The Yellow Wallpaper Summary
Charlotte Perkin Gilman’s “The Yellow Wallpaper” was published in 1892 after Gilman suffered from “a severe and continuous nervous breakdown tending to melancholia” (Gilman, “Why I wrote”) and was placed under the care of Silas Weir Mitchell. Mitchell’s cure for women with Gilman’s affliction were told to “live as domestic life as far as possible, have but two hours’ intellectual life a day and to never touch a pen, brush, or pencil again” (Gilman, “Why I wrote”). While following Mitchell’s advice, Gilman’s condition slowly worsened and only after she returned to working did her health improve. Using the knowledge she gained from the experience, Gilman wrote “The Yellow Wallpaper”. The short story features a woman by the name of Jane, who is
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Within the room that Jane spends most of her time, one of the first things she describes in detail is the wallpaper. Jane believes the “wall and paint look as if a boys’ school had used it” and she continues, “I never saw a worse paper in my life” (Gilman, “The Yellow Wallpaper, 610). As the weeks pass, Jane spends more and more time in the room, where she is locked away from society and social interaction. Gilman writes that Jane sees that the wallpaper has, “a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down” (“The Yellow Wallpaper” 611). Jane begins to see patterns and images within the wallpaper because she is confined by her husband’s treatment. When John stripped her of the opportunity to write, Jane was forced to find a new way to engage her mind and express herself. Jane wants to keep this new found way of expressing herself out of the hands of her husband and his sister, Jennie. Gilman writes, “I have watched John when he did not know I was looking, and come into the room suddenly o the most innocent excuses and I’ve caught him several times looking at the wallpaper! And Jennie too. […] I am determined that nobody shall find it out but myself!” (“The Yellow Wallpaper” 615). Jane slowly comes to the realization that there is not only a pattern within the wallpaper, but also a woman trapped behind it. Rula comments on the woman within the wallpaper and how it affects
Within the room that Jane spends most of her time, one of the first things she describes in detail is the wallpaper. Jane believes the “wall and paint look as if a boys’ school had used it” and she continues, “I never saw a worse paper in my life” (Gilman, “The Yellow Wallpaper, 610). As the weeks pass, Jane spends more and more time in the room, where she is locked away from society and social interaction. Gilman writes that Jane sees that the wallpaper has, “a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down” (“The Yellow Wallpaper” 611). Jane begins to see patterns and images within the wallpaper because she is confined by her husband’s treatment. When John stripped her of the opportunity to write, Jane was forced to find a new way to engage her mind and express herself. Jane wants to keep this new found way of expressing herself out of the hands of her husband and his sister, Jennie. Gilman writes, “I have watched John when he did not know I was looking, and come into the room suddenly o the most innocent excuses and I’ve caught him several times looking at the wallpaper! And Jennie too. […] I am determined that nobody shall find it out but myself!” (“The Yellow Wallpaper” 615). Jane slowly comes to the realization that there is not only a pattern within the wallpaper, but also a woman trapped behind it. Rula comments on the woman within the wallpaper and how it affects