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The Three Sculptures Of Donatello's David

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The Three Sculptures Of Donatello's David
The three David’s

Why do we create art? There are many reasons for the creation of art itself, whether it be to tell a story or to express ourselves. Art is always changing because it has a way of developing over time, just like people do. Going back to the Early Renaissance, Donatello created a sculpture of David by recreating a scene from the Bible. As time passed Michelangelo created a newer version of David that wasn’t so youthful and had more detail than Donatello’s David. Sculpting had evolved over time when Bernini finally created an elaborate David in mid-fight. All of these sculptures were acceptable in the time in which they were created but as time went by people’s preferences had changed and so had the purpose of the sculptures.
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Much like the other art created during this time period; this sculpture of David represented humanism and individualism. The bronze statue of David depicts a youthful image of him based on his body’s figure and facial features. The statue was placed in the center of the courtyard where it was to be viewed from below. Being that the statue was nude, it had brought on some controversy during its time. During the Early Renaissance, the only nude images acceptable to society were those of Adam and Eve. The purpose of Donatello’s David was to show David celebrating his victory after the battle with Goliath. This biblical image of David could be implying that he’s underdeveloped as a man and that his victory was truly an act of God. Although Donatello’s sculpture was a much younger version of David, partly because of its biblical representation, the actual sculpture did not look like David when he ruled as king. Donatello’s David is my least favorite out of the three David’s because the sculpture lacks attention to detail. There’s a lack of emotion within his facial features that truly signifies his victory. Although the sculpture is a biblical representation of David, he appears to be too young. Unlike most sculptures of kings, this image of David does not look like him when he ruled as king. The Early Renaissance in general, is always frontal and lacks detail and

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