Filmed and released in 1942 Casablanca, starring Humphrey Bogart and Ingrid Bergman, is a romantic drama set during World War II. The movie focuses on a man (Rick Blaine) torn between love and virtue and it is throughout the movie that he struggles to choose between his love for a woman (Ilsa Lund) and helping her and her Czech Resistance leader husband (Victor Lazlo) escape from the Vichy-controlled Moroccan city of Casablanca. Throughout the movie it becomes clear that Casablanca is a love story. But is there more behind the main stream love that we as the audience only see? In the final scene it become evident that not only is the story of Casablanca a love story; it is also political propaganda in disguise.…
Gold Diggers of 1933 (Mervyn LeRoy, 1933)—a story about three strong showgirls who marry three rich gentlemen—emphasizes spectacle over realism, constructing a beautiful world of symmetry and dance. The film’s diegetic reality (showgirls during the Great Depression) mirrors its diegetic performance (a Broadway musical about the Great Depression)—neither of which reflects the actual conditions of the “real” Great Depression. Why? During the 1930s, Americans went to see filmic musicals to escape the harsh confines of their reality, to glimpse a world of fantastical opportunity. Therefore, the cinematic musical’s supra-diegetic music, extravagant sets, and geometric choreography—specifically within the number “Shadow Waltz” directed by Busby Berkeley—combine to create an “on-screen fantas[y],” enabling the viewer to “inhabit luxurious spaces well beyond his or her financial means” (Fischer, 120). However, these spaces of fantasy did not stretch to re-imagine conventional gender roles. Rather, the camera’s abstraction of female bodies ultimately emphasizes objectification and sexual regulation, even within…
trust and love found throughout the movie and seem to make the statement that love is blinding…
Tom, her husband, commits unworthy actions that a husband should not do, but is very wealthy. Instead of being with a man who she truly desires to be with, she would rather be with a man that had more money from the beginning. In an argumentative discussion, Daisy communicates to Gatsby that she “did love [Tom] once but [she] loves him too” (140). Since Daisy is torn between the concept of money and love, she does not know who she desires to be with. However, a physical interaction between Gatsby and Daisy made Gatsby’s “heart beat faster and faster as Daisy’s white face came up to his own”(117). This shows that Daisy does have an attraction towards Gatsby, but prefers the benefits she receives by being married to Tom. If she was pure and innocent as her white colored face, she would not use her husband for…
As the film starts, the opening captions reads exactly what the film is about and establishes the way in which Chaplin is going to perform by stating “A Comedy Romance In Pantomime.” The film begins with the unveiling of a new city statue by the mayor and assorted aristocrats. However, a sleeping tramp is revealed resting on it once the white sheet is removed for the ceremony. The Tramp (Charlie Chaplin) ungraciously dismounts from the marble statue in humorist fashion.…
To start with, she thinks Gatsby is wealthy and falls in love with him. But realizing the fact that Gatsby can’t give her a luxurious life, she chooses Tom as her husband without any doubt. However, Gatsby’s appearing with historic fortune and his true love to her seems to make her moved, then she tries to recover the relationship between them. For Daisy, what she really wants is not a romantic lover, but she needs a man who can give her a comfortable life and a respect position.…
Brilliant and creative writers are able to exploit simple ideas or objects to emphasize an important message or characterize a persona in their play. In Streetcar Named Desire, by Tennessee Williams, Williams utilizes light to help characterize Blanche DuBois. Blanche is presented as an individual who avoids reality, has sexual desires, and displays herself ostentatiously, but she is really an insecure tragic figure; she lies about her age and steers clear of things that will expose the truth. Williams uses light, in his play, as a motif to illustrate that Blanche does not only hide from the light to disguise her age, but very much hide her imperfections and the truth.…
felt remorseful and couldn’t sleep. Later that night she decides to go back and let her anger out on the rest of the beautiful flowers. While she is ripping them out of the soil, she looks up only to see Ms. Lottie staring at her. She feels very embarrassed and starts to cry. After this event is when she finally kicked the childish habits out of her life and became a young woman (Collier).…
