Although O’Brien’s “The Things They Carried” is considered fiction in many ways it is Metafiction. "Metafiction is a term given to fictional writing which self-consciously and systematically draws attention to its status as an artifact in order to pose questions about the relationship between fiction and reality” (Waugh 2.) Once in an interview O’Brien admitted to his conscious blurring of fact and fiction by way of using Metafiction to generate stories that are “more real” (Sawyer 117-126.) O’Brien’s practice of using Metafiction indisputably makes the events and stories conceivable for the reader. The reality of O’Brien’s description of the intangible items each man carried has been noted to have long-term implications for those who have had to lug around the psychological affects of war. According to an article in BMC Psychiatry, “Combat exposure is the factor most consistently associated with mental disorders and symptomatology. Research with Vietnam veterans demonstrated substantial associations between combat exposure and PTSD” (Kewley 1). In another article findings that suggest, “...Vietnam veterans are much more likely to report problems associated with posttraumatic stress disorder including ‘‘nightmares, loss of control of behavior, emotional numbing, withdrawal from the external environment, hyper alertness, anxiety, and depression”(Card 7). The way in which Tim O’Brien represents each character with both the physical and emotional baggage that he carries lends itself to constructing characters that become personal. The characters by way of these items that they carry have become believable. It is because of this believability that the reader can visualize the weight of each character. O’Brien’s ability to blur the lines between fiction and fact with the items carried in war ensures
Although O’Brien’s “The Things They Carried” is considered fiction in many ways it is Metafiction. "Metafiction is a term given to fictional writing which self-consciously and systematically draws attention to its status as an artifact in order to pose questions about the relationship between fiction and reality” (Waugh 2.) Once in an interview O’Brien admitted to his conscious blurring of fact and fiction by way of using Metafiction to generate stories that are “more real” (Sawyer 117-126.) O’Brien’s practice of using Metafiction indisputably makes the events and stories conceivable for the reader. The reality of O’Brien’s description of the intangible items each man carried has been noted to have long-term implications for those who have had to lug around the psychological affects of war. According to an article in BMC Psychiatry, “Combat exposure is the factor most consistently associated with mental disorders and symptomatology. Research with Vietnam veterans demonstrated substantial associations between combat exposure and PTSD” (Kewley 1). In another article findings that suggest, “...Vietnam veterans are much more likely to report problems associated with posttraumatic stress disorder including ‘‘nightmares, loss of control of behavior, emotional numbing, withdrawal from the external environment, hyper alertness, anxiety, and depression”(Card 7). The way in which Tim O’Brien represents each character with both the physical and emotional baggage that he carries lends itself to constructing characters that become personal. The characters by way of these items that they carry have become believable. It is because of this believability that the reader can visualize the weight of each character. O’Brien’s ability to blur the lines between fiction and fact with the items carried in war ensures