Prospero is another interesting character from Shakespeare’s Tempest that is found in Takaki’s book. Prospero decared that he had been thrust forth from Milan and had landed on the shore of Caliban’s island “to be the lord on’t” (36). By nothing more than self-righteousness, Prospero dispossessed Caliban’s land and pronounced himself as the rightful owner of the land. Early English settlers in Virginia…
The author, J.M. Blaunt’s central argument of this article was that colonialism led to Capitalism in Europe.…
Caliban in "The Tempest" was the son of Sycorax, and his character is a symbolic representation of indigenous or "savage" people. His character represents the stereotypes of indigenous or uncivilized people and a direct contradiction of his more "civilized" counterparts, most specifically Prospero who is seen as his conqueror or master, and how he is below that of Prospero and therefore the indigenous people of the Americas were below that of the European colonists. This can also be seen as a reflection of William Shakespeare's view of colonizing North America and what was imagined the American indigenous people were like.…
In order to understand the characters in a play, we have to be able to distinguish what exactly makes them different. In the case of The Tempest, Caliban, the sub-human slave is governed largely by his senses, making him the animal that he is portrayed to be and Prospero is governed by sound mind, making him human. Caliban responds to nature as his instinct is to follow it. Prospero, on the other hand, follows the art of justifiable rule. Even though it is easy to start assessing The Tempest in view of a colonialist gaze, I have chosen instead to concentrate on viewing Caliban as the monster he is portrayed to be, due to other characters that are not human, but are treated in a more humane fashion than Caliban. Before we meet Caliban, we meet Ariel, Prospero’s trusting spirit. Even though Ariel is not human either, he is treated kindly and lovingly by his master who calls him “my quaint Ariel.” Caliban, on the other hand, is called a “tortoise” and a “poisonous slave” by Prospero. As Caliban enters in Act 1 Scene 2, we realise his fury at both Prospero and Miranda. He is rude and insulting and Prospero replies with threats of torture. Prospero justifies his punishment of Caliban by his anger at the attempted rape of his daughter, something Caliban shows no remorse for. Miranda distinguishes herself from Caliban by calling him “a thing most brutish” and inadvertently, a thing that has only bad natures. She calls his speech “gabble,” but doesn’t stop to wonder whether it was she that didn’t understand him because she didn’t know how to speak his language. Surely Caliban communicated verbally with his mother for the twelve years before Prospero killed her? It seems that Prospero and Miranda expect Caliban to be grateful for the knowledge of their language, but Caliban has just learned “how to curse” and justifies his anger by claiming rights…
The Tempest by William Shakespeare was written in the 17th century, a time where exploration and colonialism were of high priority in Europe and the people were fascinated with the discovery of new lands. In the play, Propsero, once the Duke of Milan, resides on a remote island in the Caribbean with his daughter Miranda where he has spent many years ever since his brother Antonio dethroned him. Prospero possesses magical powers which allow him to control the entire island. Caliban, the only native to the island, exchanged his knowledge of the land for the knowledge of language. Prospero takes advantage of his inherit powers and makes Caliban his slave. The story begins when Prospero uses his magic to coordinate a storm called, The Tempest, which causes a shipwreck that leaves his brother Antonio and the rest of the crew abandoned on the same island. All members of the ship end up in different areas of the island. Assuming it is unsettled, the characters become power hungry and aim towards ruling the island themselves until they find out the daunting news that Prospero resides there. This play addresses colonization and prejudice towards the indigenous people, the dependance of the native people to the survival of the colonizer, and can relate to today's endeavors the West has in the Middle East.…
Prospero is a protagonist in “The Tempest” because he has been attacked and betrayed by the people around him. Even though this puts him in a sympathetic position, he is ultimately cruel because he uses his advantages in order to get vengeance and stay in power over others. In particular, Prospero tournaments, Caliban, whom he catches trying to rape his daughter Miranda. He resorts to vengeance in Act 1, telling Caliban, “If thou neglectest or dost unwillingly what I command, I’le wrack thee with old Cramps, fill all thy bones with Aches, make thee roar, that Beasts shall tremble” (Shakespeare 1:2:21). Prospero threatens Caliban by imposing torture on him. To punish Caliban for his actions Prospero threatens to cause physical pain to Caliban by giving him painful cramps during the night. The fact that Prospero's idea of justifying the problem through torture demonstrates his standing in his sense of morality.. Prospero is wrong in the way he uses his social standing as a mean to torture others. Prospero feels a sense of authority. And this makes him like he is able to inflict suffering Caliban so that Caliban can pay for his actions towards his daughter. It is important to understand that authority figures such as Prospero's often turn to torture and cruelty to keep their subordinate figures in order. This contradicts the fact that all humans were created equally with the…
