While Count Dracula is prominently reckoned as an opposition within a methodical society, he can somehow exemplify a potential alteration for oppressed women against the Victorian’s standardized expectations. In the primary introduction of Mina and Lucy’s appearance, the two female characters express a vast ideology of obedient and pure Victorian women. Both of them desire to wholly love and marry whomever they want without feeling oppressed by the expectations that society imposes on them. After Count Dracula corrupts Lucy to become a vampire of her own, her sexual desire commences to expand, and she deviates herself from the norms within the Victorian society. In chapter 15, Dr. Seward anxiously states, “She still advanced, however, and with…