Selfish, deceitful people exist throughout America. Yet, from reading the short story “Love in L.A.” the rest of America would probably view the way the city promotes it’s lifestyle as disoriented. The story is centered on a man born a raised in the city of L.A. rear ending a young woman, but lying to her about every facet of his life. Reading the story you would know that it is not about love as its title states but about how everyday people lead their daily lives, using trickery, schemes, and lies to get what they want, how they want it, by any means necessary. Stereotypes of the city drive this whole story.…
What is love? Often enough, as a hormone-struck teenager, I am lectured on what love is not. According to my mother, father, grandmother, aunts, uncles, and every adult figure that has ever made a guest-star appearance in the long-winded romance novel that is my life, love is NOT the warm cuddly feeling I get when I see a cute boy at school. Love is NOT holding hands on the playground; is not caring an abnormal amount for a favorite pair of shoes. I feel as though a vast amount of time is spent describing the negative space of a person’s heart, and not long enough spent defining its shape. Although Pastor Ostrum follows suit with his anti-definition of what love is not, he definitely strikes a chord in my heart when he says that “love is not something we wait to have happen to us, but something we do.” Many might disagree, might argue that love is a two-way street; that in order to give we must first receive. However, in the novel “Until They Bring the Streetcars Back,” by Stanley Gordon West, Cal Gant demonstrates this principle of giving time and time again.…
Instead “she allowed herself to marry a petty clerk in the office of the Board of Education” (31). All the while she dreamed of living the life of the rich, with beautiful possessions all around her and all her wants answered. Oh how happy she thought she could have been. But her dreams are always short lived by the everyday evidence of their middle class furniture, food and conversation.…
This short British film based in North East of England in the late 1930s is about an important close relationship between a father and son and how life was and how hard it was. Running through “Bait” is the theme of poverty and love, shown through captivating performances and clever camera work.…
In Craig Lucas’s musical “The Light in the Piazza” it tells the tale of a girl, Clara, and her mother, Margaret, visiting Italy. Clara meets and falls in love with a boy around her age named Fabrizio, but her mother doesn’t think it is a good idea for them to be together due to Clara’s mental state. As the play goes on Clara and Fabrizio still want to get married. Fabrizio’s family, the Naccarelli family, also want them to get married, the only people not in agreement is Margaret and her husband, Roy. Margaret eventually gives in, seeing how happy Clara would be and knowing she would be safe with the Naccarelli family. After many twists, turns, and scene changes, the story comes with a favorable ending. Love is prominent throughout the show as it is found, grows, and gets messed with, but in the end the laws of love cannot be bent.…
The great depression, bootleggers, Jazz, flappers and changing lifestyles are all part of the roaring 20’s. A time when women redefined themselves and music grew to an all time high. This revolutionary and dynamic decade is the setting for The Great Gatsby and “Winter Dreams” both by F. Scott Fitzgerald. Set in New York, The Great Gatsby is the story of James Gatz, a newly rich man who tries to regain the love of his past girlfriend, Daisy, who is already married. The story “Winter Dreams”, set in Minnesota, is the story of Dexter, a boy who falls in love with an even younger girl, Judy Jones, who falls back into love with Dexter despite the constant attention of her previous husband , who seeks her love explains their complicated love lives. In both, works The Great Gatsby and “Winter Dreams” Fitzgerald discusses the theme of unrequited love, in which two men spend their entire lives and effort to win over a woman’s heart even though their loves goes unreturned…
Daisy is considered a beautiful girl, although to the peripheral reader she may seem a bit perplexing. Daisy has feelings for Gatsby that have altered throughout their lives. Later in her life, Daisy may only like Gatsby for his riches and because of their previous relationship. Gatsby also has lived “the American Dream,” according to some of Daisy’s beliefs. He is rich, elegant, and has made a living by working hard, or so she thinks until it becomes clear that Gatsby is a bootlegger. Daisy does not know exactly what he has done in order to make all this money, but she doesn’t argue with it or question it. Her current husband, Tom, can represent the average husband, but he is the type of man that can sweet talk his way out of anything. For this reason, he takes advantage of Daisy by having an affair, but also because he is big and just a plain bully. Like Daisy, Tom loves his spouse, but there are times when this may not be so apparent. They come together and seemingly make the perfect couple to…