Franz Kafka’s “The Metamorphosis” is a nightmarish tale with a very straightforward, matter-of-fact style, and this style enhances its nightmarish quality. An example of this is found in paragraph, which states, “His many legs, pitifully thin when compared with the size of the rest of him, waved about helplessly as he looked.” When describing this scene, the narrator definitely uses illustrative words, but does not have the disgusted tone one would expect from a story like this. The narrator speaks in an emptier way, which helps magnify the eerie feeling of the work. Both it and Gregor act very removed from the events, not how a normal human would react. Another instance of this is, “So then he tried to get the top part of his body out of bed…
In the Metamorphosis,Gregor must work to support his family after they lost the company and lost all their money. One morning he wakes up and discovers he is a vermin. The first thing that occurs to him when he discovers this is how will he get to work and that his boss will come to his house and demand that Gregor come to work, meanwhile Gregor is locked in his room unable to get out of bed because he is a bug. Finally he is able to get out of bed, but the boss is gone the time he gets up. His family sees him and is disgusted and shocked by his transformatio. His sister brings him food and cares for him like no one in his family ever has, but even she becomes disgusted with him after a while. They all ignore Gregor. At one point Gregor is…
In “The Metamorphosis” By Franz Kafka, the style enhances the nightmarish quality of the work in many ways. This quote from line 304-306 can be used to illustrate this when Gregor says, “I’ll open up immediately, just a moment. I’m slightly unwell, an attack of dizziness. I haven’t been able to get up.” These lines from the text show that Kafka describes this nightmare in a simple style. Gregor has completely transformed from a human into a vermin yet he treats the situation as if it could happen to anyone, and he still attempts to complete his normal responsibilities. Gregor thinks his transformation is simply a cold, and Kafka describes it very blankly, leaving it open to interpretation by the reader which in turn shows how horrifying the…
The nightmarish quality of “The Metamorphosis,” by Franz Kafka, is enhanced by the straight forward -almost academic- nature of the writing. One such example of this occurs on page 93, reading, ““What’s happened to me?” [Gregor] thought. It wasn’t a dream. His room, a proper human room, although a little too small, lay peacefully between its four familiar walls.”(Kafka) From thereon, he abandons the description of his transformation to describe the room and previous night. As the audience reads this, they are thrown by the sudden shift of topic, still wondering what has happened. The fact that most works put an emphasis on the “why?” makes the reader expect an answer, developing their panic as it becomes less and less likely that there will…
As with any great literary work, there must be a purpose behind the story. Kafka’s short story was written for a few main reasons. He wanted to exemplify the absurdity of life, show that there is often a disconnect between the mind and body, and that there are limits to society’s affection for its servants. I found that all points appeared to be both relevant and accurate while maintaining the fantastical appeal of the strangeness of Gregor’s sudden transformation. I believe this contributes to why “The Metamorphosis” has made a lasting impact across the globe.…
Throughout the novel, Mr. Kafka uses third person limited point of view to tell the story of Gregor Samsa’s life-changing transformation. This literary device gives the author the ability to display both the protagonist’s emotions and actions. For example, Franz Kafka writes about how Gregor stood in his “tall, empty room where he was forced to remain made him feel uneasy as he lay here flat on the floor, even though he had been living in it for five years” (pg.36). The author’s…
In The Metamorphasis, Kafka’s treatment of Gregor’s transformation demonstrates how beyond human control the natural world is. The human turning back into nature demonstrates a relationship between man and the environment. Throughout the novel there is, however, much talk of the cure and of acceptance, yet nature goes on unrelated to all talk of ways to change the situation.…
A compare and contrast Analysis of Frank Kafka’s, The Metamorphosis and The Things They Carried.…
