First, the theme of choices and consequences is sensed by the reader through the American and Jig. For the American, having the abortion would let both of them go back to their previous lives and not worry about it. With the abortion both of them would have plenty of freedom (Tim 158). He tells Jig that "it 's really not anything. It 's just to let the air in" (Baker). If Jig does have the baby, then the American knows that the consequences will lead to a breakup. After the breakup Jig would be left with the baby and both would be miserable (Tim 158). In Jig 's case of an abortion, she wants reassurance from the American. The American does not give her reassurance and "she is extremely irritated by his insensitivity." Not only does Jig want reassurance, she wants his love (Oliver 178). If Jig does deliver the baby then she knows that she would have to live a life without happiness. The American will leave her if she goes through with the pregnancy and has the baby. This would leave her unhappy because it would lead to a life without the American whom she loves. Jig knows that no matter what her decision is that the chances of her and the American having a long term relationship are very slim (Tim 158).
Second, the theme of doubt and ambiguity is expressed to the reader through the doubts of the American and the doubts of Jig. The American speaks with complete certainty
Cited: Baker, Monica. "Hills Like White Elephants." Group 2: "Hills Like White Elephants". 25 Jan. 2000. 3 March 2002 . Donaldson, Scott. "Ernest Hemingway." American Writers Retrospective Supplement I. Eds.AWalton Litz and Milly Weigel. New York: Charles Scribner 's Sons, 1998. 169-191. Oliver, Charles M. "Jig." Ernest Hemingway A to Z. New York: Checkmark Books, 1999. 178-179. Tim Akers, ed. "Hills Like White Elephants." Short Stories for Students. Detroit: The Gale Group, 1999. 155-172.