The 1920s

    In the 1920s, movies were introduced for the first time. Movies back then were black and white, had no sound, and were usually accompanied by a live organ or piano player. Movies provided huge entertainment value, and audiences were fascinated by seeing a moving picture on a silver screen for the first time. The first ever theatres were called Nickelodeons, and were extremely basic compared to our theatres today. The actors and actresses were idolized by many around the world, and the people couldn’t get enough. The 1927 film “The Jazz Singer” was the first popular film to include sound. After the release, other studios started to make sound films to compete with the studio that produced “The Jazz Singer”. By 1927, Hollywood was the center of american moviemaking, with 85% of movies being made in or around Hollywood. During the 1920s, an average of 800 films were produced annually. Incorporating sound into movies was still an experimental feature, but the demand for movies and the opportunities to make money encouraged studios to produce “talkies”, or films with sound, for release. During this era, Rudolph Valentino and Charlie Chaplin rose to fame,…

    • 478 Words
    • 2 Pages
    Good Essays
    Read More
  • Satisfactory Essays

    Studio: Recording Studios in the United States and New York
    • 7186 Words
    • 29 Pages

    Studio: Recording Studios in the United States and New York

    A&M Studios, 1416 North La Brea Avenue, Hollywood, California, USA The Hit Factory, 421 West 54th New York City, New York, USA Masterdisk, West 45th Street, Manhattan, New York, USA Soundworks West, 3401 W. Burbank Blvd., Burbank, California, USA Oceanway Studios, 6050 W Sunset Blvd, Los Angeles, California 90028, USA Westlake Recording Studios, 7265 Santa Monica Blvd, West Hollywood, California 90046, USA Record Plant Studios, 1032 N Sycamore Ave., Los Angeles, California, USA Mix This!, Los Angeles, California, USA Thrill Hill Recording , 132 Muhlenbrink Road, Colts Neck, New Jersey, USA Thrill Hill Recording , 132 Muhlenbrink Road, Colts Neck, New Jersey, USA; A&M Studios, 1416 North La Brea Avenue, Hollywood, California, USA Southern Tracks Recording Studios, 3051 Clairmont Rd NE, Atlanta, Georgia, USA Hensen Recording Studios, 1416 N La Brea Ave, Los Angeles, California 90028, USA Sound Emporium, Belmont Blvd, Nashville, USA The Castle Recording Studios, Franklin, TN, USA Cayman Moon Recorders, Nashville, TN, USA Thrill Hill Recording , 132 Muhlenbrink Road, Colts Neck, New Jersey, USA Clinton Recording Studios, 180 W 80th St, New York, New York 10024, USA Avatar Studios, 441 West 53rd Street, New York, New York 10019, USA Stone Hill Studio, 132 Muhlenbrink Road, Colts Neck, New Jersey, USA MSR Studio B, 168 West 48th Street, New York City, New York, USA Very Loud House Studio, USA Mix Suite, Los Angeles, California, USA Mix LA, Los Angeles, California, USA Eldorado Recording Studios, 150 East Providencia Ave., Burbank, California 91502, USA 914 Studios Madison Square Garden, 4 Pennsylvania Plaza, New York City, New York, USA The Roxy Theatre, 9009 W Sunset Blvd, West Hollywood, California 90069, USA Nassau Coliseum, 1255 Hempstead Turnpike (State Route 24), Uniondale, New York 11553, USA Winterland, San Francisco, California, USA Meadowlands Arena, 50 State Route 120, East Rutherford, New Jersey, USA Arizona State…

    • 7186 Words
    • 29 Pages
    Satisfactory Essays
    Read More

Related Topics