I usually look at the picture in the class and the worksheet for any hint of an answer to our group work. The pictures of Queen Elizabeth help remind us that she too was once like us, young and lively. Through this, we can related to her as a young adult, rather than an old political figure we see her as today.…
The Wife of Bath is named “Alis” (326), which is short for Allison in modern English. Interestingly, she shares the name with the young wife in “The Miller’s Tale,” also from Chaucer’s The Canterbury Tales. The name, then, represents a challenge to the patriarchy as much as the person does. Within “The Miller’s Tale,” Allison commits adultery and sees herself as above her older, but unarguably devoted husband. The Wife of Bath is also guilty of the same things. Her first “three men were goode… and olde” (203); thus, the character of Allison within “The Miller’s Tale” could likely be a younger embodiment of the Wife of Bath. However, Allison in the tale is portrayed in a way that makes her appear entirely cruel and unjustified in her actions. The Wife of Bath argues that she is justified in her actions because of the harsh inequalities created by the patriarchy. The difference between the two could be attributed to a situation where Chaucer’s own beliefs conflict with the beliefs of his characters.…
Chaucer's Wife of Bath is one of the most amazing characters in English Literature. She is a strong, clever, independent woman who knows what she likes and usually gets it. She is lusty and not shy about it. She exposes and mocks misogyny in various ways, showing just how misogynistic medieval society was. However, although her strong willed nature and mockery of this patriarchy is apparent, as an audience we still remain confused, and discover aspects of her characteristics and journey, which show that perhaps she is still trapped in this ideal male dominated world. The Wife of Bath, Alison is represented as a rare and unique woman in the initial portrayal of her in the prologue, but at the end of her prologue, the Wife of Bath succumbs to the pressure of society, conforms and becomes the medieval wife.…
When studying the Wife of Bath’s Prologue and Wife of Bath’s Tale, both coming from the Canterbury Tales by Geoffrey Chaucer, you see a common theme of feminism. Also, you get a good sense of the of the anti feminist cultural norms and ideas regarding women in the medieval era. Alisoun, The Wife of Bath, focuses most upon the common stereotypes of women. These stereotypes include the idea that women only marry into money in order to live a lavish lifestyle off of their husband’s income as well as the belief that women will never stop talking to their husbands. Stemming from this, the common belief among men was that if you were to get married, it would ruin your chances of success later in life. The Wife of Bath opposed all of these…
In Canterbury Tales by Geoffrey Chaucer, the description of the Wife of Bath in the “General Prologue” seems to contradict her tale and prologue. In the “General Prologue”, The Wife of Bath is described as a very confident woman who is superior, socially speaking. But this portrayal is contradicted by her tale and prologue due to the fact that her independence results from other people, more specifically men. From this it can be derived that it is not true independence or confidence that the Wife of Bath embodies, but a false sense of the traits. The portrayal of a strong and confident woman that the “General Prologue” has set up for the Wife of Bath’s character is therefore shattered through the evidence of her insecurity and dependence on others.…
In “The Wife of Bath’s Tale,” the knight received a punishment and was rewarded as well for violently raping an innocent girl just because he could not control himself. In the beginning of the tale, the knight was selfish and masochistic and clearly wanted to show his power and dominance over the girl by raping her, to prove that women could not have control over men. Chaucer states, “Hadde in his hous a lusty bacheler, that on a day cam rydinge fro river; and happed that, allone as she was born, he saugh a mayde walkinge him biforn of whiche mayde anon, maugree hir heed, by verray force he rafte hir maydenheed…” (Chaucer 26-32). The knight was punished for what he had done, but not in the way the reader may expect. He had to search for a year what women wanted most, and when he found the answer (that women wanted to be in charge of their lovers and spouses), he was allowed to live but had to marry the hag who gave him the answer.…
When writing, authors often know how they want to portray their characters, like if they want the person to stand for a greater meaning or to exist simply for ridicule. But some authors fall short of this mark and create wishy-washy figures that neither prove nor disprove an idea. This is the case with Chaucer and his portrayal of the Wife of Bath. The writer neither ridicules the woman for her multiple marriages nor does he use her to ridicule the gender norms of the time.…
The wife of bath is a very confident woman who, in the prologue of her tale, talks about her five husbands. She seems very satisfied with her life and her choices; she is fulfilled regardless of the men she was married to. Even with all their deaths, she remains happy and independent. “But even now I will strive to be merry.” (Lines 478-479) The story she tells is about a knight who, after he rapes a young girl, is forced by the queen to find out what women desire the most. He finally discovers that what women want the most is to have sovereignty over their husbands. This goes directly along with the character of the wife of bath, who loved the control she had over her husbands more than anything else. The story proves that the answer to what women want the most is not just one static statement. What a person desires most in life depends on their own character and their own…
