In scene four of “ A Streetcar Named Desire” Blanche attempts to convince Stella that she can get out of her situation with Stanley, but Stella insists she is not in anything she wished to get out of. Stella makes it clear that she is happy about her relationship with Stanley through their sexual chemistry by saying “ But there are things that happen between a man and a woman in the dark”. Stella believes that there is nothing wrong and she can’t understand why Blanche is so frantic. Blanche tries to persuade Stella that her situation with Stanley is just desire by arguing, “ What you are talking about is brutal desire- just- Desire!- the name of that rattle-trap streetcar that bangs through the Quarter, up one old narrow street and down another…”…
A Streetcar Named Desire was based in the time it was written – New Orleans in 1947. The late 1940’s was a postwar era as the United States rose as a victorious superpower above the rest of the world. This era was also the beginning of the Baby Boom – a time of high marriage and birth rates in the country. There was a postwar surge in luxury with the end of rations and the emergence of better, cheaper cars and entertainment. Although there were many positive advances during the time, there was also the dark cloud of the Soviet Union as the Cold War was brewing and the atomic bomb was being threatened once again.…
Furthermore, Tennessee Williams’ realistic drama ‘A Streetcar Named Desire’ presents two groups within society in a confined setting. His play sets out a realist effect on the middle class versus working class environment. Williams does this by personifying the two classes by using the relationship between two sisters. Stella, is the oldest sister who represents a working class, she lives in a shabby flat with her alcoholic, abusive, Polish husband Stanley, and is pregnant with his child. Blanche on the other hand is a middle class, sophisticated and self sufficient woman who is shocked at the way the working class lives, particularly her sisters living conditions. It could be suggested a class system is the cause of fragmentation within society,…
One might be led to believe that the constant transitions between various streetcars could possibly be symbolic for the unstableness that Blanche’s life provided for her. The main streetcar focused on in the play was named Desire, which furthers leads us to believe that this is referring to Blanche’s desire of genuine happiness. She represents a deeply embedded fixture, stuck in the past. She’s spent so much of her younger years, investing in temporary facets, until now that she is actually aging; Blanche wishes to appear younger than what she is. She is in great denial, wanting to reclaim and relive those miserable years of life that she could never get…
I believe the primary theme of A Streetcar Named Desire is madness as the result of a disconnect between idealism and reality. The main character of the play, Blanche DuBois, refuses to face reality, keeping her past mistakes and losses hidden from those around her by hiding in the shadows of madness and deception. She wishes nothing more than to escape from who she is, avoiding the interrogation lamp of life at all costs to conceal her depressing past and frightening present. In doing so, she falls more and more away from what was genuine as she wanted to live in a world of magic where none existed, forcing her into a pit of insanity and depression as her past finally catches up with her. A significant rhetorical strategy employed by Tennessee…
Critics have praised Tennessee Williams’ A Streetcar Named Desire for its characters. Crude, sensual Stanley; dreamy, burned-out Blanche; bashful, meek Mitch. That being said, the successful portrayal of these characters is the mark of an excellent Streetcar performance. According to many readers, the stunning characterization is what makes A Streetcar Named Desire so compelling and legendary. Yet I would like to disagree. I think it is the play’s setting that makes the story so fascinating.…
Everyone wants to live a life they do not have. Some people want to be rich, while others want to travel the world and never work a day in their lives. In order to live the lives they do not have, many people create their own fantasies. Tennessee Williams’ Streetcar Named Desire depicts Blanche and Stella’s lives as lies, while revealing how they do not wish to face their own realities, for they will never to able to live the life they have always hoped for.…
The play “streetcar named desire” written by Tennessee William in 1949, which was received the Pulitzer Prize for drama in 1948. The play commenced on Broadway on December 3, 1947 in the Ethel Barrymore Theater. This play is about life of a woman in 19th century who could not come out of the fantasy to the real life that her self instinct and her surrounding creates extra problems in her life that makes her hide her historical and physical appearances and lied her sister and suitor. On the other hand, the poem “The Soul Selects Her Own Society” by Emily Dickinson, in 1890, this poem believed toHhave been written in 1862, a year during which Dickinson supposedly produced more than 300 poems. This poem suggests the persona of this poem in order…
“A Street Car Named Desire” has many symbols in it, but the one that is most relevant is the streetcar. The streetcars are foreshadowing Blanches’ life. “They told me to take a street-car named Desire, and then transfer to one called Cemeteries and ride six blocks then get off at- Elysian Field.” (Williams…
By examining Stella's ineptitude to recognize Stanley’s true character, Blanche’s solace in her own fantasy, and contrasting them with Stanley’s hard set realistic view of life, Tennessee William reveals the only way to shield themselves from the horrors of reality is to live life in one’s own fantasy.…
Marie was the type of person that would sacrifice everything if that can help someone. For example, she (although temporarily) gave up her dreams of going to Paris to study at the Sorbonne to be able to help her older sister Bronya (Bronislava) achieve that same dream. She exiled herself in the Polish countryside and took a job as a governess so that she could support Bronya…
An illusion is something that deceives by producing a false or misleading impression of reality. In Tennessee William's A Streetcar Named Desire, characters such as Blanche Dubois, Harold Mitchell (Mitch), and Stella Kowalski often use illusion in an attempt to escape reality. Blanche Dubois is a woman who uses fantasy in order to protect herself from her own fears and the undesirable circumstances which occur in her life. Mitch uses illusion by regarding Blanche as the perfect woman in order to escape her lies and false reality. Stella uses illusion to make it seem as though she has a happy marriage in order to make her life and the abuse from Stanley bearable.…
The play A Streetcar Named Desire revolves around Blanche DuBois; therefore, the main theme of the drama concerns her directly. In Blanche is seen the tragedy of an individual caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present. The final result is her destruction. This process began long before her clash with Stanley Kowalski. It started with the death of her young husband, a weak and perverted boy who committed suicide when she taunted him with her disgust at the discovery of his perversion. In retrospect, she knows that he was the only man she had ever loved, and from this early catastrophe evolves her promiscuity. She is lonely and frightened, and she attempts to fight this condition with sex. Desire fills the emptiness when there is no love and desire blocks the inexorable movement of death, which has already wasted and decayed Blanche's ancestral home Belle Reve.…
Perception plays an integral role in the fabric of human existence, simply because it affects how we view ourselves and also others view us. Blanche Dubois, Stanley Kowalski, Harold Mitch, and Stella Kowalski all learned this through their continuous evolution throughout “A Streetcar Named Desire” by Tennessee Williams, however by focusing on Blanche's relations and also her past we are able to see the role that that perception plays in her life. When Blanche says,“A woman's charm is fifty percent illusion” this becomes increasingly significant because it is a demonstration of her self-perception about the role of a proper, woman in society. With that being said Blanche does not only believe this general perception, rather she embraces it so…
To what extent do the Kowalskis and the DuBois represent a clash of cultures in “A Streetcar Named Desire”?…