He wants to protect his sister phoebe as he says what he like to be to phoebe “I keep picturing all these little kids playing some game in this big filed of rye and all. Thousands of little kids and nobody’s around nobody big, I mean except me. And I’m standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start going I have to come out from somewhere and catch them I’d just be catcher in the rye and all.” This show that Holden doesn’t want the kids to fall of the cliff. The rye is life and falling off the cliff can mean dead. He doesn’t want all the kids to become like Allie he wants to help them. And he doesn’t realize that it’s okay, to fall that’s how life…
As Holden explains, “I act quite young for my age sometimes.” He also wants others to hold on to adolescence like he does(represented by his hand on the glass reaching for his childhood). This is shown when he tells Phoebe he wants to be “the catcher in the rye”. In which he would protect the kids playing in the field of rye and he would “catch everybody if they start to go over the cliff.” The field of rye where the children play is symbolic of childhood and youth, while falling off the cliff represents entering the mature world of adulthood. Thus, by wanting to catch the children, Holden’s viewpoint of the adulthood and growing up is revealed, as he wants to protect the children, and himself, from the harsh reality(Allie’s death, loneliness, broken record, failure) which is adulthood by holding on to one’s childhood. Holden’s wish to protect the children from “falling” into adulthood is also shown when he prompts Phoebe to ride the carousel after she retorts “I'm too big.” Phoebe riding the carousel represents her staying in the world of adolescence, and thus is the reason Holden “felt so damn happy all of sudden” when he saw her on the…
Just like the lake in a midway transition, Holden is between childhood and adulthood, and cannot seem to let go of his younger years. This is regularly proven when something goes wrong and he does something more adult in Holden's mind view such as repaying the prostitute. After the events, he often thinks he deserved it or just wanted to end it all. It can be regularly seen when something does not go the way Holden intended, he will often verbally beat himself up about it which shows Holden does not have very good self-esteem at this age. Interestingly, Holden also mentions "I didn't give much of a damn any more if they caught me. I really didn't. I figured if they caught me, they caught me. I almost wished they did, in a way." This can be interpreted to mean perhaps Holden wanted to transition into adulthood, but the grief of Allie's death was holding him back too much. Although at the end of the book, Holden has a realization about adulthood. During the carousel scene with Pheobe, Holden realizes Instead, of trying to catch kids or his own self from going into adulthood, he should allow them to make their own mistakes. He says, “I was sort of afraid…but I didn’t say or do anything…If they fall off, they fall off, but it’s bad if you say anything to them” (232). Comparatively, it took a while for Holden to come to this realization. Moreover, it also helped…
Holden also has an unstable sense of self. His unstable sense of self is depicted in a few ways. First is his relationship with his little sister Phoebe. He says “The thing with kids is, if they want to grab the gold ring you have to let them do it, and not say anything” (273). In this quote in a way he saying let them be adventurous they will learn from their mistakes. He acts this way towards his little sister because he is trying to give her the childhood he didn’t get to experience. You can tell that kids have a certain place in his heart. For example anything that was said about his younger brother Allie was positive, also how he took Phoebe to the carousel and finally when he helped a little girl at the park tie her skates and the 2…
life to the story. The literary definition of symbol is: An object, person, or action that conveys…
Holden loses touch with reality when his younger brother Allie dies, he cannot comprehend why the essence of pure innocence had to suffer and die. Allie represented the good and truth in the world while everyone else represents the phony and evil aspects. After losing Allie, Holden believes that the only innocent people left are himself and his younger sister Phoebe. The death of Allie is the start of Holden’s…
2009. A symbol is an object, action, or event that represents something or that creates a range of associations beyond itself. In literary works a symbol can express an idea, clarify meaning, or…
At the book’s beginning, Holden Caulfield is characterized as jaded from his awful childhood experiences and cynical, with a disdain for all adults and their “phoniness”. With a propensity for exasperating nearly everyone he comes into contact with, Holden is alienated from society. Yet, as the novel progresses, Holden is spiraling downward. He is depressed and all attempts at making a solid connection are repudiated. Contemplating suicide and searching for a way to protect children from reaching adulthood, Holden is quite disconnected from reality. When he takes his sister Phoebe to a carousel, Holden realizes that he cannot save children from maturing. He understands that falling and getting hurt is part of growing up. Sexuality, cursing and other darker aspects of adulthood will be seen by children, as they are part of developing. Poor childhood experiences and alienation hardened Holden’s views on aging. However, once he realizes that maturing is not always a pleasant experience, Holden sees that his efforts in protecting children from adulthood were futile and he becomes temporarily happy before having a mental breakdown. Through his negative experiences and epiphany on adulthood, Holden attains an understanding of maturity and is saved from self…
Holden mishears the words of Robert Burns’ poem. Holden hears “if a body catch a body comin’ through the rye” (Salinger 224). Instead of “ If a body meet a body coming through the rye” (Salinger 224). His misinterpretation leads him to want to become a catcher in the rye. He describes to Phoebe what he would like to do by saying “I have to catch everybody if they start to go over the cliff- I mean if they’re running and they don’t look where they’re going. I have to come out from somewhere and catch them. That’s all I’d do all day, I’d just be the catcher in the rye and all” (Salinger 225). He wants to save people from falling off of this cliff and losing the innocence they posses. Timothy Aubry further extends Holden’s need to preserve innocence in his article The Catcher in the Rye: The Voice of Alienation by stating “Holden’s urge to shield children from danger and allow them to play endlessly exemplifies his desire to suspend time, to inhabit a space of youth preserved indefinitely” (Aubry). Salinger’s illusion is a major indication of Holden’s struggle with preserving innocence. A symbol of Holden losing his innocence, was the record that he gave Phoebe. The title implies, the record was made for children to listen to. Holden giving the record to Phoebe represents him wanting to preserve her child-like innocence. He dropped the record in the park which symbolizes holden’s life and innocence shattering. Holden describes Phoebe’s reaction when he gave her the pieces as “She took them right out of my hand and then she put them in the drawer of the night table” (Salinger). Phoebe accepted the shattered record. She accepted him for who he was. She ends up influencing Holden and he learns to accept the idea of not being completely innocent. Holen had an epiphany while Phoebe was riding a carousel. He noticed “ All the kids kept trying to grab for the gold ring, and…
