Petruchio’s soliloquy from (2.1.164) to (2.1.176) suggests he is confident about his “taming” methods as we are further informed about the ways he will use to “woo her (Kate) with some spirit”. Petruchio expects Kate to listen to him and submit. The “wooing” scene between Petruchio and Kate in Act 2 is intended to be comical, the playful and witty repetition of Kate’s name and sexual puns such as “What, with my tongue in your tale?” that Petruchio makes, suggests this. We also know that Petruchio outperforms Kate on verbal acuity and wit. When Kate strikes Petrucio, he resorts to replying “I swear I’ll cuff you if you strike again!” This seems to put both Petruchio and Kate on equal footing. They seem well matched for eachother, therefore the audience would want them to reconcile their differences. This…
There are many different types of relationships that women wish for. Some want a man that will daunt on their every need. Other girls wish to "wear the pants" in the relationship and even occasionally women want just to live in the same household and have sex but do not seek any kind of restraining vows. In Katherina's case she wishes to be insubordinate in any type of relationship she is forced into. On the other hand Pertruchio does not wish this in his wife so he puts down his foot to show Katherina who is the dominant and who is the submissive. In Shakespeare's Taming of the Shrew, he uses diction and imagery to explain Katherina and Petruchio's relationship.…
Petruchio never does anything like what Patrick does. Patrick has to impress her in order to date her petruchio doesn’t have to do anything for Kate, he just has to impress her father for permission which proves to be easy giving him no chance to see the beauty in her. Pertuchio tames Kate so she will do what he says and be more what he wants her to be. Patrick never tames kate if at all only in order for her to love him but either way he over all falls in love with who she really is and always has…
At the beginning of the story she is the very definition of a shrew, a woman of violent temper and speech; termagant, (from dictionary.com). This was the case because she was jealous of her sister, who was more beautiful and sought after by suitors than she, this causes her anger. Her father Señor Baptista, would not marry her younger sister, named Bianca, until Katherine was married, but none would marry her. Which continued to cause her more anger, especially at her sister and father for the situation constantly reminds her of her lack of self worth.…
Meanwhile, as the story progresses, Kate continues to grow as a wife, who is wholly committed to learning about completely satisfying her macho man, and continuing to uncover what secrets he holds onto. Her earnest efforts also leads to her…
Taming of the Shrew is a romantic comedy written by William Shakespeare in the 1500’s. It takes place in the city of Padua, presumably during the Italian Renaissance. The major conflict of the play is ‘taming’ a hot-headed woman named Katherine and to overcome the rule her father holds on his two daughters where the eldest marries first. The script brings up a lot of attention in the feminist theory. But, Shakespeare’s play reflects on the archetypes of characters, situations, and symbols. These connections are made in the play to make the audience familiar with the text and provide a deeper understanding.…
The audience did not always respond well to the conclusion to the play, some of the characters do seem strangely disconnected throughout the play and their characteristics are un-naturalistic, Marchute Chutte – as well as other critics of the play – believe ‘The Taming of the Shrew’ “was an adaptation of an older play. Shakespeare took what was originally a tidy little farce and transformed it into a vigorous and colourful one. But it remains a rather heartless play, and although Katherina and Petruchio are entertaining they are not particularly real people.” This is perhaps the reason for their relationship being so out of touch with the audience’s expectations.…
The transformation of Shrew’s comedic genre into the ‘teen’ genre in 10 Things facilitates its relocation into high school. In Shrew, comedy revolves around the physical violence upon Kate, deception, and a play on words. The sight of a ‘shrew’ physically subdued by a man would have been humorous to an Elizabethan audience. Humour is also evident in Petruchio and Kate’s verbal battle, where elaborate puns are constructed. ‘Women are made to bear and so are you’ (II.i.200). Here, Petruchio twists the word ‘bear’ into meaning ‘giving childbirth’, thus twisting Kate’s insults into innuendo. Influenced by the ‘teen’ genre and the rise of feminism, in 10 Things, comedy exists verbally and in stereotypical teenage experiences. Ms Perky’s attempt to describe an erotic scene in her novel is evidence of verbal humour, similar to Petruchio’s use of puns. The concept of growing up is embodied in Kat’s antisocial behaviour. Described as a ‘heinous bitch’, her unfriendly manner illustrates her inability to accept her adolescence, such as dating. This is emphasised in the party scene, where the childhood swings she is sitting on juxtapose against the adolescent party house in the background. The modern adaptation also explores teenage dating. Dating forms the basis of comedy. Bianca feels the urge to date for the purpose of fitting in to teenage culture.…