In Franz Kafka’s “The Metamorphosis”, the protagonist, Gregor Samsa, in desperate need of appreciation, took the responsibility and obligation of maintaining his unappreciative family member’s every day life. While traumatic instances occur, the limits of the family’s loyalty and sympathy for Gregor’s needs are rejected by the ones he cherishes the most. Obviously, one can notice the unconditional love Gregor shows his family, but the profound transformation he physically endures leaves him now as his family’s burden (SparkNotes Editors). Although many instances occur throughout Gregor’s transformation that shows new profound realization of his unsympathetic family, one can analyze the many symbols shown in this tragic story.…
The family members who used to depend on Gregor to survive changed to the degree…
He is often worried how his family would take him in his hideous state, he often wondered, would they accept him? “They were cleaning out his room, taking away from him everything he cherished; they had already dragged out the chest of drawers in which the fret saw and other tools were kept, and they were now loosening the writing desk which was fixed tight to the floor, the desk on which he, as a business student, a school student, indeed even as an elementary school student, had written out his assignments… He squatted on his picture and did not hand it over.” (Kafka 57, 58) As a result, even though he knows he would feel more physically comfortable if his room were emptied of furniture, allowing him to crawl anywhere he pleased, Gregor panics when Grete and his mother are taking out the furniture, such as the writing desk he remembers doing all his assignments at as a boy. In a desperate attempt to hold onto the few reminders he has of his humanity, he clings to the picture of the woman muffled in fur so that no one will take it away.…
In Franz Kafka's short story Metamorphosis symbolism plays a great part in developing Gregor's character and life. First, s picture Gregor has of a woman is the representation of his last strand of human life in addition to the furniture in his bedroom. Secondly, the apple that Gregor's father implants into his back is a representation of good and evil within the Samsa family. Lastly, Gregor's door represents his isolation from humanity and his true transition into a bug.…
In the “Kafka’s fantasy of punishment”, Author Kaiser reveals and scrutinizes more insightfully the significant meaning of the metamorphosis of Gregor Samsa. In Kaiser’s point of view, Gregor’s transformation is a “self-punishment for his earlier competitive striving aimed against his father.” His unintentional emotions toward his father are beyond hatred, which is interpreted by Kaiser as an oedipal jealousy intended for the mother. However, that is not the manifest struggle between the son and father. It is Gregor’s bold ambition costs him to suffer. Before his catastrophic metamorphosis, the son takes up the position as head of the family as a result of business failure of his father. He begins to work assiduously to sustain the whole family;…
The early twentieth century represented a time of hardship and struggles throughout Europe. In 1915, at the onset of World War I, Austria-Hungary centered at the heart of this turmoil. This societal angst eventually translated into/became the individual alienation that lies at the center of Franz Kafka’s The Metamorphosis. The protagonist Gregor Samsa’s shocking change into a bug reflects this angst felt by Kafka and his own perception of the world – and his role in it. As a bug, he cannot provide for his family any longer, and therefore becomes excluded from familial affairs. The family adjusts to his plight by taking on extra jobs and admitting boarders into the home for extra financial support; all the while, Gregor becomes victimized by the coldness of his newfound world. In a period where everyday living presented a daily fight to survive, the family could not lament Gregor’s absence for too long before worrying about personal wellbeing. This coldness of that era is incorporated through Gregor’s dire situation and in turn, the family’s cold reaction indicates the “survival of the fittest” theme evident in families during that time. Kafka employs depressing language and style, a three-part structure to the novel, and an extended metaphor to shape the belief that in a world filled with conflict, regardless of family ties, only the fittest will endure.…
A person is defined by more than his name, his occupation, or his family because he belongs to a greater universe where he is defined as a human, famous for imperfection and the conscience. However, the most obvious characteristic of humanity is governed by the dynamics of emotion. In Franz Kafka's novel The Metamorphosis Gregor Samsa finds himself falling out of society and losing touch with humanity, and his loss of identity is furthered by his inability to understand emotion. The narrator's presentation of human emotion, specifically kindness and anger, creates opposing tones of ambiguity and lucidity, a conflict that answers to a greater theme of the novel.…