Tibetan Culture and Art
Tibetan Culture and Art
Tibetan culture and art possess a history of more than 5,000 years, and the Tibetan Buddhism has had the greatest influence on this culture. The development of Tibetan culture and art proceeded through four stages: prehistoric civilization before the 7th century; cultural stability during the Tubo Kingdom; high development during the Yuan Dynasty; and the height of cultural achievement attained during the Qing Dynasty.
The prehistoric stage includes all development from the ancient civilization that appeared during the New Stone Age some 5,000 years ago to the founding of the Tubo Kingdom in the 7th century. A salient feature of this civilization is the founding and development of the Bon, an animist religion. Findings from the ruins of the Karub New Stone Age Site in Qamdo and rock paintings found in Ngari, which have been dated from all periods from the late Old Stone Age to the Tubo Kingdom in the 7th century, all display a concentrated expression of the achievements of prehistoric civilization and reveal the budding of prehistoric art.
The Tubo Kingdom in the 7th century was an important period which witnessed the creation of Tibetan writing and the spread into Tibet of Buddhism from India and China's Tang Dynasty. Collusion and mutual assimilation of different cultures and arts constituted a major feature of this period. Cultural and artistic achievements made during this period of time include the Jokhang, Ramoche, Changzhug and Samye monasteries. These monasteries are a combination of architecture, paintings and sculptures, the styles of which were disseminated in accordance with the world model of Buddhism. The major architectural features of these monasteries were built using a style unique to Tibet, and also incorporating influences from India and the Central Plains of the Tang Dynasty. A unique culture was thus created and firmly planted in the soil of Tibet.
During the Yuan Dynasty (1271-1368), the culture and art of Tibetan
Tibetan culture and art possess a history of more than 5,000 years, and the Tibetan Buddhism has had the greatest influence on this culture. The development of Tibetan culture and art proceeded through four stages: prehistoric civilization before the 7th century; cultural stability during the Tubo Kingdom; high development during the Yuan Dynasty; and the height of cultural achievement attained during the Qing Dynasty.
The prehistoric stage includes all development from the ancient civilization that appeared during the New Stone Age some 5,000 years ago to the founding of the Tubo Kingdom in the 7th century. A salient feature of this civilization is the founding and development of the Bon, an animist religion. Findings from the ruins of the Karub New Stone Age Site in Qamdo and rock paintings found in Ngari, which have been dated from all periods from the late Old Stone Age to the Tubo Kingdom in the 7th century, all display a concentrated expression of the achievements of prehistoric civilization and reveal the budding of prehistoric art.
The Tubo Kingdom in the 7th century was an important period which witnessed the creation of Tibetan writing and the spread into Tibet of Buddhism from India and China's Tang Dynasty. Collusion and mutual assimilation of different cultures and arts constituted a major feature of this period. Cultural and artistic achievements made during this period of time include the Jokhang, Ramoche, Changzhug and Samye monasteries. These monasteries are a combination of architecture, paintings and sculptures, the styles of which were disseminated in accordance with the world model of Buddhism. The major architectural features of these monasteries were built using a style unique to Tibet, and also incorporating influences from India and the Central Plains of the Tang Dynasty. A unique culture was thus created and firmly planted in the soil of Tibet.
During the Yuan Dynasty (1271-1368), the culture and art of Tibetan