In The Tempest this sense of discovery is primarily evoked through the use of the Island as a metaphor, creating a sense of isolation and realisation in order for characters to consolidate with ones self. As Prospero states, “thy father was Duke of Milan and a prince of power” , his diminished isolating environment allows him to evaluate his past as he were and realise the great potential he lost. But as he undergoes the isolation, he learns to accept his past consequences , “ i embrace thy…company, i bid a hearty welcome”, thus appreciating his at first demeaning setting for allowing for his understanding of a need of forgiveness within him to allow him to fulfil his future requests.…
Chapter 1: The Battle That Changed History Blades were clashing on the battlefield, many men fighting to conquer cities. The four tribes fought. The War-beasts against the Magi while El-kai against the Humans. “All forces charge!” The El-kai commander said.…
The Tempest is a story of the many personal developments we have in life. . An excellent example of this would be Prospero, one of the main charcters and catalyst for the plot. Once the Duke of Milan, Prospero began dabbling in magic this is contradicted by his lack of power to exact revenge upon those who betrayed him. This…
In the Tempest, written by William Shakespeare in 1611, Prospero the sorcerer was the Duke of Milan until Antonio usurped his power. Prospero is banished to an isolated island with his daughter Miranda. Here he practiced his sorcery and controlled every aspect of Miranda’s life. Prospero used his sorcery to create a magnificent tempest to bring all his enemies to the island, including Antonio, for revenge. Caliban was a native to the island Prospero lives on. Prospero catches Caliban trying to rape Miranda so he makes him his slave. Prospero makes Caliban carry firewood and other hard labor. Prospero frees Ariel from a tree and then makes him his personal servant. Both of these men are Prospero’s slaves but they are much more than…
According to The Oxford Advanced Learner’s Dictionary, the word ‘colony’ refers to a country which is ruled by a powerful country, and the word ‘colonialism’ refers to the process through which this powerful country controls other countries.…
In “The Tempest”, William Shakespeare leads the reader into an island in a realm beyond reality, which generates obstacles and challenges that aid the characters in their self-discovery process. During their time on the island, they are encouraged to expand themselves and become more than what they think they are. This journey is especially evident within the protagonist, Prospero, as he is able to grow in many aspects of his entire being. Comparing his initial plans of retribution and punishment towards his brother Antonio, with his attitudes of reconciliation and resolution at the end of the play, it is apparent that he has undertaken a journey of self-discovery. Somewhere along the way, Prospero has arrived at a realisation, during which he comprehends that “the rarer action is in virtue, than in vengeance” (Act 5, Scene 1), meaning that it is both rare and ultimately more admirable to exonerate, than to hate one’s enemies. This sense of illumination and enlightenment is achieved through the island’s magical properties that stimulate growth within the characters, and also Prospero’s love for his daughter, Miranda, which humbled him greatly.…
Prospero and Sycorax were banished from their homes, and ended up on the island with a child. Prospero had Ariel carry out his commands and punished Caliban in the same way that Sycorax punished Ariel for not doing her bidding. Sycorax’s dark magic is reminiscent of Medea but Prospero’s speech in Act V parallels Medea’s speech in Metamorphoses. By comparing himself to Medea, he implicates a similarity between himself and Sycorax. The play, as told from a colonial viewpoint suggests we are meant to accept Prospero as the innocent protagonist who has been evicted from his home, even as he controls his own daughter and punishes a slave. The monsters in the play, Caliban and Sycorax, illustrate how hypocritical negative views of uncivilized brutish slaves by those that treated them inhumanely. Read in a postcolonial light, Caliban serves to highlight the stigma surrounding deformity, as initial judgement of him comes simply because of his monstrous appearance. However, his main role is as an example of slavery and colonial attitudes towards the cultural, racial and alien…
68). Whether by subterfuge or not, Caliban 's activities after the encounter of the first act are in a comic mode. He and Stephano and Trinculo form a comic troupe, united by the liquor salvaged from the shipwreck, Stephano 's dream of becoming lord of the isle, and Caliban 's plan of revenge. They are eventually mired in a cesspool, and hunted by the dogs. If it is a comical troupe, it is not a particularly engaging one, with the Neapolitans planning to tame Caliban and either to sell or exhibit him, while Caliban tries to 9 See note 8, above.…
Throughout William Shakespeare's play, The Tempest, many different themes and motifs are present. However, power and gender roles strongly influence the directionality of the plot. Specifically, the characters Prospero and Sycorax tend to represent two opposing ideas of what it means to be male versus a female and to have power versus not having power. The patriarchy is one that seems to be led and determined largely by Prospero, however, is a coherent system which is opposite of the system Sycorax represents. By analyzing the actions of the male characters in conjunction with the analysis of the way Sycorax character affects the others in the play, the opposition of gender from the patriarchy is evident. Furthermore, even though Sycorax exists only in the perspective from the male characters, she is thus able to threaten the power of men through her absence.…