In The Canterbury Tales, by Geoffrey Chaucer, the narrator introduces many characters in “The Prologue.” Twenty-nine strangers embark on a pilgrimage to Canterbury, one of them being the Wife of Bath. In “The General Prologue”, “The Wife of Bath’s Prologue”, and “The Wife of Bath’s Tale”, the Wife of Bath is described in a very critical, yet amusing way.…
Regarding the tale of the Wife of Bath, the most common interpretation is wish-fulfillment, yet the ending flips this on its head and undoes all that it would seek to do, according to McTaggart (43). The Wife being as complex of a character as she is and Chaucer’s complexity when writing this character would certainly not allow one to discount this reading completely. Like gender in reality and any social power struggle, metaphorical or literal, nothing is quite a clear-cut dichotomy and expecting Alyson to fall neatly into one box or another is pure folly. Certainly there is plenty of wish-fulfillment to be found in the tale, for instance, the role reversal of power the judges over the rapist knight’s fate. The best example is the one that…
In Geoffrey Chaucer’s The Canterbury Tales: “The Wife of Bath”, one acquires insight on the character Wife of Bath and how her ideals and principles differ from the customs in medieval times. Wife of Bath was a perceptive and dominant women that was looked upon as a gold digger that used her body as a way to get around the bushes with men. While it may be true, it is without a doubt that she expressed actions that where desired by many women at the time, but were resistant to show these actions because it went against social regulations.…
The 'Wife of Bath's Prologue' is an in-depth, perceptive examination of the conflict between male and female for power and sovereignty. Through the Wife of Bath, the use of female sexuality versus masculine 'textuality' is explored and how women are dependent on marriage for independence in a traditional patriarchal society. The pervading issue throughout the prologue is 'experience' against 'authority' as the Wife of Bath presents arguments in the form of a confessional autobiography to define the role of women over men with a strong feminist slant.…
Chaucer's Canterbury Tales exemplifies the common element between the two works of women's attempts at attaining dominance over male figures. The first example of The Wife of Bath portraying this characteristic is in her Prologue. She confesses to the fact that she has had 5 husbands and that she uses various techniques in which she can control them (CT 103, 108). First of all, during the Middle Ages, being a virgin was highly prized and on the contrary, marriage was seen as inferior (CT 105-106). Also, her actions in her attempts to gain some type of control over her husbands refute the common stereotype of that time period that women should be meek and submissive to their husbands and men in…
The Wife of Bath is one of the most distinct, wild characters in Chaucer's Canterbury Tales. The way that Chaucer has drawn the character the Wife of Bath is very sexual, self-confident, feminist woman. Her facial and body feature give off very sexual vibes. He discusses her curves, her feet, and her gap tooth. According to The Wife, her gap tooth represented sexuality, sensuality, and lust. The Wife of Bath is also a very talented woman and is an expert weaver. She is very confident in her Sunday's finest clothing. She also makes herself seem like a very "religious" woman and she states that she goes on pilgrimages often, but we later find out in her story she only goes on pilgrimages for one reason. She has been married five times; therefore she is experienced in that department, so she thinks. Another big feature about the Wife of Bath is that she believes that women should be in control, she believes that she should have what she wants when she wants it, and she knows how to get it. Finally, she is a somewhat twisted woman who likes a challenge. She always has a thirst to control every man she is with she expects them to bend down and be her slave pretty much. Being a Lady Gaga fan, I immediately thought of her famous song Bad Romance, she sings about a relationship that turned from love to disaster. This reminds me of all the Wife’s bad romances with her lovers. Physically and mentally she is not a replica of Lady Gaga, but Lady…
This has been perpetuated by the ideology that women are naturally submissive, pious, and gentle creatures. “The Cult of Womanhood” describes this ideology by placing men and women into two “spheres” – not unlike men are from Mars, women are from Venus. (reference here) The public sphere involves business and public life, ruthless and uncaring. This sphere is reserved for men. The other sphere, the private sphere, is gentle, nurturing, and devoted to familial and religious matters. When a women steps outside this sphere, she is reviled and, what some sexist journalists have called her, a “mental hermaphrodite.” The Wife of Bath, Alyson, one of the traveling characters in Geoffrey Chaucer’s “The Canterbury Tales” is a prime example of a complex, independent woman in literature, who by Chaucer’s pen, is an immoral being. GoodAlyson explains her quintet of marriages, going into detail about how she controlled, lied, and manipulated all of her husbands until their deaths. She says, “Of tribulacion in marriage, of which I am expert in al myn age. This is to seyn, myself have been the whippe.” (III.179-181) ExcellentShe is seen as a sexually dominant man-hater, instead of a headstrong, vivacious…