“For I born to tame you, Kate, and bring you from a wild Kate to Kate comfortable as household Kates.” -Petruchio…
Kate and Peruchio have a backwards relationship. Kate is in control of this relationship. I’m not saying that Peruchio doesn’t have a say so in their relationship but Kate iks more of the person who is quick to express what she feels. I think this is how it is in today’s world. Even though it has some negative outcomes with the women being so dominate, it makes men understand that women do not depend on them. Both relationship are alike because everyone plays a role in their situation. They also have someone who stands in control and someone who follows. By this happening it allows for the…
In the beginning of the play Kate is "consistently in opposition to everything around her"2, meanwhile "Bianca obeys so gently and with such sweet submission that it is obvious why she is Baptista's favorite daughter"2. In the end of the play, the roles switch and Katherina is submissive to every word of Petruchio and Bianca resists the commands of her new husband.…
Women were motivated by societal expectations. A valued woman was obedient, passive and sweet. Bianca epitomizes these qualities and shapes her behavior around them. She exchanges vicious words with her sister in private, but while in the company of suitors she turns mild. Bianca’s father and her suitors determine who she marries, showing her surrender to men’s power and acceptance of obedience. In Kate’s concluding speech, she says, “A woman moved is like a fountain troubled, muddy, ill-seeming, thick, bereft of beauty, and while it is so, none…will deign to sip or touch one drop of it.”(5.2.151) Kate admits that an unpleasant, angry wife is undesirable and useless. Certainly no man will consider an ugly, rude woman worthy of his company. She finally relents to Petruchio’s taming and takes a woman’s normal place in the social hierarchy. Women conform to society’s strict expectations.…
Audiences continue to be fascinated and relate with Katherina because of the struggles she faces with not fitting into a very concise, social mould. There's no denying that The Taming of the Shrew is patriarchy at its worst. Shakespeare presents to the audience Katherina - an intelligent, highly stubborn woman who is willing to challenge the sexist patriarchal ideologies of the 16th century. She is subjected to many things like verbal abuse, injustice and double standards, which all resonate with the audience.…
Feminism did not begin in any organized form until 1848 with the Seneca Falls convention, and “women began to realise that in order to transform society they would need their own organisations to do so”(Greenberg). Knowing this, it is obvious that feminism did not exist during Shakespeare’s era, and he was essentially doing something no one had ever had the gall to attempt before. In The Taming of the Shrew, he created a strong willed woman who voiced her opinions and refused to be married off like a object. Most notable in this play is how Shakespeare presents the men; each one in the play is powerful, wealthy, handsome, or a combination of the three, as there is no man that does not have some ability to get what he wants. Yet Shakespeare uses extreme amount of humor, much of it crude due to his being influenced by Marlowe, and intelligent female characters to make the men seem like egotistical idiots. It may have been a social norm to act like an arrogant fool in the Renaissance, but as time goes on and Shakespeare’s plays only become more popular, it becomes more and more obvious that the men and women in the novel are on completely different intelligence levels. Although having only two female characters, The Taming of the Shrew passes the Bechdel Test, which is a social…
Both Beatrice and Kate are female leads in each of their respective plays, and are written to be intelligent, witty, strong, and outspoken women (Greenblatt 316). In “Taming of the Shrew” and “Much Ado About Nothing”, Kate and Beatrice are categorized by each of the Shakespearean play’s other characters as a “shrew”, “being shrewish”, and “acting in the manner of a shrew”, noting of both of the female characters implied the negative connotation during the time period for women, as an insult, and basically stating that both Kate and Beatrice are unreasonable and ill-tempered woman (Greenblatt 125). Leonato further stresses this concept about Beatrice to his brother Antonio, in “Much Ado About Nothing” on page 330 in the book: The Norton Shakespeare: Based on the Oxford Edition: Essential Plays and Sonnets, during Scene I of Act II, where Leonato states, “By my troth, niece, thou wilt never get thee a husband if thou be so shrewd of thy tongue (2.1.16-17)”…