. .] It was a low, dull, quick sound – much such a sound as a watch makes when enveloped in cotton” (334-36). He imagines the ringing to be the old man’s heart still beating, which symbolizes his guilty conscience and growing mental instability. Richard Wilbur confirms, “The story seems to say that, if imagination rebels against everyday temporal consciousness and earthly attachments, the cost may be a self-destructive madness” (Wilbur 163). Eventually, the narrator’s imagination and guilty conscience overtake him and he indefinitely loses his secret and mind. The narrator exclaims, “Tear up the planks! here, here! – it is the beating of his hideous heart!” (Poe 336). Although the narrator is confident of his crime in the beginning, his guilty conscience causes his madness, and the truth ultimately comes through. Tucker reinforces the narrator’s guilt and madness, stating, “But in the end, in his madness, he imagines that the three men know, hear, and see all, even the deepest secrets of his heart;” however, “it is his own heart, his tell-tale heart, his conscience, which cannot hide” (Tucker 98). In Edgar Allan Poe’s “The Tell-Tale Heart,” the old man’s eye along with the beating heart is effectively used to reinforce the theme of guilt thus
. .] It was a low, dull, quick sound – much such a sound as a watch makes when enveloped in cotton” (334-36). He imagines the ringing to be the old man’s heart still beating, which symbolizes his guilty conscience and growing mental instability. Richard Wilbur confirms, “The story seems to say that, if imagination rebels against everyday temporal consciousness and earthly attachments, the cost may be a self-destructive madness” (Wilbur 163). Eventually, the narrator’s imagination and guilty conscience overtake him and he indefinitely loses his secret and mind. The narrator exclaims, “Tear up the planks! here, here! – it is the beating of his hideous heart!” (Poe 336). Although the narrator is confident of his crime in the beginning, his guilty conscience causes his madness, and the truth ultimately comes through. Tucker reinforces the narrator’s guilt and madness, stating, “But in the end, in his madness, he imagines that the three men know, hear, and see all, even the deepest secrets of his heart;” however, “it is his own heart, his tell-tale heart, his conscience, which cannot hide” (Tucker 98). In Edgar Allan Poe’s “The Tell-Tale Heart,” the old man’s eye along with the beating heart is effectively used to reinforce the theme of guilt thus