He also details that the events occurring last winter were what inspired him to reach out for help. By doing this, Holden is contrasting the vast majority of the actions he makes throughout his madman experience. One of his main grievances with the people around him are that they are, as he frequently claims, “phony.” To Holden, just about everybody can be called a phony, particularly those his age and above. Of the many people he has opportunities to form relationships with, Holden only appears to care about two people: his deceased brother Allie and his younger sister Phoebe, both of whom are prepubescent children. These relationships exist to emphasize Holden’s lack of ability to let go of the past and develop as a person over the course of the book. He has an unhealthy admiration of their childlike innocence, which prompts him to act as immaturely as possible. Subsequently, he tries to show his maturity by making exceptionally poor choices such as getting drunk and hiring a prostitute. Whenever his actions have consequences, he blames the “phony” world around him instead of himself, which motivates him to alienate himself from others. Salinger’s main goal in characterizing Holden is to show how…
Phoebe is the youngest figure in his life and is at the age where she is between a child and adolescent. When Holden feels Phoebe’s innocence is threatened, he gets defensive and angry. As he walked the halls of Phoebe’s school he comes across profanity written on the wall and automatically thinks “how Phoebe and all the other little kids who would see it, and how they’d wonder what it meant, and finally some dirty kid would tell them and maybe even worry about it” (201). This upsets him because profanity is a gateway to loosing innocence completely. Phoebe created the whole gist of becoming a hero figure of The Catcher in the Rye. He kept “picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody’s around- nobody big, I mean- except me. What I’d have to do, I have to catch everybody if they start to go over the cliff” (173). Holden’s altruistic ideal is now proposed in words that he wants to keep children from falling off the edge, and becoming a grownup which to him is the same as death. Holden than gives Phoebe his red hunting hat as a way to never truly lose her innocence. Only to be disappointed to see her “take off my red hunting hat-the one I gave her- and practically chucked it right in my face” (207). Salinger delibritly put this in the book to show that everyone must lose their innocence at one time or another and cannot be avoided but only postponed. “The thing with kids is, if they want to grab for the gold ring, you have to let them do it, and not say anything. If they fall off, they fall off, but it’s bad if you say anything to them” (211). This challenged the thoughts of Holden’s ideal of being The Catcher in the Rye. Throughout the book he constantly believes he can save others, and watching Phoebe reach for something that she might fall off of scared him, but not enough for him to go save her. He found…
Holden is quite a peculiar kid. He tends to change his mind on a lot of things. However, the one thing he changes his mind about the most is whether he is ready to grow-up or not. Throughout the book he tries to do such adult like things, because he is sick of his usual life style. Then he gets sick of the unusual adult life. He talks to his sister, Phoebe, one night about the poem by Robert Burns, and Holden gets to thinking about innocence. How he wishes he could be the catcher in the rye. Stopping all the kids from losing that sight of innocence. He begins to regret all the adult things he did and wishes he could go back to the way his innocent childhood was.…
Everyone is born innocent, but inevitably for one reason or another, people lose it. Childhood is when this change starts to take place. To Holden, there are two types of people, people who are innocent and and phonies, who have lost their innocence. I believe Allie had the characteristics of both sides. He competed in sports, had a wide variety of friends, and was also sensitive enough to write poems on his baseball glove. Holden's friend, Jane is sensitive like Allie. Unfortunately, due to circumstances beyond her control, such as her alcoholic father, her innocence is being stolen from her. Holden knows this and hopes Jane can hold on to her innocence even in the hostile environment she lives in. "Did you ask her if she still keeps all her kings in the back row?"(P.42) This is Holden's way of asking if she has held on to her innocence. Holden's sister Phoebe is falling into phoniness. The culprit in this case is the media. It is robbing her of her childhood and thrusting her into the life of an adult. This is shown when she begins to obsess over movie stars.…
Holden feels that he has to protect children from losing their innocence like he had. When in his little sister’s school, he finds vulgar writing on the wall, “I hardly even had the guts to rub it off the wall with my hand...But I rubbed it out anyway, finally” (201). When he sees it, he becomes angry thinking about the children seeing it and wondering what it meant. However, he overcame his…
Holden’s fear of being intimate and a part of a relationship makes him vulnerable to being hurt. This most likely hints at his fears of the unknown, change and complexity which explains his attachment to the Natural History Museum, where “the only thing that would be different would be you” (65). As a result, he completely detaches himself from people and through his pessimistic persona, he is constantly on the lookout for reasons to hate being an adult. However, when looking at his circle of “friends,” they’re privileged, rich and adults, like him. Hanging out with them gives him the opportunity of being directly judgemental towards them rather than himself because their perspectives and conflicts are similar. With Phoebe, he feels at peace and enjoys his time with her, but her physical image (a child) overpowers her personality of being unpredictable, complex and prone to change. The placement of a child mask on his monsters (fears) forces him to confront them, but in a more positive and relaxed manner. Through this, it becomes clear that the challenging innocent questions from Phoebe challenges Holden to question his self-confidence and self-worth which then leads to his fear of “phoniness.” Through Phoebe’s suggestion of being a lawyer, Holden considers the idea and immediately swarms towards “saving innocent [guys’] lives,” but rejects it after he thinks about what he has…